The Gravedancers

2006 "Unrest in Peace"
5.4| 1h35m| R| en
Details

After a night of drunken exploits, Allison, Harris, and Kira are chased and terrorized by the ghosts of a child pyromaniac, an ax murderer, and a rapist.

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Reviews

Laikals The greatest movie ever made..!
GurlyIamBeach Instant Favorite.
Hadrina The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
fedor8 A solid premise, some decent twists, OK visual effects, and a very sexy female cast. On the flip side, there's the cheesy dialogue that alternates between unfunny intentional "humour" and almost funny unintentional humour.The other downside is the same thing I can say about the vast majority of horror films these days: the damn lack of colours.At some point about 10-15 years ago it became hip to make greenish-blueish movies devoid of reality-based colours. The look of most horror films nowadays is depressing, gloomy, unappealing, and unrealistic. Dark-blue, filth-green and pale-yellow seem to dominate; other colours are a no-no. This destroys the visual fun of watching movies. Compare the typical lively-coloured 70s or early 80s flick with almost any made this century, and the huge quality drop becomes even more apparent. Hopefully, just as cheesy 80s synth-pop went out of fashion eventually, perhaps film-makers will finally realize that they don't HAVE to apply new computer software gadgetry to EVERY damn movie they make. Just because a new technology is on offer doesn't mean it should become your only bread-and-butter, while ignoring all other options and avenues.
Paul Andrews The Gravedancers starts as three close friends Harris McKay (Dominic Purcell), Kira Hayden (Josie Maran) & Sid Vance (Marcus Thomas) mourn the death of friend Devin Lansing who was buried earlier that day. For some reason Sid suggests that they all go to the cemetery, break in with lots of booze, sit around their Lansing's grave & get drunk which Harris & Kira surprisingly agree to. While at the cemetery Sid notices a note & starts to read it as Harris & Kira randomly dance around on graves while drunk. Two weeks later & the three friends are experiencing supernatural phenomenon, they see ghost's who try to attack them & notice things moving on their own & general spooky stuff. Sid contacts paranormal investigator Vincent Cochet (Tchéky Karyo) who quickly realises that they are dealing with a bad case of burial desecration, with the vengeful spirits of an arsonist, a axe murderer & a rapist trying to kill them Harris, Sid & Kirra must lay the ghost's to rest before it's too late...Directed by Mike Mendez this was one of the so-called Films to Die For at the 2006 After Dark Horrorfest or whatever it's called along with the likes of Wicked Little Things (2006), Unrest (2006) & Penny Dreadful (2006) & isn't the worst of the bunch but The Gravedancers isn't the best either, as a straight supernatural horror film it's watchable enough but it's by means any sort of masterpiece. The script is a mixed bag really, the tone is very serious & I just couldn't get over how three grieving friends would break into a cemetery in the middle of the night & get drunk while dinging & dancing, you know I just didn't buy it & these are supposed to be adults with one a respected lawyer. The first hour or so of The Gravedancers is quite slow, doors open by themselves, the pet Cat goes mental & strange noises are heard but it's all pretty standard dull haunted house horror stuff. Then the final thirty odd minutes is a roller-coaster of effects & set-pieces as we get rotting zombie ghost's, possession, an obvious plot twist, giant screaming ghost heads, & fires popping up all over the place as it feels like the makers wanted to cram as much in as they could during the last thirty minutes to compensate for the none event of the first sixty. To be fair to it The Gravedancers is alright, sure there are elements of Poltergeist (1983) & any Japanese-Asian ghost horror you can name but it's watchable & it competent if not amazing.Ther's not much gore here, there's a cool slit throat & some blood splatter but nothing else really, the body count is low & all the death's happen during the final twenty minutes except one during a seemingly unconnected opening sequence that was included against the director's wishes apparently. The special effects are pretty good actually, the giant screaming ghost face that chases Harris & Alison through the house is actually quite impressive. While the first hour or so goes for suspense & cheap scares the final thirty minutes goes all out for spectacle, as I said it's just rather uneven & why didn't they dance on graves belonging to nice people?Probably shot on a low budget this was apparently meant as the start of a trilogy & the script was around as early as 1999 but didn't get made until 2005. Filmed in Greensboro in North Carolina. Apparently the actor's didn't meet each other until two days before filming, while it's not great I have seen worse acting I suppose.The Gravedancers is an alright supernatural haunted house horror that has obvious influences, the whole story is silly yet it takes itself very seriously which gives it an odd vibe. Worth watching as a cheap rental or if you can catch it on telly for free but otherwise you can easily skip this one.
lost-in-limbo Well I was expecting worse, but that doesn't stop this entry (out of the 'Eight Films to Die For' collection) from just being an accommodatingly so-so effort in the paranormal field. Going against it was that the story was so telegraphed and formulaic, which led to many dull passages and hot air build ups. The idea is fine (which has some drunken young adults who were college buds disturbing the peace of the dead when reading out some card they find at their deceased friend's grave, while dancing on their graves. Now they're haunted by those spirits, and race against time with the help of a parapsychologist to end the curse before they take their lives), but the situation's progression is thinly stale and the execution is all flash, but colorlessly achieved. It's subtle build up kind of works when they encounter their unusual ghostly shenanigans, though it grows a bit tired… however the last half hour doesn't work with its hysterical charge and overblown special effects. I thought the FX was well used during stages when it was focusing on the spirits, where the images of their sunken faces and flowing movements were effectively creepy. The performances by Dominic Purcell, Clare Kramer, Marcus Thomas, Josie Maran, Tchéky Karyo and Megahn Perry stand-up, if a little black and white. Director Mike Mendez overdone style etches its way in and takes away from the suspense, where he demonstrates a drearily cold atmosphere and lasting visuals caught by expansive photography. A ho-hum low-budget supernatural thriller.
Neil Doyle The scare factor is pretty good in THE GRAVEDANCERS. It's a shame the script which relies heavily on special effects for most of the scares, isn't more intelligent. Toward the last fifteen minutes the scares are so over-the-top that they become laughable. It doesn't help that the principal male performance by Dominic Purcell ranges from bland to bad.The plot has three young people who disrespected a grave site getting visits from evil spirits. Seems the site was the burial ground for a bunch of undesirables--an ax murderer, a pyromaniac and a rapist.When they seek help from a parapsychologist and his assistant, the fun begins in earnest. A graveyard scene where a few of the bodies are uncovered is gruesome and frightening. But after that, the scenes with the evil spirits are way too grotesque for comfort and the plot becomes an extended ghoul fest full of blood thirsty creatures.Basic idea for the story is a good one. Executing this idea doesn't quite work beyond a surface level of shock moments that become increasingly unbelievable before the story is over.