Hellen I like the storyline of this show,it attract me so much

SteinMo What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Edgar Allan Pooh . . . of the 3 hour, 46 minute, 59 second 12-chapter "Mascot Serial" version of THE HURRICANE EXPRESS would technically be qualified to rate or comment about this flick. (That's 13,559 seconds, for the mathematically challenged, like my sister.) For ease of reference, your twelve chapters (with their time splits) are: 1)The Wrecker (28:43), 2)Flying Pirates (16:35), 3)The Masked Menace (17:15), 4)Buried Alive (19:26), 5)Danger Lights (16:48), 6)The Airport Mystery (19:47), 7)Sealed Lips (18:19), 8)Outside the Law (19:00), 9)The Invisible Army (18:29), 10)The Wrecker's Secret (16:26), 11)Wings of Death (17:26), and Unmasked (17:45). As he doddered toward Oblivion, John Wayne campaigned desperately to eclipse the 259 feature film credits of his late henchman, Ward Bond. In order to inflate his work record from the 166 features on his filmography for this site (and all other credible listings) by another 94, Wayne counted each of the serials he appeared in (such as HURRICANE) as TWELVE feature film roles, rather than one (even though 11 of the chapters in each serial ran for LESS than 20 minutes!). Wayne also awarded himself a theatrically-released feature film credit for each of his TV situation comedy cameo guest bows, as well as counting coup every time he made the annual Oscar Awards broadcast as either a losing nominee or a seat filler.

John W Chance I own and have watched the Alpha Video feature version of the serial. The problem with feature versions of serials is that they leave out so much; a lot of them jump too fast leaving out details behind certain dialog or sequences, which makes them hard to follow; or else the back and forth nature of the action seems pointless and tedious. There are many, many examples of this such as "Planet Outlaws" the feature version of "Buck Rogers" (1939) "The Phantom Empire," (1935) "Dick Tracy Vs. Crime Inc." (1941) among many.The exceptions are "Rocketship" (1936) the excellent shortened first "Flash Gordon" serial and "The Lost Jungle" (1934), which is actually a real improvement over and practically a different film from the serial it came from.This one, however, is in the category of something you watch while you're doing something else. Although John Wayne has a few good lines, and seems to do a lot of the action stunts himself, the feature version really points up the weak nature of the story. The bad guys (including the underutilized Charles King) seem to want to spend all their time trying to recover some gold stolen from a train, the Hurricane Express.Watching this you think, don't these evil villains have anything better (or since they are villains, worse) to do? Well, while watching it, you realize that you do, but you may not have anything else planned. So let me give you some tips for things you could be doing while playing this video: Organize all the clothes in your closet. Go thru the week's mail and throw away the junk. Delete unnecessary e-mails. Pay your bills. Organize your video collection-- I do mine chronologically, but maybe you do yours alphabetically. File important papers. Lie on your bed and read something while you listen to the movie. Good luck! I'm sure you'll be able to think of something worthwhile to do while watching this version of "The Hurricane Express."

bsmith5552 "The Hurricane Express" was one of three serials that John Wayne made for Nat Levine and Mascot Pictures after leaving Columbia Pictures following a run-in with mogul Harry Cohn over the affections of a young starlet.The Mascot serials were always fast paced and full of action and this one is no exception. The story revolves around a mysterious character named "The Wrecker" who is bent on destroying the L & R Railroad. He causes the wreck of the Hurricane Express in which engineer Jim Baker (J. Farrell MacDonald) is killed. His son Larry (Wayne), an airline pilot vows to avenge his father's death. And that's basically it.Wayne goes through the rest of the serial trying to identify "The Wrecker" and bring him to justice. Is the villain Edwards (Tully Marshall), the General Manager of the railroad; Stevens (Conway Tearle) the railroad attorney; Walter Grey (Lloyd Whitlock) the head of the airline; Stratton (Edmund Breese) an escaped convict who claims to have been set up by the railroad; Jordan (Matthew Betz) an engineer who was fired and has vowed revenge or is it Carlson (Alan Bridge) a station agent?Aiding Baker is the lovely Gloria Martin (Shirley Grey) who turns out to be Stratton's daughter. Appearing as "The Wrecker's" henchmen are Ernie Adams, Charlie King, Glenn Strange and Al Ferguson. Complicating matters is the fact that "The Wrecker" can impersonate anybody by donning a life like mask of that person. Never mind that he can also apparently assume their physical characteristics and clothing as well.After 12 chapters, a number of false leads and red herrings "The Wrecker" turns out to be.......wait, no, no...Bam! Bam!..aaaargh!John Wayne was quite young and very athletic at the time this serial was made and can be seen clearly performing many of his own stunts. The winsome Grey was also at Columbia at the same time as Wayne and even appeared in a picture or two with him. I wonder..hmmmm.These old serials also provide a snapshot of the times. I particularly enjoyed seeing the old cars, trains and planes. A bit dated but a nevertheless enjoyable piece of nostalgia.

Lou Rugani Despite a great title, "The Hurricane Express" (referring to a crack passenger train which we hardly even see at all) is very slow and talky. Most of the film time is spent in static conversation about who might be wrecking the railroad company's trains. This serial came from the bargain-basement Mascot studio, and seems as if it were done by a high-school film class. There is John Wayne, of course, and some worthwhile vintage train, airplane and outdoor footage, but if that's all you want, keep poised onto the fast-forward button. The editing (or lack thereof) is the worst thing about "The Hurricane Express"; scenes are allowed to run on interminably, and it's as though Mascot didn't want to throw any precious film away. Shy away from the full-length film and look instead for any condensed version .... which still might be too long. So, who wrecked "The Hurricane Express"? Mascot Pictures did. Recommended only for curiosity-seekers.