The Goat Horn

1972
8.2| 1h40m| en
Details

XVII century, Bulgaria is under Ottoman rule. Four men break into the house of the shepherd Karaivan, raping and killing his wife in full view of their child, Maria. To protect his daughter and to enact revenge, he raises Maria as a son, teaching her to fight and kill. But as Maria grows up, she longs for a different life.

Director

Producted By

Boyana Film

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Also starring Anton Gorchev

Also starring Todor Kolev

Reviews

CheerupSilver Very Cool!!!
BoardChiri Bad Acting and worse Bad Screenplay
Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.
FuzzyTagz If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
Andres Salama Bulgaria under Ottoman rule. A group of four Turks attack a woman shepherd, brutally raping and killing her. Her widow vows revenge, and brings up the surviving daughter, Maria, like a man, teaching her the use of weapons and personal defense, and preparing for the day the killers will pay for their deed. Nine years later, Maria has become a beautiful, if quite savage and unpolished, woman. She and their brutish father go after the killers of her mother one by one, leaving a goat's horn behind their bodies. But before the duo can kill all the murderers, she falls in love with a handsome shepherd living near their house. The father can not accept this relationship, and the consequences will be terrible for all. Shot in black and white, and with very little dialogue, this revenge drama is a brutal, primeval masterpiece that ought to better known. While there is surely a nationalist undertone (Bulgarians should fight against the oppression of the Turks is a prominent message), this is a great film of its own.
Georgi Djulgerov One of outstanding Bulgarian films, One of the best screen versions of a short stories by Nikolai Haitov. This film is at once a parable and tragedy revealing by mean of lean dialogue and great dramatic tension the cruel history of Karaivan and his daughter Maria. The filmmakers - screenwriter Nikolai Haitov, director Metodi Andonov, cinematographer Dimo Kolarov, production designer Konstantin Dzhidrov,theme song written and performed by Mariya Neykova and at last, but not at least - the main actors Anton Gorcheb and Katya Paskaleva - denounce violence against human nature and defend the right to personal freedom. Katya Paskaleva played brilliantly two main female characters - this one of the mother and second one of Maria. After this film she became a great Bulgarian movie star.
louisferro This is an excellent movie, the Bulgarian equivalent to an Italian neo-realism masterpiece. The degree of freedom to artistic expression is extra-ordinary, especially if replaced into the context of the political environment prevailing in Bulgaria in the 70s. The practical absence of dialogue and music, (except for a very beautiful vocal), and the Black and White image emphasize the dramatic content of the movie. The direction is remarkable, and the play is first-class. Definitely, the best Bulgarian movie, and a must-see for every cinephile.
folkloro I could never imagine some months ago,that a Bulgarian movie I saw a night that I didn't have something more interesting to do,would make me admire it so much,so that I could definitely say that it is a masterpiece of the European cinema ever made. No special effects,no impressive decoration.Just a plain composition but also a genius one. The wife of a farmer is being raped and murdered by a gang,in front of the eyes of her little daughter. The farmer hungry for revenge brings the girl up as a boy, and when she is old enough they kill one by one the killers. This movie is a hymn to simplicity.No dialogs when it is not necessary,full of primitive feelings with perfect harmony between actors and natural location.Excellent!!!!!!!!