The Guns of Fort Petticoat

1957 "GOOD WOMEN...BAD WOMEN...BRAWLING WOMEN...BRAVE WOMEN! They were all soldiers in skirts!"
6.3| 1h22m| NR| en
Details

Opposing his commanding officer's decision to attack a group of innocent Indians and wipe them out, Lt. Frank Hewitt leaves his post and heads home to Texas. He knows that the attack will send all of the tribes on the warpath and he wants to forewarn everyone. He gets a chilly reception back home however. With most of the men away having enlisted in the Confederate army Frank, a Union officer, is seen by the local women as a traitor. He convinces them of the danger that lies ahead and trains them to repel the attack that will eventually come.

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Reviews

WasAnnon Slow pace in the most part of the movie.
Stometer Save your money for something good and enjoyable
Tyreece Hulme One of the best movies of the year! Incredible from the beginning to the end.
Mandeep Tyson The acting in this movie is really good.
PamelaShort Audie Murphy plays Union officer Lt. Frank Hewitt, who disobeys his officer's orders to massacre Native Americans at Sand Creek. He deserts his unit as he knows the massacre will only incite the tribe to take revenge upon American citizens. He heads home for Texas, where his friends and neighbours consider him a traitor, for defecting the calvary. With the proof of an impending tribal attack, Hewitt must train the women to defend themselves, as all the men are away at war. He trains them at an abandoned missionary, and when the angry Indians arrive, the women defeat them. Hewitt the deserter is found not-guilty during court-martial proceedings, however his former commander is not so lucky, and is charged with the Sand Creek carnage. This film is surprisingly very good. The cast gives solid performances, with the stand-out mention of Hope Emerson and young Kathryn Grant playing Murphy's feisty love interest. There are some good tense and gripping scenes, that take place during the attack on the mission. Murphy's performance is cool as he whips the woman into fighting shape. I really enjoyed this entertaining film and suggest it's worth a look.
bkoganbing Audie Murphy, a Texan here as well as in real life, stayed with the Union Army during the Civil War. He's drawn duty out west fighting Indians instead of Confederates. The real life Sand Creek Massacre of the Cheyenne has occurred and there is a total uprising on the frontier. Murphy goes AWOL from the army and back to his part of Texas to help the remaining people there as most of the young men are in the Confederate army. After a lot of convincing he's got himself a female troop that proves themselves quite worthy standing up to Indians and renegade white men.The Guns at Fort Petticoat is one of Audie Murphy's best B westerns in his career. Murphy turned out to be a real acting talent, if he hadn't been, his career wouldn't have lasted as long as it did.He gets some good support here from that distaff group of players assembled at the old mission where they have to stand off the Cheyenne. Hope Emerson is the second in command and as always Hope is a formidable presence on the screen.While this was playing in theaters Kathryn Grant became the second Mrs. Bing Crosby. I happened to meet her a few years ago when she was on a book tour promoting a book about her marriage with Bing. She mentioned that she liked The Guns at Fort Petticoat and wished she owned a copy of the film. If I had known I would have bought my VHS copy and given it to her. She should be proud of her work in this film.There are four nasty men in this film as well. Sean McClory plays a no good rat of a human being who's impregnated Jeff Donnell and runs out on her. Then there are three of the nastiest outlaws you'd ever want to meet in James Griffith, Nestor Paiva, and Ray Teal. Audie and the women have to deal with them also.There is one terribly touching scene that moistens my eyes every time I watch The Guns at Fort Petticoat. One adolescent girl's mom is killed during one of the attacks. Actresses Isobel Elsom and Peggy Miley play a southern dowager and a saloon entertainer respectively. Both of them comfort the young girl at the hour of her tragedy and in so doing prove they have a lot more character than originally thought. A really class piece of acting, brought off by Director George Marshall.Kathryn Crosby, if you happen to read this review, contact me and I'll be glad to give you my copy of The Guns at Fort Petticoat.
Poseidon-3 The title of this film almost sounds like it will be a comedy.....sort of like "F Troop" meets "Petticoat Junction". It is, however, a relatively serious affair with some decent action sequences and some (sometimes unintentional) amusing moments. Murphy stars as a Cavalry Lieutenant who deserts his post in order to go a warn the people of his nearby hometown of an impending Indian attack. Unfortunately, virtually every man is gone from the area and the remaining women all resent him for wearing the blue instead of the gray uniform. Once the Indians start to make their mark, the ladies begin to change their mind and Murphy rounds them all up in an abandoned mission, determined to convert them into soldiers for their own sake. An already slightly campy film (check out the Indian grandma doing a child's hair at her camp right before a marauding cavalry unit appears), gets even loonier at this point. The mere idea of women brandishing guns and fighting physically must have been otherworldly in 1957. The enterprise is treated with all the expected attention and detail for the curio that it is. Murphy refers to the ladies as "men" and appoints sergeants, etc... He drills them in target practice, hand to hand combat and skirt-tucking (turning skirts into makeshift pants!) Naturally, there is every type of woman imaginable.....the old love, the new love, the haughty rich bitch, the one "in trouble", the religious fanatic, the tart, etc... What gives the film a great boost in the arm is the irascible, irreplaceable presence of burly, sarcastic Emerson as the leader of the women. Always intriguing to watch, she gets a plum role here as a bossy, tough, but good-hearted pioneer woman. It also helps that the film isn't dumb enough to suggest that this sort of thing wouldn't lead to casualties. So the unusual aspect of seeing women holding a fort with guns is accented and enhanced by seeing some of them take a fall as well. This adds to the realism of a film which is, at heart, pretty trite and coy. There are some fairly tough scenes and the Indian attack is actually pretty tense. (And it's awful nice of the Indians to wait and WAIT before coming until Murphy has trained all the gals, drained the water from the well, taught them how to make "bombs" and ammunition and solved various other problems!) Maley as a saloon singer and Elsom as a society matron help push the camp envelope. A few other ladies (like the one who gets upset and literally gobbles like a turkey with her face in the ground) take it even further, but Nolan rips it open. She is downright embarrassing as a devout Christian who clutches her Bible and spouts messages of nonviolence. However, when push comes to shove and arrows come to necks, she has a freak-out scene that is one for the books! Even with the pat situations and mundane dialogue, there's a certain curiosity value to the film and scattered laughs throughout (Wade, as Elsom's maid, has a real zinger of a closing line for her character!) Grant would later become better known as Mrs. Bing Crosby.
rc223 A Unionist deserter (earnestly portrayed by Murphy) has to whip a group of women into shape to fight off an Indian attack. A lively idea leads to a (mostly) lively film. The trouble is we've got Indians, the Civil War, evil officers, religious nutters, Calamity Jane types... generally no stereotype is left unturned. (5