Hellen
I like the storyline of this show,it attract me so much
Pacionsbo
Absolutely Fantastic
Billie Morin
This movie feels like it was made purely to piss off people who want good shows
Married Baby
Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
cgc-14
Fry wrote this in the aftermath of world war II and this production was made as the US left Vietnam. In these post Iraq days it needs to be re-released, as it catches the best and worst of humanity in a single play. There are other versions, but they miss the ache and reality that this production brings forth.If you can see it, do so.Our hero is war weary, our lady is an educated woman who speaks French to her poodle and kept a peacock whose cries terrified one of the serving girls such that she was sure it was the Devil himself.. Our hero wishes to die, our lady's wish is to live, and they meet in a justice's home on a memorable spring day.
spenycjo
My 2006 review is below, but for the small band of us crying out for this to be on DVD, I found it! Only I can't include the info here--it's against IMDb rules--so Google the title + Chamberlain and look among the results. Yippee!The review:This broadcast positively transported me when I saw it on PBS, and I would buy it in a minute if someone had the good sense to issue it on DVD.There's a version starring Kenneth Branaugh (much of whose work I love) that's very watchable, but it doesn't reach the heights this one does.If you've never seen or read anything by Chrisopher Fry, as I hadn't, you'll be astonished that it was written for 20th century audiences. It's a serious look at life disguised as a romantic comedy set in medieval England. The cast is uniformly excellent, and Chamberlain and Atkins are magical. (After playing Dr Kildare on American television for several seasons, Chamberlain went to Britain to study and work; he ended up playing Hamlet in a major production. This performance shows what he can do when allowed to.)They say life's a comedy to those who think..."The Lady's Not for Burning" is a comedy *for* those who think.
Lydia Nickerson (lydy)
I fell in love with Richard Chamberlain the night I saw this. If I saw it in 1974, then I was, god help us all, twelve years old. So long ago, and so different a person, and I retain a memory of it that is bright and painful, like sunlight."The Lady's Not for Burning" is a world-weary play about the darkness of the human soul, and about the grace that sometimes shines through that darkness and blesses the ones it shines upon.The setting is a generic town in the generic middle ages. Jennet, a lovely woman of some property, is identified and hounded as a witch, the excuse being that the old rag-and-bones man has been found dead. The mayor of the town promises to hang her tomorrow, but just that night, he's busy with an important party. A mercenary, Thomas Mendip, who has seen too much of the world, demands to be hanged because it was he who killed the rag-and-bones man. The mayor refuses Thomas's request, and insists that Jennet must be hung on the following day. The discussion of who is to be hanged, and why, is so funny you can hurt your sides laughing, and so grim that you want to cry.The play is, throughout, a darkly humorous portrait of the human condition. The priest who coddles his violin as if it were his only child, is utterly adrift from the world. He is unable to perform any of his proper functions as a priest, or even, really, as a human. He provides an odd counterpoint to the life and death issues that Thomas and Jennet face.This may be Richard Chamberlain's best performance. It is intense and understated. His Thomas is grim in exactly the right ways, with his generosity and sweetness expressed in his despair, a neat trick, even for a good actor. I've seen Chamberlain in other productions, but none of those performances seem as nuanced and sharply defined as this one.The later production, starring Branagh, is less impressive. As a general rule, Branagh is a better actor, but in this particular case, he is too arrogant. Chamberlain plays the flamboyant role of Thomas with a humility that makes the character more tragic, and funnier, and in the end, more satisfying than Branaugh's more dramatic rendition. Branaugh draws attention to himself in his role as Thomas, while Chamberlain's performance more realistically portrays what the character is trying to do, not draw attention to himself, but draw attention away from Jennet.The spirit of this play is very similar to many of Tom Stoppard's plays. And both of them have a strong resonance of Shakespeare.I, too, wish that they would release the PBS version of "The Lady's Not for Burning." Failing that, I wish it weren't so hard to find either of the other two productions. Surely, it's time for another production? It's such a brilliant play.(Please note: I'm doing the plot summary from memory. I may well have some details wrong. If so, I humbly beg your pardon.)
keyspoet
Even though it has been thirty years, I remember this well, as do my mother and sister. I probably saw it a dozen times over it's KCET run, every time we knew it was going to be on, and loved every showing.So many in the cast are favorites of mine that I'll refrain from going into each performance, except to say that the casting was excellent all around. Growing up in Los Angeles I was fortunate to see Richard Chamberlain on stage several times, and never better than he was in this role. Kristoffer Tabori stood out as well, as he has done so consistently throughout his career.If you have the opportunity to see this, DO NOT MISS IT. You will not be sorry.Message to KCET: PLEASE RELEASE THIS ON VHS/DVD!!!!!