Comwayon A Disappointing Continuation

Rio Hayward All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Payno I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

writers_reign I bought and watched this solely as a Sinatra completist. I has no illusions, I've been hearing for years how bad it was and now I've seen for myself. Four For Texas, Sergeants Three, Marriage On The Rocks, want some beating but Kissing Bandit is up to the task. Basically it's Destry Rides Again crossed with The Desert Song with spin, the spin being that the Sinatra character really IS a big girl's blouse and not Macho Man in drag. For reasons best known to himself J. Carroll Naish sports a false nose but otherwise he and the ever reliable Mildred Natwick work their socks off in support while Ann Miller and Cyd Charisse contribute class in a tacked-on number shot in isolation. See it once just to say you have.

Jeffrey Roegner The Kissing Bandit was an attempt by MGM to build up Frank Sinatra as a leading man. This is a lively, bright, and goofy comedy musical. Sinatra plays Ricardo, a California born, Boston-bred young man who returns to California to take over the family business, not knowing that his father was the infamous Kissing Bandit. So named because he kissed all the women after he was done with his thievery. Ricardo is the last possible candidate to take up his father's mask. He is a proper and uncoordinated, and in his funny entrance he literally crashes through the inn that his father owned, having fallen off of his horse. J. Carroll Naish plays the comic relief on the male side as Chico, who was Ricardo's father's right hand man. Frank Sinatra is fine, but stiff at times in his role.Sinatra's leading lady is operatic coloratura singer Kathryn Grayson, and this is a strange pairing. When they are doing songs by themselves, both actors shine, but their lone duet in the film (and thank goodness there is only one!) just doesn't work. Sinatra's smooth, jazz crooning is an odd, almost jarring pairing with Grayson's operatic arias. The film would have been stronger had they paired Frank with someone whose singing style wasn't as vastly different. The songs in the film are all good and memorable, including the Grayson solo "Tomorrow Means Romance", the Sinatra solo "Siesta", and my favorite song in the film "What's Wrong With Me?", which both Grayson and Sinatra sing. The songs were written by Nacio Herb Brown and Earl K. Brent. Brown had been paired frequently with Arthur Freed in the '20's and '30's and their songs were later used as the basis for possibly the best known movie musical of all time, Singin' in the Rain. "What's Wrong With Me", in fact, was used in the stage version of Singin'. In addition to Naish, the film has a fine supporting cast of character actors, including Mildred Natwick as Grayson's man hungry aunt, and Clinton Sundberg as the bumbling Colonel Gomez, who keeps getting demoted. The plot line is thin and pure silliness, and Sinatra and Grayson have a flimsy chemistry, but it is held up by several strong musical performances and two cool dance sequences, one that includes Ricardo Montalban, Cyd Charisse, and Ann Miller. The comedy is not lacking though, and I had a smile on my face throughout. Overall, The Kissing Bandit, provides a fun time-filler for a late night or rainy day.

MartinHafer The IMDb score for this film is under 5--indicating it's a bad film. While I agree it is very slight and has many problems, the film isn't bad and is a decent time-passer.Frank Sinatra is completely wrong for the part, though his singing was great--better than his co-star Kathryn Grayson. He plays a Bostonian who has moved to Mexican California (before it became a part of the US). His thick New Jersey accent sounds completely unlike a Bostonian and midway through the film he is impersonating a man from Spain!! As I said, he's completely wrong for the film.Sinatra moves to California to assume control of his father's inn. However, he doesn't realize that inn-keeping was NOT his father's real job--he was the infamous 'Kissing Bandit'. When the father's old henchman (J. Carrol Naish) informs him he MUST assume control of the old gang and take up the tradition of kissing fair ladies who he robs, Sinatra is afraid--he doesn't think he is up to the task! When he's on his first robbery, he meets a gorgeous lady (Grayson) and ISN'T up to the task--and cannot make himself kiss her. It isn't that he's not attracted--it just seems wrong to kiss a stranger! As for her, she's intrigued...and a bit disappointed he didn't kiss her! The story gets a lot weirder--especially when later Sinatra and Naish pose as emissaries from Spain--and Grayson's father (the Governor) wines and dines them! What's next? Tune in and see.As for the plot, it's really silly--completely silly, actually. And, in this era of political correctness, it's also likely to offend some of the more feminist bent. But it is fun! What isn't fun, however, is the singing. As I said above, Sinatra is great--with a gorgeous voice as you'd expect. As for Grayson, she has a quality voice but it's also VERY operatic--and hard on the ears. Also, most of the songs are completely forgettable. An odd exception is "Love is Where You Find it". I say odd, because only about a week ago, I heard this EXACT song in the movie "A Date for Judy" in which Jane Powell sang the same tune. While IMDb doesn't indicate it, they sounded EXACTLY the same to me--like one was perhaps not really singing the tune but using a recording of the other woman (though which is which, I have no idea). Overall, not a bad little film but a bit silly and the singing was a definite low-point.

moonspinner55 A klutzy young man returns West after being schooled in the hotel business via Boston; he quickly learns his friends in Spanish-colonized Old California expect him to fill his deceased father's shoes instead--that of a romantic thief known for kissing his female victims after robbing them. Colorful but silly M-G-M production has a great deal of talent before and behind the camera, but it never takes off. This might have been fun, second-string material for Abbott & Costello, but Frank Sinatra looks lost and embarrassed in the lead. Combination of raucous comedy and musical interludes are hindered by the poor staging (Sinatra is photographed singing at one point in a mirror, but one doesn't concentrate on his performance so much as noticing how odd the star appears reflected in this way!). Kathryn Grayson is the Governor's daughter who falls for Frank, and her high soprano trilling turns her singing scenes into self-parody. Aside from Robert Surtees' cinematography and the decent art direction, this "Bandit" remains kissless. * from ****