The Limey

1999 "Tell them I'm coming"
6.9| 1h29m| R| en
Details

The Limey follows Wilson, a tough English ex-con who travels to Los Angeles to avenge his daughter's death. Upon arrival, Wilson goes to task battling Valentine and an army of L.A.'s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.

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Reviews

Executscan Expected more
SparkMore n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.
Sabah Hensley This is a dark and sometimes deeply uncomfortable drama
Delight Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.
johnnyjeremymusic-56956 I have never seen Poor Cow, but based on its synopsis it would be fair to wager that this is an update of that film. I suspect that the young Terence Stamp flashbacks in the Limey are from Poor Cow.The Limey is a fair film. It is an enjoyable film. The directors' style is very much of its time, but in the end the film is very conventional. If you're a fan of Terence Stamp, it is worth the watch but it has little else to offer.
gretz-569-323863 I wrote my summary line after reading reviews from people who hated this movie. I guess if you can only appreciate slam-bang zombie apocalypses then you might be bored by "The Limey," but most grownups will probably enjoy it. (Don't get me wrong, I like zombie apocalypses too, just not all the time.)Others have already talked about the plot, which I found believable enough for a movie. The super-hot Terence Stamp plays Wilson perfectly, and I loved how the director used Stamp's performance in "Poor Cow" as a "frontstory" for his relationship with his daughter Jenny, played, only in photos, by Melissa George.The rest of the cast is also pretty good, including Adhara, Terry Valentine's nymphet girlfriend, a young Denise Richards lookalike named Amelia Heinle who seems as if she might be able to act were she not always either in a pool or a bathtub. Peter Fonda was eerily creepy as an amoral record producer whose main attraction is his money. (In one of the movie's best lines, Adhara says to him: "You're not specific enough to be a person. You're more like--a vibe." So true.)A special shout-out to Nicky Katt, who--no pun intended--killed it as a hapless hit-man. A small part, but one of the little joys of the movie.Another joy: Terry Valentine's two gorgeous houses, one in LA with a pool cantilevered over an open canyon, and one at Big Sur. if I'm reading the box office right, the budget for this movie was $9 million, but it only grossed about $4 million. Truly sad if so.
Mr-Fusion Terrence Stamp is truly a marvel to watch as the hard bastard main character of "The Limey". He stalks across the screen, barreling head-on into thugs, driven by a thirst for answers. His daughter didn't just fall asleep at the wheel. And someone had better start talking. The low-key tone of Soderbergh's stylish and hard-nosed crime thriller doesn't deter it from resonating with its powerful use of imagery, flashbacks and non-linear narrative. The cast is great from top to bottom; Peter Fonda, Lesley Ann Warren, Barry Newman and (most surprisingly) Luis Guzman. And there's a lingering sadness that remains long after the movie's over. We can credit Stamp for that, through his melancholy and impressive acting job. 7/10
daggersineyes I'm getting to the point now where I'm distrusting the ratings on this site because so many movies with above 7 ratings turn out to be boring pretentious tripe. Honestly, there was nothing in this movie that redeemed it. The acting was almost non-existent, the editing was clumsy and bizarre (possibly in some mis-guided attempt to appear "artsy") and the plot..... well there really wasn't one. There was certainly no action, no suspense, no thrills, no warmth, no likable characters, no intrigue, no message, no interesting dialogue, no gripping relationships or drama .... just a lot of repetition of boring scenes (for what purpose is beyond me), blank stares for long periods of time (possibly an attempt to build drama but all it did was build frustration with how awful the film was) and lots of pointless badly written wooden conversation between characters. I got just over half way through and felt proud of myself for having suffered so long but at that point I started skipping bits of the film. I started carefully, only skipping small sections and soon realised I could easily jump several minutes at a time and miss nothing at all. Finally made a huge skip to the last 10 mins or so. YAY! I thought, a bit of action! Even tho I couldn't care less what happened to anyone. I was just hoping for relief to the tedious boredom. But my hope was short-lived and actually changed to anger because the ending made not one bit of sense in the context of the rest of the movie. It was lame and silly. I fail to see how anyone can give this a score above 2. I might have to start watching movies rated below 5 and maybe I'll have better luck. So dear reviewers, slow, boring and badly written/acted/shot/edited/produced does NOT equal meaningful and artsy. It just equals a waste of everyone's time. Conclusion: Don't' bother. Watch In Bruges instead. That's one of the few movies with a decent rating that actually deserves it.