filippaberry84
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Sanjeev Waters
A movie that not only functions as a solid scarefest but a razor-sharp satire.
Cristal
The movie really just wants to entertain people.
eriklharris
Like most bad/somewhat decent horror movies, it starts in the past, specifically 1968. It follows this family of three, with the father being a former Nazi. He gets a package containing some artifact that feeds off anger. Time jump to "Present Day" and we see our four main characters (Regan, Samantha, Betaine, and Layan). They drive around and say teenage girl things (with dialogue comparable to The Bye Bye Man). They head off to babysit a younger girl (Irene) in the Nazi guy's house. From here on out, there is little to no exposition or character development. The first act lasts way too long, with nothing interesting or even slightly scary happening. The Second Act also drags on, with no development happening. The girls do find that the original homeowner was a Nazi, but that's about it. Then the Third Act bomb rushes you with information. All the characters die, except Regan and Irene, and then it seems to be left ambiguous, for sequel potential. Personally I find this movie to be so bad that it's not even so bad it's good, such as: The Room or The Bye Bye Man. The Hatred is just not good. Very few shots were appealing and very few scenes were acted well. The visual effects are mediocre at best. The Score is very generic and the Sound Effects are bad stock sound effects. If you are able to enjoy this movie, congratulations, I'm happy for you, as for me, I did not enjoy it whatsoever.
zeki450
Shame on you Netflix for recommending me this piece of junk! I can't think of any worst movie that I've ever seen before. I don't usually write reviews, but this was so bad, on so many levels, that I had to check other reviews and find out who could make worthless piece of junk like this. Luckily, there are many reviews that are in line with my opinion, so I won't spend our time on details. I had fun reading other reviews.
I gave it two stars because of four really pretty actresses. They are very annoying, but really pretty nevertheless.
vacantskies00
Out of the gate, The Hatred sets up solid ground work. Part Apt Pupil, part The Conjuring, a decent backstory opens up the first act. As opposed to relying on flashbacks, this film plays out the horrific history of the locale and story. Post-Nazi America in a small town and the secrets that ensue.The second Act only exists to guide us into the present day. Sassy, texting, little to say to each other modern day females visiting the haunted house in question. While trying to create strong, independent women, the script merely calls out the older male sensibility of what we think young adult women talk like. Merely hamstringing our female cast to become stereotypes trying to be more than what was written for them. Which is sad, because the actresses really try to create a sense of friendship, love and trust. However, the groundwork is downtrodden and stale.The last act finally brings the scares and suspense. While unapologetically and rituallistacly off camera, killing off the cast; the final moments with our lead and the child are decently executed. The moment perpetuated in the films trailer is very effective and inventive for an otherwise stale and often imitated genre.Overall, the film had a decent cast and a solid plot. The downside was the lacking second act and lowly accommodating budget. If that third act, trailer based twist on the supernatural played throughout this film, it would've been one for the books.
hospitalsouls
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