Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional

Ketrivie It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

FrogGlace In other words,this film is a surreal ride.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

ma-cortes A strong road movie dealing with three boys , Juan : Brandon López , Sara : Karen Martínez , Samuel : Carlos Chajon , they are three teenagers from the slums of Guatemala, all of them travel to the United States in search of a better life . On their journey since Guatemala through Mexico , they meet Chauk : Rodolfo Domínguez , an Indian from Chiapas who doesn't speak Spanish . Along the way they suffer famine , attacks , robbing and many other things . This is a thought-provoking and hard movie with very powerful moments concerning about three teenagers traveling together in freight trains and walking on railroad tracks , but they soon have to face a harsh reality . "Jaula" tracks three teens , one a young Tzxotzil native, from Guatemala across the length of Mexico as they dodge migration cops , clash with gangs and travel on train-tops to a white-knuckle climax on the U.S.-Mexico border . It is a groundbreaking film about a teenager's decision to move to United States and leave everything that he has behind to start a new life in the pursuit of the American Dream . Crossing countries they learn that the American Dream is not easily acquired and maybe and impossibility to attain for some , and they are forced to make some tough choices . The screenplay manages to give some brief laughs from the audience and some romantic elements that you never loose your attention from the film . The picture has a brilliant and evocative cinematography by María Secco who shows splendidly the colorful South American outdoors . Furthermore , a sensitive musical score by Jacobo Lieberman , including attractive Latinas songs . The film was premiered at the Cannes Film Festival -Un Certain Regard Official Selection-, winning Un Certain Talent Award, Gillo Pontecorvo Award and François Chalais Special Mention Award . In its Mexican premiere at the Morelia Film Festival, as the picture won three awards: Audience Award, Best First Film and Press Guerrero Award . The motion picture was compellingly directed by Diego Quemada whose first version of the movie was about 2 and a half hours ; being his first long-feature film . Diego was born in the Iberian Peninsula , Burgos , Castilla . He has lived in the American continent for the past two decades , being nationalized Mexican . His first job in the film industry was in 1995, in Ken Loach's film Land and Freedom as a camera assistant to the director of cinematography . Diego went on working as a camera operator assistant in known titles as : Gone in Sixty Seconds , Man on fire , The lost son , 21 grams , Any Given Sunday , The constant gardener , among others . His graduation film at the American Film Institute (AFI) as writer/director/ was : A Table is a Table . He also shot several shorts . Diego then stepped up in scale with his feature debut "The Golden Cage" , this immigration drama that swept the 2014 Ariel Awards snagging nine kudos , the talent prize at Cannes' Un Certain Regard and a Gold Hugo at the Chicago Fest . Director of Guatemala-u.S. road movie-thriller made "La Jaula De Oro" (The Golden Dream), a standout Latin American debut . Spain-born Mexican Diego Quemada-Diez is readying political thriller "Operacion Atlas" as he launches an Academy Award campaign for this feature . After immigration, "Operacion Atlas" takes another hot-button issue : Civil resistance to multinational corporation development projects backed by local governments – hydroelectric dams, massive deforestation and various fossil-fuel programs (oil, mining, fracking) – which is a recurrent narrative throughout Latin America .

Karen How big must one dream? The road leading to your dream is like a long tunnel. You see the fading little spark of light behind you and shiny dream-white light of hope on the other side. But in-between you have this black unilluminated path to walk through. Does it worth it? What are you ready to sacrifice for your imaginary life? Will you have the courage to go all the way till the end? The movie is about a group of teenagers from Central America trying to immigrate to the Golden Cage (i.e. United States). During the whole film you see miserable faces hoping to seek a better world of opportunities. Do they fear? Do they struggle? Their eyes will expose the truth. Was it all worth it? Excellent film!

