Plantiana Yawn. Poorly Filmed Snooze Fest.

Boobirt Stylish but barely mediocre overall

Thehibikiew Not even bad in a good way

Brennan Camacho Mostly, the movie is committed to the value of a good time.

otrnepodahl Although not as long as films like "Gone With The Wind" or "Duel In The Sun", it still had an epic feel to it. Virginia Mayo's character was cunning in the way that Vivien Leigh's Scarlet was to that film, but not as sympathetic or likable. I like Alan Ladd as an actor, but he was no Clark Gable. All in all this is an enjoyable Technicolor feature, with the same composer of GWTW, Max Steiner as a nice bonus.

pensman I suspect the screen writer owes a lot to F. Scott Fitzgerald for this script. Jim Bowie, Alan Ladd, is a bit of a backwoods bumpkin who meets Judalon de Bornay, Virginia Mayo, while on his first trip to the big city of New Orleans. Blinded by her beauty he fails to discover her true nature as a highly manipulative Daisy Buchanan who uses him to obtain her own ends. One has to enjoy how she manipulates him to provoke a knife fight which win or lose may end the thrall her husband Phillipe de Cabanal, Alf Kjellin, owes to gambling and Black Jack Sturdevant, Anthony Caruso. There may be some history in this film but very little. As the movie progresses even the most credulous viewer has to be willing to suspend all belief. You may not be able to repeat the past but you certainly can redress plots in new periods. And the scene, big spoiler, where Phillipe de Cabanal and Black Jack Sturdevant kill each other while believing their opponent is Bowie is over the top. At least Bowie finally has an epiphany as he states, "No woman is worth the lives of eight men." And there is even a little Titanic here as Bowie tosses his knife into the water and goes on to marry Ursula de Varamendi, Phyllis Kirk. Confused? Wait for a rainy day and hope TCM is running the film.

writers_reign Gordon Douglas was something of a poor man's Michael Curtiz at Warner Brothers inasmuch as he could turn his hand to just about any genre the studio assigned him to. In the early fifties Alan Ladd had run out of exotic locations to meet Veronica Lake and William Bendix at Paramount and although his greatest performance and greatest Paramount film by far (Shane) was already in the can though unreleased his agent wife Sue Carroll brokered a deal that took him to Warners who, being hip to his stand-out performance in Shane, laid on another 'Western' to welcome him aboard. As a biography of Jim Bowie it fits where it touches and concludes with no reference to the Alamo - probably a bit tricky as Bowie winds up the movie married to the daughter of a Mexican official. That aside it's a fine example of the genre with Ladd on top of his game albeit playing Bowie as a nice guy who can't seem to help killing people, mostly as a result of his involvement with super-bitch socialite Virginia Mayo. In terms of Ladd's overall career it ranks well inside the top half and will surely entertain nine out of ten viewers.

skallisjr As with most films, story details had to be compressed to fit it into a normal running time, but it still catches much of the flavor of the novel. The Alan Ladd portrayal is believable, though Paul Wellman's novel takes the saga all the way to the Alamo and the film ends long before that. However, it has the feel of a good period piece.The manufacture of the famous knife is foreshortened from that of the book, where Bowie discusses the design in detail with Black, the man who forges the knife. The action in the forging of the iron is quite dramatic and worthy of the reputation that the knife .. er .. carved out.The "duel in the dark" sequence was dramatically enhanced by momentary flashes of lightning, which wasn't half as ruthless as in the novel, where the entire duel was fought in pitch black.Major spoiler: The end of the film has Bowie treat the knife in sharp contrast to what happened in the novel, and for that matter, history (he gets rid of it). This may have been to create a Hollywood happy ending, but is a major shift from the novel, and from history.