Protraph
Lack of good storyline.
Marva-nova
Amazing worth wacthing. So good. Biased but well made with many good points.
eren-isler
The criticism in the detailed Turkish language about the film is linked below.The film is a movie that is filmed with the conflicts over male and female couples after the war that caused the division and the division that caused the former yugoslav peoples to experience imperial dreams with factors such as nationalism and chauvenism (extreme nationalism). The main theme is racism, the second story, "Nobody asks me what I think", the loss of human values; Who has lost empathy and has become selfish over time, who does not think of other people's troubles apart from his own cause and does not endeavor to identify with the people around him. The uniformist is presented to the eyes of the spectator as the embodied state of the shallow viewpoint on the individual.The second detail that we should pay attention to in the film is the discovery of 10 years' worth of time between 3 different stories. But also reflects the fact that they brought a transition from a communist regime to a capitalist regime. (Hedonism), luminizing, which he tried to show through young people in the third story, The director who works with the spoils and disgusts of his attitude which superficializes, disappears in searches, lives on the spot, is aimless and has responsibility against age, and is responsible for the aging, is using the young people who organize night parties while showing this fact.Although it is read like a kind of purification ceremony to enter the sea, the film tells that the unbreakable wounds brought back from the sea in the film will be played by the young brains one after another, and this film contains the theme of insolubility by specifying with this metaphor. I can say that the theme of alienation in the second story can be read as the difference between the generations, especially the mother and the girl, and indirectly the relationship between man and woman. While racism is rising, the hope sun is slowly rising in the film.
John Breuer
Before you go . . .Get familiar with the conflicts along the Balkans, and particularly a historic rivalry (not always friendly) between Serbians and Croats.You need to be fully aware when one story ends and the other begins because there is no link between them but the main actors are always the same.Because there is one scene with quite explicit sex, you may feel uncomfortable unless you and your company are in enough confidence.With that said,Fabulous film
cvetkovski_ikee
It's been 20 years since the war in Yugoslavia, and the hate between the two nations has been growing like a balloon. The people who used to live in harmony and love for almost 40 years, are now living in animosity, that being their everyday life. Thus, whoever dared to speak about this subject or even try to forget or forgive, has been criticized from the both sides and named as traitor. Living in that kind of environment for that long must have been frustrating and agonizing and leave no space to make progress. This film is dealing with all the frustrations and emotions of the people affected by the war. It shows that a war can last longer in our heads after it is finished. Everyone can relate to this story. Everyone who is "on the other side". It is about love and hate, and how love can easily be replaced by hate and grow even bigger. Through two very complex and vulnerable characters, placed in three decades, Matanic shows us the layers and consequences of the war. The first story is about love, the second about hate and the third about forgiving and loving again. Being in the same age in all three stories, the characters represent the subconscious that war evoked in the people's minds. So, we either end up loving again or dying slowly with hatred in our hearts. It's beautifully shot film, with long and captivating shots portraying the reality of every character and holding to their emotions. The actors are the highlight of the film, taking every scene and making us bear with them all the time. It is a very brave film that want us to close the doors to nationalism and make a step forward to humanism.A lot of films tried to portray the war in Yugoslavia, but i guess none of them could speak from the heart. "The High Sun" finally does exactly that. Dalibor Matanic finally breaks the silence and shows us the only way there is and ever been. Love. 9/10
Alan Turgutoglu
There was once a big country named Yugoslavia, and then it broke up into smaller countries and the people fought each other. Twenty years later, in director Matanic' own words, the Balkans still bear the burden of nationality, history and war. Hate is carried on from one generation to the next.The High Sun starts with two lovers on the onset of war in 1991, to people returning to their old homes after the war in the early 2000s, to our present day, with a youth living modern lives for whom the war is a distant memory but who still carry with them the burden of their parents. The film is carried by the same two actors in the three different stories, playing different characters in a different time. Although they don't talk much, their expressions and movement It's the camera work that brings us inside their world. Above all, this is a very visual film that draws its strength from how it combines the beautiful countryside of Croatia with the memory of suffering. Animals look on at humanity's foolishness as soldiers through the countryside, the bullet holes are still visible in the walls, whether the houses are abandoned or inhabited and the protagonists' pain is visible on their faces.While the war itself is not shown, the cultural issues of the Balkans are tangible throughout the entire film. Traditional gender norms are brought up in arguments between mother, daughter and brother, nationality is a key issue. The characters don't talk much, don't express themselves much until they hit their own breaking point. Which, of course they do, because everyone in one way or another is affected by the war.The director said in a press conference following the film that he wants each generation to surpass their parents, but that instead he witnesses a regress, compared to the generation that lived in the old Yugoslavia. In order to stop the vicious cycle of violence that has plagued this region for hundreds of years. As the film moves on, we see a little shift at the conclusion of every story. The ending of the first is just tragic. The second results in an ambiguous ending after a passionate affair. The third leaves an open door for the protagonist, a chance to start over, to surpass the hatred his parents passed on.Director Matanic has also said that 'some people just like to hate'. In contemporary Europe, this is still very much true. That kind of hatred is not easy to understand for everyone, including the people in the affected societies, such as the director's Croatia. This film can give us a better understanding of how war and nationalism can affect people on a personal level. More importantly, the message we take home at the end is that with time, there is more hope. All of that might have been a bit too preachy or serious if it weren't for the beautiful visuals of rural Croatia and the beautiful broken heroes of each story.
