The Karnival Kid

1929
6.3| 0h8m| en
Details

Mickey Mouse is working as a hot dog vendor at a carnival when he meets and quickly falls for Minnie the "Shimmy Dancer". That night, Mickey and a pair of alley cats serenade her by performing the song "Sweet Adeline", much to the dismay of Kat Nipp, who is trying to sleep. The short marks Mickey's first speaking appearance.

Director

Producted By

Walt Disney Productions

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Trailers & Clips

Also starring Carl W. Stalling

Reviews

LastingAware The greatest movie ever!
StunnaKrypto Self-important, over-dramatic, uninspired.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
Celia A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
OllieSuave-007 A little odd cartoon featuring Mickey Mouse, in the first outing where he speaks, trying to impress Minnie the Shimmy Dancer with a serenade at a carnival. Some catchy music here and there, but not much funny stuff to see here. Just a lot of wacky singing and dancing. Grade C
TheLittleSongbird Disney has always been a big part of my childhood, and while The Karnival Kid is a cartoon I don't adore it is a very interesting cartoon signifying the first time you hear Mickey talk. The story doesn't hit any new ground with a rather abrupt ending, and I personally did find Mickey's rather gruff-sounding voice odd here, almost as though he hasn't found his voice yet and considering the cartoon's significance I'm not surprised. However the animation is great, with the backgrounds smooth, the character designs appealing and the visual gags inventive. The music is just as effective, characterful and full of vitality, enhancing the action rather than just an excuse to lump song and dance numbers together. The gags are fun, with the first sequence having sheer kinetic energy, the hot dog scene is cute and the cats in the somewhat quieter and simpler second half of the cartoon are hilarious. All the characters are very likable also. In conclusion, not one of my favourites but important and a good cartoon anyway. 8/10 Bethany Cox
MartinHafer Up until "The Karnival Kat", the world had never heard Mickey Mouse speak. Well, when I heard him, I was in for a shock! Instead of the usual falsetto voice originally made by Walt Disney himself, Mickey has a gruff and unattractive voice--one that sounded very strange coming out of the world's most famous mouse! Well, apart from that, the sound itself was a big problem in this film--with a VERY scratchy and tinny soundtrack. Considering it came out in 1929, however, I will cut it some slack--but not when it comes to Mickey's lousy voice! Apparently, Walt and the rest must have agreed that this voice was all wrong, as it soon would become what we've all come to love.As for the cartoon, although Mickey is in it selling hot dogs (much like he did in "All Wet") and you also see Minnie, they are only in the first portion of the cartoon. Much of it consists of showing carnival life as well as a large portion near the end devoted to a couple caterwauling cats. It's all rather cute but not up to the usual standards of a Mickey cartoon. Because of this, devoted fans will enjoy it but others might want to think about seeing some other cartoon instead.poor sound odd voice for Mickey
Ron Oliver A Walt Disney MICKEY MOUSE Cartoon.Mickey, THE KARNIVAL KID, woos Minnie the Shimmy Dancer.Full of the quirky humor of artist Ub Iwerks, this very enjoyable black & white film is a delight. Despite its age, the animation has an unexpected panache, with Mickey's hot dogs stealing the show. Look for an early cameo by Clarabelle Cow as the bovine attached to the balloon. Mickey's voice does not sound like Walt Disney this time.Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.