Protraph Lack of good storyline.

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Brenda The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Horst in Translation (filmreviews@web.de) It seems as if it all fits: Italian western starring Franco Nero, music by Ennio Morricone and a good atmospheric setting with a lonesome fighter. Too bad this 8-minute movie does not make a whole lot of all this and instead shows us what happens when our hero simply has no enemies anymore to go up against. Was that a symbolism of western being dead? I hope not as it certainly is not as there are good genre films coming out every once in a while, even if the actors today who star in these films are not defined by the genre like maybe Wayne, Eastwood and of course Nero were back then. Anyway, back to this one, all in all a great story was missing here to go with the strong basic additions I mentioned earlier. I do not recommend the watch.

MARIO GAUCI Franco Nero is a gunslinger, per the film's title the last of his breed; he goes to an abandoned warehouse - the setting, presumably, is the present - and commits ritual suicide. An 8-minute short that's clearly an ode to the Spaghetti Western subgenre (though shot in black-and-white) and featuring one of its more durable stars. Even if very little actually happens - and, rather than utilizing music from Nero's own Westerns, the soundtrack draws on the instantly-recognizable scores composed by maestro Ennio Morricone for the Clint Eastwood/Sergio Leone films - it manages, in its limited duration, to be oddly elegiac and, indeed, is quite nicely done in every department.

grandpa_chum If you love spaghetti westerns as much as I do, and that is a lot, you will probably enjoy watching this 10 minute short 7 or 8 times consecutively more than you would most other films, as I did, it's just that great! Franco Nero is... well... FRANCO NERO! And if this Dominici guy never makes a feature length film, not to mention a feature length spaghetti western, I will be enormously disappointed, he's got the talent to make 'em as good as the best ever did.Watch it and you won't be disappointed, in fact even if you hate Django, the 20 bucks you'll spend on it is well worth this extra disc alone(it's included with Django and comes on a little mini disc).

Davide Great interpretation of Franco Nero! Very good the cinemathography of Dominici. Morricone's music arranged very well by italian pop group "Subsonica"