SincereFinest disgusting, overrated, pointless

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Yazmin Close shines in drama with strong language, adult themes.

clanciai This is a very sad story but as deep as the ocean, charting the fates of the unknown limbo victims of war trying to make the best of a bleak life in the shadows just waiting for the dark final curtain to come down.Everything is excellent in this film. The three main characters Trevor Howard, William Holden and Sophia Loren make this film monumental in its almost shockingly documentary human drama of a struggle for life against hopeless odds, while the carrot making them go on is the illusion of hope after all.William and Trevor are both captains of tugs in the war saving "lame ducks", ships hit by submarines but not sinking, so they have to be tugged back to harbour, usually under hard fire from the u-boats. There are mines also, guns that don't work in battle, bad weather and what not.They are old friends, have been to Panama together, and when William comes to help the tugging from America (before Pearl Harbour) he stays at Trevor's place, but there's also Sophia Loren as a widow from previous casualty captains. She was at her very best in unglamorous roles, and this is one of them. Her acting is delicately understatement-like all the way, she knows too much about the conditions of war and the horrible cruelty of its merciless laws of destiny, but still there is in her very cool playacting a deep warmth like burning coals that never fade. There is a touch of eternal continuity in this extremely fascinating character.If you know anything about war, this film will touch you profoundly to the core. The black-and-white photography enhances its very human drama. There can never be enough said about rare films like this. There's only one thing to say: it's too good for words. At the same time, it couldn't be more hopelessly devastatingly noir.

moonspinner55 Jan de Hartog's novel "Stella" becomes interesting, erratic, uneven WWII battle story mixed with romantic melodrama. William Holden, an American sergeant with the Canadian Army (!), is transferred to England to captain a rescue-tugboat in U-boat-infested Atlantic waters; the job inadvertently comes with a flat and a resident girl (Sophia Loren, an Italian by way of Switzerland!). Carol Reed directs the shipboard battle sequences well, but there's too much intricate detail (bombs going off, waves rocking the ships, crews scrambling the decks) that one loses sight of the main characters. Holden has some wonderful moments early on--fearful of his new position, nervous about his first day on the job--and his gaining respect from his men is one of the highlights of the picture. Loren has much less to work with...and in much less time; every so often she has a frightening premonition, or she's cooking, cleaning, or getting out of the tub. The bit with the apartment key near the end (passing it along before a treacherous assignment) is pure balderdash, and even talented Holden can't make the final scenes work. Very nice cinematography from Oswald Morris, sumptuous scoring by Malcolm Arnold; yet, overall, the picture is a minor one. ** from ****

bkoganbing This is a curious film. A gritty, tough realistic movie during the action sequences at sea, but when the story shifts to land and Sophia Loren and the men her life, it's dull and lifeless.Trevor Howard and Bill Holden are men numbers three and four in refugee Sophia Loren's life. The key is the key to her apartment which the guys make duplicates of and pass on to friends. Right after that's done, the giver is killed at sea. Howard and Holden are tugboat captains assigned to tugs who go out to the open sea and pick up crippled freighters bringing needed war supplies to Great Britain during World War II and tow them in. The tugs are poorly armed and barely sea worthy and are easy marks for theGermans. It's hard tough work and director Carol Reed does a superb job showing that. This is one of the least glamorized war movies I've ever seen. The men are fatalistic to say the least, but especially around Sophia as if the Nazis weren't enough to worry about.Sophia Loren is a lovely thing of beauty and certainly a pleasure to watch, but her scenes with her two male co-stars have absolutely no spark at all.If you watch this I recommend you fast forward the romance and get to the action.

Zen Bones Sophia Loren shines in a rather somber role as a woman in England who obstinately attaches herself to British naval officers that are involved in some of the most dangerous assignments in the war. Their job is to try to rescue the crews and cargo of ships that have been destroyed by Nazi ships or submarines. Since the Nazis know exactly where the battle took place, they know where the rescue ships are going to be, so the death rate among the rescue teams is very high. The great Trevor Howard gives a wonderfully understated performance, and William Holden also holds his own very well. The film is rather slow, though I prefer to call it casually paced. The wartime atmosphere of southern England is illustrated with good detail, and the action sequences are well-choreographed and suspenseful. It's not a great film, but I prefer it to most of those 'stiff upper lip' wartime melodramas that England and Hollywood produced in the forties.