BlazeLime
Strong and Moving!
filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Mabel Munoz
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Janae Milner
Easily the biggest piece of Right wing non sense propaganda I ever saw.
Tromafreak
All good things must come to an end. And in 1972, Herschell Gordon Lewis, the creator of the gore film, and innovator of graphic violence in cinema, had his last hurrah. Well, at least his last one for a very, very long time. More on that, later, but unaware to Lewis at the time, this would be it for his active film career. And despite my opinions on this film, I have to admit, the old man went out with a bang. The Gore Gore Girls is a first in several different areas. This is Herschell's first gore film which has profanity other than a "damn" here and there, as well as the first to show nudity, and acknowledge sexuality. An obvious change in the times. Also, this was the first and last film Herschell Lewis submitted to the MPAA for a rating. And for his trouble, he was given a big, fat X, which he could have applied himself. But anyway. Yeah. Sounds like something I would really dig, but it's just not. In fact, it leaves quite the bad taste in my mouth.Herschell's "This is a business, not art" outlook on directing is heard loud and clear throughout the entirety of this obnoxious, substance-lacking, cheese-fest. None of his movies are meant for superior brains. But this one especially seems like it's intended for only the most dimwitted of trash lovers. A bit of a precursor, if not inspiration for the modern Troma film. And of course, a pretty simple story. Strippers at a sleazy club have been getting slaughtered by a maniac at an alarming rate. A hot reporter enlists the help of private eye, Abraham Gentry, who is supposedly good enough to be a total douche bag at all times and get away with it. Uninterested and unimpressed with pretty much everything but himself, and only concerned with getting paid, the douche bag tries losing her several times. Even going so far as to get her wasted so she'll *beep* off, but this tenacious lady wants some of that, and hopes to help in this investigation if at all possible. Meanwhile, we are treated to some rather inventive murders, one of which includes the killer snipping off the tips of a woman's nipples, and filling up 2 glasses with milk. One of which comes out chocolaty. Of course it does...While I consider this to be Herschell Gordon Lewis' most overrated (gore) film, I can understand why so many considers this the ultimate in HGL gore. Sure, it's got a lot of that. And it's a little harsher than usual, and there's a noticeable bit of puns, toilet humor and a self awareness not present in Herschell's earlier gore epics. Sounds great. It really does, but something about this movie just rubs me the wrong way. The acting, I can of course handle. But the dialogue seems to have been written by a blithering idiot, and the characters, as well as the actors themselves, were far from likable. Especially that main character, Abraham Gentry. A smart ass dick smoker with a stupid one liner waiting every 10 seconds. A character seemingly meant to be a smooth, pimp daddy who is far too bad ass to give this hot chick the time of day. Whoever wrote this garbage obviously didn't realize they were making this guy out to be more of a homo than anything else. But such stupidity does add a couple of "so bad it's good" cool points. That, along with the unusually painful looking kills, make this one far from unwatchable.It's too bad HGL decided to take a 30 year break after getting into the advertising business. Yet, come the 80's, Herschell's old gore films would gain a new level of notoriety from a new generation, as well as from the old one, which made him the legend he is today. With the help of Mike Vraney and Something weird Video, Herschell's massive catalog would finally get the long overdue VHS (and eventually DVD/Blu-ray) releases they deserved. A preservation project the late, great Vraney would do for the memories of many great, and not so great directors of forgotten old school B-movies. The films of Herschell Gordon Lewis would become the crown jewels of Something weird. And in 2002, Herschell went on to make his first jewel in 30 years, with the long awaited sequel to Blood Feast. Blood Feast 2 All You Can Eat. A masterpiece I would much rather remember him for. And he's made another one since then, and has another one on the way. Good 'ol H.G. may be older than dirt, and he's made a lot of terrible movies, but it feels so good to have him back! 4/10
Woodyanders
Various sexy gals who work as go-go dancers at a seedy nightclub are murdered in assorted gruesome ways. Obnoxious and sarcastic stuck-up private eye Abraham Gentry (an amusingly smug performance by Frank Kress) persuades spunky reporter Nancy Weston (lovely Amy Ferrell) to pose as a stripper in order to catch the killer. Director Herschell Gordon Lewis and writer Alan J. Dachman treat the sleazy premise as one big sick and nasty black joke; the wickedly funny gallows humor at work here is certainly cruel and mean-spirited, but nonetheless still often uproarious in its very cheerfully unapologetic crassness. The gleefully over-the-top gore set pieces are truly something to behold: one gal's face gets smashed into a mirror, another has her head smashed into a gooey pulp, one lady's buttocks are savagely spanked with a meat tenderizer, a fourth victim has a hot iron pressed on her face and her nipples are cut off so her breasts can bleed milk (!), and yet another woman has her head dunked in a bowl of French fry grease. The fact that the make-up f/x are extremely cheap and shoddy only enhances the pervasively scuzzy atmosphere. The acting for the most part is laughably awful, with stand-out stinky contributions by Hedda Lubin as sassy waitress Marlene, Russ Badger as the dim-witted, hot-tempered Lt. Anderson, and Ray Sager as fruit-smashing ex-Marine Vietnam vet bartender Grout. Of course, we also get a pleasing abundance of tasty bare distaff skin on display. Henry Youngman as jolly strip club owner Marzdone Mobilie tells plenty of hysterically bad jokes. Alex Ameri's crude, unpolished cinematography, Lewis' wonky redundant score, and the ragged editing all further add to the picture's considerable scroungy charm. A total schlocky hoot.
By-TorX-1
The gore is ridiculous, as is expected in a Lewis opus, the tone is sleazy as hell, and the actor's voices are frequently drowned out by an incessant and utterly mad jazz soundtrack. But boy, does this film stretch the patience, particularly a protracted stripper contest which, although apparently central to the plot, is interminable and which brings back memories of Ed Wood's classic opus, 'Orgy of the Dead' (without the werewolf, and like that fine piece of cinematic history, the fast-forward button is a must). However, the greatest tragedy is that we saw no more of the iconic Abraham Gentry, a cane-wielding US Jason King. What a shame!
johnc2141
OK i have seen Hershall Gordon Lewis movies before but this one really takes the cake,its really gory and gross,not to mention disgusting the way the strippers are done in,I'm talking bad acting that makes plan 9 from outer space look like hamlet,the only saving grace is the late great Henny Youngman as the strip club owner,yeah take my wife..., please.the stripteasers are real sexy for 1972,i believe they used this same plot again in the Roger Corman movie;stripped to kill in 1987.i did enjoy the earlier H.G.Lewis flick 100 maniacs,which was a mini masterpiece of sorts,but bad acting,no awards here,but be aware this is a splatter movie that paved the way for Friday the 13th,and saw.in one disturbing scene a half naked stripper has her butt spanked with a meat tenderizer.ugh!morbid stuff here.H.G. Lewis strikes again. 2 out of 10.