Redwarmin This movie is the proof that the world is becoming a sick and dumb place

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.

Billy Ollie Through painfully honest and emotional moments, the movie becomes irresistibly relatable

bkoganbing According to the Films of Henry Fonda from the Citadel Film Series, The Great Smokey Roadblock was on the shelf for two years before being released. After that I suppose the producers decided this one was strictly for the red state drive in trade. I certainly don't remember it being exhibited in Brooklyn at the time.It's not a bad film, it was the kind of thing that Fonda did during that last decade, mostly films strictly for the paycheck and no strain on any ability. He's a typical red state hero, a hard working truck driver who because of a prolonged hospital stay was unable to keep up payments on his big rig and the bank repossessed it. Not something you do to Fonda who steals the truck back and goes looking for a last big load.And what a load it is. A favorite place of Fonda's a cat house that caters to men of the road has been shut down and Eileen Brennan and her girls have been told to cease and desist. But she's got a new location in South Carolina so she moves bag and all the baggage with Fonda from Wyoming.The film has a few laughs but some serious flaws as well. Try as I might I could not understand why the eyes of a nation should be focused on Fonda and his plight. Nor could I understand why he could not get a legitimate load for his vehicle even if it was stolen in the eyes of the law. Why should those shipping if he's got a good reputation care? And the villain of the piece drugstore cowboy truck driver Gary Sandy was hostile to Fonda for reasons that were never made clear. And Robert England's character of a hitchhiker Fonda picks up along the way is never really any kind of coherent.I did enjoy sheriff Dub Taylor and how the women got around him after he jails Fonda and them. And the women do have a good way for paying for gas, food and lodging.Young Susan Sarandon had a bit role as one of Eileen Brennan's girls. The Great Smokey Roadblock while not great was better than a lot of what Fonda was in during his last decade.

Ollyda It has to be said that this is a pretty terrible film. Nevertheless I watched it again recently and quite enjoyed it so I feel I ought to say something positive. First of all you would think that a film with a cast which includes Henry Fonda, Eileen Brennan, Dub Taylor and Susan Sarandon should have something going for it. The tone of the overall film is of a rather cartoonish comedy but the early scenes hint at something more substantial. Henry Fonda as Elegant John is ill and probably dying and the cross country drive he undertakes is his way of defying death. Yet this theme is never explored any further. Elegant John's reminiscences about meeting Eleanor Roosevelt in the Depression era clearly evoke Henry Fonda's role in John Ford's film "The Grapes of Wrath". Indeed when Elegant John picks up Beebo this exactly parallels the opening scene of "The Grapes of Wrath" when Tom Joad hitches a lift. None of this is played out in the rest of the film The women from the whorehouse are endearing and funny and if the film had stuck to playing out their adventures it might have been much more rewarding. But half way through the film something goes horribly wrong. Perhaps the filmmakers lost their nerve, ran short of funds or had the film cut to ribbons in editing but the latter part of the film bears no relation to what has gone before. The women virtually disappear without explanation. The irritating John Byner and Austin Pendleton characters appear and take over. This whole element of the film feels like a reshoot or reedit grafted on to the earlier picture. Pity. There is also, incidentally, a really excellent score by Craig Safan which deserved far better.

doriweb I was the Production Accountant on this movie, and I also got to do some voice-over work on it, so I'm not entirely unbiased, but if it were awful, I would say so. I thought it was a fun film, not a critically acclaimed masterpiece, by any means, but there were plenty of laughs along the way. The Bible states that laughter does good like a medicine, so watching this movie could be good for your health.So many of the actors in this picture hadn't yet reached their peak at the time we made this film. Susan Sarandon, of course, is one who has since gone on to much greater fame. Melanie Mayron was seen on TV on a weekly basis as a photographer in the "Thirty-Something" TV drama series. Robert Englund later became known as Freddie Krueger, still haunting people's dreams. One of my personal favorite actors on this show was Dub Taylor, who played the sheriff. He was an excellent comedic actor, and a truly nice, sincere person. We all had fun working on this show, and I think that fun comes through.

lightninboy Henry Fonda plays Elegant John, an old trucker who steals back his prized rig in California and takes off with almost no money. His Kenworth tractor has the name Eleanor on it. Elegant John once met Eleanor Roosevelt. He pulls a Fruehauf van with a "sunroof". Why is he called Elegant John? Well, sonny, if you drive five million miles without being late or having a wreck, you deserve to be called Elegant. Elegant John picks up Bible-thumping hitchhiker Beebo Crozier, who is going to Florida to learn motel management. Elegant John stops and gets fuel. Beebo reluctantly pays for fuel. The two stop at a whorehouse for truckers at Cheyenne, Wyoming, a possible homage to Fonda's movie The Cheyenne Social Club. The prostitutes are about to be raided, and the madam hires Elegant John to take them to the coast of South Carolina to start another prostitution business. Thus Elegant John's trip will be coast to coast. They go through Kansas and have a commotion near Springfield, Missouri, with Dub Taylor's character Harley Davidson. After that, there's a truck stop dancing scene to the music of Orleans' "Still the One", which is pop rock in a country sort of way. The movie claims that it's a compliment for a truck driver to be called a cowboy, but I've seen where an out-of-place, amateur, careless truck driver is called a cowboy or a cotton picker. There's a great Smokey roadblock in Georgia to stop them. Will Elegant John's Kenworth plow through a bunch of old Mopars? Will Elegant John live to see the Atlantic Ocean? And what is Beebo going to do with his life, now that it has taken an unexpected turn? This movie is just a hodgepodge of elements thrown together for drive-in fare.