johnnymurphy15 Known more for his work as a cinematographer, Diego Quemada-Diez has made his feature debut, and what a debut it is. Initially set in a slum in Guatemala centred around children trying to cross the US border to seek a better life, Quemada-Diez researched the story by interviewing real life young people who have attempted this themselves and the horrific experiences they endured doing it.Juan, Sara and Samuel are three teenagers who escape their slum to begin hopping freights to the United States. Sara has to cut her hair short and disguise herself as a boy as she understands the risks of being a young girl attempting something this potentially dangerous. During their travels, they meet Chauk, a native American who cannot speak a word of Spanish. He joins the group despite Juan's initial hostility and together they endure many awful events that happen to them. When things seem to be going well for the group, the train is suddenly raided by people traffickers looking for young women. Also, there are teenage scammers working for illegal employers which the characters fall for. When these events happen and the characters are prised apart from each other, your heart sinks like a stone. Later, the remaining characters have to deal with border patrol and they need to attempt to find people they can trust who know of a way through the American border.What the Director has created here is something very harrowing. It is what you don't see that is most disturbing. The writing is also very clever. The dialogue is very minimal throughout the entire film as there is a character who cannot speak Spanish. There is still a lot a of character depth through the actions they choose to escape poverty for a better life. It is also a very confronting film pointing out the problems of de-regulated capitalism and all it's inequalities and how it has effected countries in central America. It is a very bleak and complex situation which most people either turn a blind eye to or would treat these human beings like dogs. The lack of compassion from not only Americans, but their own people is astounding. It reminds us that atrocities like these continue to be a daily occurrence which needs to be looked at.This for me is a film which everyone must see. It is not just an educational film, but a fine example of visual poetry. It shows the beautiful rural dwellings of Guatemala and Mexico and how such human cruelty and barbarism could co-exist in this natural beauty. The performances are excellent as it is more in the children's faces which give us all we need to try and understand their plight which we could never imagine or fully understand. I could not help but compare this to Ken Loach's 'Bread & Roses' and coming to the logical conclusion that his is far more superior! Truly exceptional work.

electric_sunrise At the recently concluded Mumbai Film Festival, I had the pleasure of watching this brilliant & moving homage to the treacherous journey thousands of Guatemalan immigrants undertake from their home country into "The Golden Cage", i.e. USA, in search of a better life. Shot in a hand-held documentary-style, the movie gallops at a steady pace without staggering or slowing down too much. It finishes well below two hours, but the complications of the journey and the character experiences make it feel a lot longer than its running time. Maybe its because it is a brilliant road movie with so much happening. Watching these kids whose journey and eventual struggles I soon became an intimate part of, made me feel as though I was living this adventure as it unfolds, traveling beside these children on a train, with the afternoon sun mercilessly blazing into my eyes, my face dried up by the dust in the wind, hair-blowing wildly, as I peer at the ever-changing countryside, with fellow-wayfarers. I felt that way because of how intimately the camera lets us into their lives.Juan, Samuel, Sara (a girl pretending to be a boy for the journey) and I, the viewer (as the intimate witness behind the camera), begin a journey at Guatemala which we will end in the US. Getting to the US is the only consistent plan, the aim that binds us together; for the rest of the story is like an account of a leaf on a stream; randomly tossed and turned about by the currents of life. We know we'll get there; but we don't know in what condition: Here I lose a friend, there I make a friend; here I dance in a loving crowd, there I am alone in my misery; here I hunt for food, there I'm the object of someone's hunt; here I hitch a train ride, there I run on golden fields. In this uncertain wilderness, yesterday's rival can be today's friend, and characters who disappear from our lives create a haunting presence. In the end, the long journey takes its toll. This is a road movie – yet it is more. It is poetry.There are great cerebral filmmakers who make you ponder about the nature of Existence (Bergman, Tarkovsky etc); then there are those who draw you into their story in a way that you intimately experience the character's existence and share his world-view. With this impressive debut, Diego Quemada-Diez shows streaks in that second, rare breed; of being not necessarily a cerebral filmmaker, but more of a poet or artist and filling the canvas with strokes of 'feel', and not 'reason'. Diego spends much of the reel time cataloging what these little insignificant lives do – these little dots on the map that flitter about the earth from here to there going seemingly nowhere, affected by the random turns of life; but through the length of the film, he lets us know them personally, and that gives these unknown lives and their unsung stories a soul. On knowing them, we discover they have values of friendship, loyalty, love, honor, sacrifice, without the knowledge or pride of knowing these are noble values. By the end of the film, I recognize what happens to these children might happen to anyone were we not protected by the proud shackles of civilization and education. Theirs, on the other hand, is the raw, wild spirit, proud and dreamy, full of self-belief; yet suffering from their oversimplified, innocent view of the world.Poetry in film is a tribute I once paid to Joon-ho Bong, after watching his beautifully haunting "Memories of Murder", where the 'feelings' the movie impressed on me stayed well after watching it. In "Memories of Murder", I could 'smell the rain' till few days after watching the movie. After finishing this cross-continental travelogue of "La Jaula de Oro" few days back, I still feel dry in my throat and dry on my face: it is a thirst unquenched. It is a promise unfulfilled. A dream betrayed and denied, as a direct consequence of my ignorance of the world I live in. I feel I have paid for my foolishness; for the reckless pursuit of my desire for a better life, for my over simplified view of the world. Now, I'm more than thousand miles away from home. My skin is full of scabs, my eyes still dirty from the travel, my hands stained with grease from my new job in the promised land, but my head is turned upward, and when in the night, snowflakes fall over my eyes like infinite stars from the sky, I'm cleansed. Like Juan, I know my heart is always ablaze with an infinite Hope for wonder, and that can never die.