Sexyloutak
Absolutely the worst movie.
Chirphymium
It's entirely possible that sending the audience out feeling lousy was intentional
Invaderbank
The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.
Payno
I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.
Lechuguilla
To appreciate this film the viewer needs either to be in a jazzy, rebellious sort of mood, or have some interest in Neal Cassady, an American who figured heavily in the development of the "beat generation" of the 1950s.Set in the 1940s during one notable period of Cassady's life, the film is mostly a character study of Cassady (Thomas Jane), and his relationship with other people in his life, including his friend Harry (Keanu Reeves) and various romantic interests, the central one being Joan (Claire Forlani).But Cassady was a quirky kind of guy, a rebel, a nonconformist, fun loving, with a restless energy, a person constantly on the move, both physically and philosophically. As presented in the film, he is a cross between James Dean and Jim Morrison.Cassady's offbeat personality is mirrored in the film's offbeat style. It's shot partly in color and partly in B&W. Plot structure seems deliberately chaotic, frenetic, loose. Jump cuts can be jarring for viewers expecting a smoothly flowing, linear plot. And the tone alternates between silly and philosophical. Background music is mostly jazz with some blues thrown in. Accordingly, a lot of viewers will find the film's unorthodox style off-putting.But I liked it, for the most part. The plot would have been stronger if it had focused on Cassady's 1950s relationship with other historical figures, like Jack Kerouac and Allen Ginsberg, instead of his romances with random women. Otherwise, the cinematography, the music, and the performance of Thomas Jane are terrific.
DrPhilmreview
How can a film with a dream cast that includes Keanu Reeves, Adrien Brody, Marg Helgenberger, Gretchen Mol and Amy Smart go wrong? Try bad script and even worse direction. You might begin to consider suicide yourself about half an hour in.Thomas Jane headlines the cast as Neal Cassady in this headache inducing film biog. He's probably the weakest of the performers involved. But he certainly gets no help from director Stephen Kay who seems more interested in showing off his camera tricks and technique than actually directing actors and making scenes work.When this film isn't painful, its a bore. There is a reason you've never heard of "The Last Time I Committed Suicide". Be grateful and avoid if at all possible.
themightyjackalope
I am writing this because I am in stark disagreement with a certain editor. This little film shows excellent directing, cinematography and acting. It stands as testimony against, and is infinitely better then, most of the talentless "indie" wastes of time that you'll see in the country's smaller theaters today. Thomas Jane BECOMES a young Neal Cassady, and displays one of the finer performances you'll ever see on film. In fact, the acting is excellent overall (To which the director should be praised). Admittedly, if you are interested in the legend of Neal Cassady this movie is going to be much more interesting to you. Still, even if you are not, it is a fine story of unrequited love, with humor and the spirit of the enjoyment of life. It is a touching period piece, excellently delivered and exceptionally written. The other Cassady-driven movie (unrelated to this cast and crew) - "Heart Beat" (1980) - hits you like a stale yellow lamp on a boring Sunday afternoon by comparison. This film is vivid and beautiful. It is a shame that a film of this caliber is being ignorantly shuffled under the carpet, becoming prematurely harder to fine with each passing day, while the constant deluge of mindlessness produced by the big studios becomes marketed ad nauseam over the course of decades. Stephen T. Kay made the kind of film that inspires filmmakers.The soundtrack - also becoming harder and harder to find - cannot be beat (It remained untouched from my CD player for months). Personally, I had never been a fan of jazz music before owning it.
bongo-15
This is an excellent film which really captures the feeling and atmosphere of the Beat Generation. The film is based around a letter Neal Cassady (seen as Dean Moriarty in Jack Kerouac's seminal 'On The Road') wrote to Jack Kerouac about his 16 year old girl friend Cherry Mary. I won't go into anymore details as I think the less you know about a film before seeing it the better - but suffice to say that if you have any interest in the beat generation, or enjoyed any of Kerouacs books you'll like this film. Cinematography and music are both also exceptional.