Kattiera Nana
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Nayan Gough
A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
Donald Seymour
This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.
Geraldine
The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.
Adriane Fagundes
This movie is about a young college girl who lost her mentally ill mother. The main character Rose and her father move to a new place and they have a troubled relationship as Rose resents her father for getting more work to do when her mother got really sick. The house they moved to has a history, a girl who lived there, called Rachel, went missing and was never found.There are a lot of problems with this movie and I'm not going to comment on the cliches because I honestly don't mind cliches as long as they are well done, which is not the case.The movie seems to try to set the idea that Rose might have the same illness as her mother, but... It's so not convincing that a lot of the father/daughter dialogue feels dumb. Which brings us to another problem: the dialogue as a whole. There is so much exposition going on it's annoying especially since the "mistery" of the movie is so obvious since so early in the movie. I mean they did a kind of nice job in the very beginning when Rose is suspicious of Lila's father, but then they just made it all go away when Rose accused the guy in the middle of the street and for some weird reason instead of being really mad at a girl - who you just talked once - for doing that to your father, Lila explains everything to Rose, even very personal things and continues to be good friends with her. It's just so unrealistic and that pushed me right out of the movie. And it's sad to watch it after that because you can see that they are trying to make you confused about who is the person that killed Rachel when you already know ages ago. And I am a person who is AWFUL at figure this things out in movies.Anyway, I think it could have been a nice cliche horror movie, but its incredible predictability killed it.
buckikris
I rented this the other night, and was surprised how good it was. I didn't know any of the actors except Tom Sizemore. This was finally a good suspense filled movie without all the gore, torture, and nonsense you see in today's horror movies. I am a classic horror fan, not into today's blood, gore, guts type movies like; SAW. I like the old school horror, like Friday, Psycho, Halloween, and Nightmare. This movie was up my alley, it was like watching a Norman Bates type movie. It kept me glued to the screen from the time it started til' the end. Just when you think you know who is behind it, comes a twist. When watching this movie I had two suspects; and both were wrong. I was shocked when I found out who was responsible in the end. This is a great suspense filled movie that makes you think, and how many horror films can say that. This is well worth the rental, if you like suspense, thriller movies this is for you.THX, Kris L. CocKayne
Platypuschow
I was curious to see what Miranda Cosgrove could do as a leading lady, all I ever hear is criticism about her acting ability. I never get to see her in anything as what she tends to do doesn't exactly fall into the category of stuff I would watch (With the exception of School Of Rock).Starring alongside more than competent veterans Donal Logue & Tom Sizemore this horror is one big cliché & steals material from other movies, sticky tape's it all together and calls it original.Dull and lifeless this is a hard one to make it through as it goes nowhere, is more predictable than a Cena match and goes nowhere.
Argemaluco
Like many other "Disney actors" (or Nickelodeon, in this case), Miranda Cosgrove decided to initiate the "serious" phase of her career with a horror film. That strategy worked very well for... for... mmh... let me think... there must be someone. Well, after all, that doesn't have much importance, because The Intruders barely qualifies as a horror film. Sure, we have the clichés of haunted houses and vindictive ghosts, but Jason Juravic's screenplay and Adam Massey's direction are so insipid and listless that they couldn't evoke any excitement on the spectator. And the least I say about the "big revelation", the better; it truly makes no sense. Among the few positive things I can say about The Intruders, Cosgrove managed to bring a competent performance, despite having had to work with such a poorly written character. I hope she will find more substantial projects in the future. Ryan Gosling! The strategy I mentioned on the beginning of this review worked for him; he started his career as a "mouseketeer", he ventured into light horror (Frankenstein & Me), and he later became a prestigious actor. Good luck, Cosgrove.