The Jazz Fool

1929
5.6| 0h6m| en
Details

Horace pulls a wagon with a a small pipe organ, with Mickey at the keys; a sign on the side reads "Mickey's Big Road Show." They arrive, and Mickey's suitcase labeled "Jazz Fool" unfolds to a piano, which he plays (and sings about 8 notes). At the end, the piano attacks him. There is no dialogue, aside from the nonsense syllables sung.

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Producted By

Walt Disney Productions

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Reviews

PlatinumRead Just so...so bad
Cleveronix A different way of telling a story
Glucedee It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.
HottWwjdIam There is just so much movie here. For some it may be too much. But in the same secretly sarcastic way most telemarketers say the phrase, the title of this one is particularly apt.
Hitchcoc This is a stunning little cartoon. I know that the levels of animation had not been met, but we can already see the genius that is Disney. First of all, there are a series of performances by farm animals as they use their various physical attributes to create percussion, strings, and brass. But the highlight here is when Mickey takes the stage to become the "Jazz Fool." His battle with his piano to produce a really catchy number is priceless. We can see his character develop and shine.
OllieSuave-007 This is not a bad little cartoon featuring Mickey and a host of other Disney characters, playing instruments, including a feisty piano, to some really catchy tunes. Not much of a story here, but a nice musical number that is sure to enchant the younger audience.Grade B
MartinHafer I assume that with this title, the Disney folks were parodying the title of the sound sensation "The Jazz Singer", though the film itself has nothing to do with this Jolson film. Instead, it mostly consists of Mickey entertaining the audience by playing the piano in a jazzy fashion. However, several times as he plays there are riffs that sound strongly inspired by George Gershwin. The music is all very pleasant but there just isn't much to the film. As a result of it having no plot and a lot of songs, it doesn't stand up as well as other early Mickey toons. Worth seeing for die-hard Mickey fans and film historians but pretty easy for others to skip.
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Mickey's Big Road Show arrives with THE JAZZ FOOL himself as the star attraction.This is an enjoyable early black & white film, with the plot driven entirely by the musical soundtrack, which features elements of ragtime & Dixieland jazz. Horace Horsecollar gets to showoff his solo instrumentalist talents. The animators threw in a heavy dose of their favorite posterior jokes - even Mickey's piano has its bare bottom smacked. The title is a salute to two recent Al Jolson film hits, THE JAZZ SINGER (1927) & THE SINGING FOOL (1928). Walt Disney performs Mickey's squeaky voice.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.