Btexxamar
I like Black Panther, but I didn't like this movie.
BroadcastChic
Excellent, a Must See
Peereddi
I was totally surprised at how great this film.You could feel your paranoia rise as the film went on and as you gradually learned the details of the real situation.
Helllins
It is both painfully honest and laugh-out-loud funny at the same time.
puuoor
We can learn many things of these Genres. I've forgotten most of my funny fears after watching these genres. I think someone who wants to be a great person must get released of his or her fears and fight for his or her goals.
Python Hyena
The Grudge (2004): Dir: Takashi Shimizu / Cast: Sarah Michelle Gellar, Jason Behr, Bill Pullman, Clea Duvall, KaDee Strickland: Misleading title in a graphic horror film where many nameless victims are mutilated to the delight of an audience that desires to see more of this tripe. It is shocking to hear an audience cheer during such crap. Sarah Michelle Gellar plays a caregiver who discovers that the mansion she is visiting is haunted. There is an elderly lady who sleeps and then shrieks at ghosts, and Gellar is not long identifying her problem. Starts out well with a suicide but becomes routine after the umpteenth person is killed. The ending is a complete cheat but what really stands out is the film's inability to make any sense. Why not create an interesting thriller about trauma? Instead director Takashi Shimizu Americanizes his Japanese film for no other reason than to allow Hollywood to rape his craft. Gellar holds her own as the caregiver overwhelmed by haunting images and decides to investigate the history behind it all. Other roles are not so lucky and fall into that camera stalk and kill cliché. Jason Behr, Bill Pullman and Clea Du Vall are completely wasted in roles that are subdued by visuals. The special effects are done with appeal but unfortunately the screenplay was not given the same regard. The only grudge held should come from Japan. Score: 2 ½ / 10
GL84
Working in Japan, an American health-care worker discovers the home of her latest charge is the site of a terrible, ghostly curse and tries to stop it before it consumers her friends and co-workers.There's a lot to really like with this one as it gets a lot of right throughout here. One of the biggest issues, though, is the fact that as a remake it really doesn't do anything to help the story told from the original so that can hold this one down somewhat. By keeping the familiar story and the jump scenes along the way, this can make for a trying time here by being too similar for its own good and not really having a whole lot really changed in terms of fixing the storyline or the different plot points within this. Still, this familiarity does manage to bring about many positives including a far better pace than the original. There's far more life to the non-attack scenes and the burgeoning mystery about the ghosts within the house keep this one moving so it doesn't feel as though it takes a long time to get going or even between scenes. When the attacks really start coming in earnest throughout here, this becomes all the more enjoyable by building off such a solid foundation with those intriguing non-attacks keeping the film going. Likewise, those attack are quite enjoyable on their own merits as incredibly entertaining and chilling encounters, most notably the numerous encounters inside the house from the first encounter with the ghost inside the bedroom, the encounter in the bathtub as well as the flashback to the previous owner and the utterly fun finale that has a lot going for it by mixing action with the chills so well. That the other attacks outside the house are rather well done is another plus, from the office building ambush to the hotel encounter and to the spectacular encounter at the office with the deformed ghost makes for a rather solid series of encounters here to make this quite fun. The only place this stumbles is the final half-hour by detailing an affair that really drags this to a halt instead of charging through into a furious finale, not to mention really lowering the impact of the curse by putting too much background into it. That does manage to lower this one somewhat, but it's still got enough here to really make a big impact.Rated PG-13: Violence and Language.
Chris Smith (RockPortReview)
After the success of "The Ring" every studio was looking to cash in with their own Japanese re-make. Columbia Pictures and Sam Raimi's Ghost House Pictures set out to make an American version of "Ju-on" or "The Grudge". They got the director of the original film Takashi Shimizu to do the re-make and all things look great on paper for and epic film. Unlike "The Ring" which relocated its story to Seattle, "The Grudge" takes place in Tokyo. When "Americanizing" a foreign film something is always lost in the translation. The cultural gaps and customs are just too big to overcome. "The Grudge" does alright in this respect but is still comes up a little short. First let me say that the movie really is scary and has a great atmosphere to it. The fact that it takes place in Tokyo is a big plus and adds to the whole experience.The myth goes: When some dies in the grip of a powerful rage, a curse a born and consumes everybody who come in contact with it. This is explained in a prologue. Sarah Michelle Geller plays Karen and exchange student who lives with her American med school boyfriend Doug, played by Jason Behr. Both lead roles are miscast with Behr's part being completely useless. Gellar is no stranger to horror and she does a serviceable job, but they could've found someone better. In a bit of good casting famed Japanese actor Ryo Ishibashi plays Detective Nakagawa who investigates the cursed house. Ishibashi, played the male lead in the horror classic "Audition".The story is structured in a way that shows how each character has encountered the house. Starting the family who bought it for there invalid mother Emma. We see what happens to her kids, then her care takers Yoko, then Karen. They all encounter the vengeful ghosts of Kayako and Toshio. The curse is an unstoppable force of pure rage that seems to literally scare people to death. Karen researches the house and the curse and we find out the history of the family that use the live there. She and the Detective aim to somehow stop the curse, but Kayako and Toshio are some pretty bad ass ghosts that are not nearly ready to give it up. The ending gives some decent scares but is pretty uninspired and ambiguous. The movie spawned a few sequels that didn't even stand up to the low standards set by the original.