GrimPrecise I'll tell you why so serious

Usamah Harvey The film's masterful storytelling did its job. The message was clear. No need to overdo.

Candida It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Cheryl A clunky actioner with a handful of cool moments.

TheLittleSongbird Van Beuren cartoons are extremely variable, especially in the number of gags and whether the absurdist humour shines through enough (sometimes it does, other times it doesn't), but are strangely interesting. Although they are often poorly animated with barely existent stories and less than compelling lead characters, they are also often outstandingly scored, there can be some fun support characters and some are well-timed and amusing.1934 saw Van Beuren make two cartoons with Amos and Andy, the other being 'The Rasslin Match'. Neither were successful and are pretty much forgotten today, and it is not hard to see why and why more Amos and Andy cartoons weren't made. Despite being lower rated, for me 'The Lion Tamer' is actually the better cartoon by quite some way. This is coming from someone who didn't really like 'The Rasslin Match' at all. It, 'The Lion Tamer' that is, does contain still a good deal of the faults of Van Beuren's work, while also having good points and more so than in 'The Rasslin Match'. Van Beuren have actually done quite a number of watchable or more cartoons, a few pretty good if imperfect. 'The Lion Tamer' is one of the watchable ones.Best asset is the music score from the ever consistently great Winston Sharples, pretty much the best thing consistently of Van Beuren's output. It is so beautifully and cleverly orchestrated, is great fun to listen to and full of lively energy, doing so well with enhancing the action. Charles Correll and Freeman Gosden attack their voice acting as Amos and Andy with enthusiasm. Amos and Andy, especially Andy, have more personality, even though caricatures somewhat and there are amusing moments especially with the fake lion that were not there at all in 'The Rasslin Match'. There is an energy here too, again not there before. The synchronisation is neater.However, the animation is not good, in fact it is downright bad most of the time with erratically sloppy character designs in particular while the simplistic background detail and lack of fluidity and crispness are just as difficult to ignore.Story is very slight to the point of non-existence and the energy could have been more, the 9 minutes still feels longer occasionally. It feels aimless at times and also random and disjointed. If you are looking for sense too, look elsewhere. Basically 'The Lion Tamer' is a stringing along of gags structured in a way that's not as disorganised and random like in 'The Rasslin Match' but there are still signs of both. There are not enough laughs, or at least little imaginative or amusing, and many are likely to find some of the material offensive (even when judging it for back then). Not enough is inventive or imaginative, never rising above the forgettable and bland at best and there is not much absurdist about them.Altogether, a watchable effort and the better one of the Amos and Andy cartoons but still a long way from great. 5/10 Bethany Cox

ackstasis Amos 'n' Andy were two very stereotypical African Americans, voiced by Charles J. Correll and Freeman F. Gosden, who hosted a popular radio programme that ran between 1928 and 1960. In 1930, when RKO decided to make a film featuring the two characters, apparently nobody thought it problematic that everybody's favourite Black personalities were actually very White. No matter – Correll and Gosden appeared in black-face, and the film was a considerable commercial success, despite the critics hating it. Indeed, Gosden later described 'Check and Double Check (1930)' as "just about the worst movie ever." A planned sequel never came into fruition, but the two comedians later lent their voices to two short-subject cartoons featuring their trademark characters, 'The Rasslin' Match (1934)' and 'The Lion Tamer (1934).'I haven't seen the former, but 'The Lion Tamer' is nothing to write home about. Crudely-drawn, with an entirely predictable storyline, the nine-minute cartoon is largely uninteresting fair, saved only by the intriguing characterisations of the two leads. Though Amos and Andy are largely condemned nowadays as being racist creations, the characters really do work. They are stereotypes, yes, but, more importantly, each man has a distinct and identifiable personality, emphasised frequently through their repeated use of personal catchphrases (I don't know why, but I laughed every time Andy exclaimed 'Hotdog!"). Of course, when there are two lions – one fake, one real – and Andy is to "tame" the fake one, you can guess pretty far ahead of schedule where this story is leading. Of historical interest, but not much more.

tavm The Lion Tamer is the second Van Beuren cartoon that starred the popular radio characters Amos 'n' Andy. As in the previous one, The Rasslin' Match, another character named Kingfish tricks Andy into doing something Andy normally wouldn't do. Here, Andy has to tame a lion in front of a large audience. There are actually two lions here: a real one who's tied on the ground for show and a costumed one worn by a couple of friends. Andy is supposed to tame the costumed one but of course eventually ends with the real one. The visual gags involving both lions makes this a little better humor-wise than The Rasslin' Match but not by much. Since this was the last Amos 'n' Andy cartoon made, I'd only recommend this and its predecessor only to those who are Amos 'n' Andy completists. Both these cartoons are, for now, available for viewing on YouTube in pretty blurry prints.

rbverhoef 'The Lion Tamer' is an animated short starring Andy Brown and Amos Jones, two black men with the voices of Charles J. Correll and Freeman F. Gosden. I have not seen other cartoons with these two characters and after this one I do not really want to. The story that involves Andy as a lion tamer, a fake lion with two men in a suite, and a real dangerous one is as predictable as these things can be. You can probably guess the outcome by reading the sentence before this one.Besides the story that is not good we have a racist kind of animation. The black men (and the black audience watching the lion tamer for that matter) are caricatures, which is not necessarily a bad thing, but here it is sort of offending. Of course you should watch pass that, but with a predictable cartoon like 'The Lion Tamer' that's pretty hard.