Protraph Lack of good storyline.

BroadcastChic Excellent, a Must See

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

Edgar Allan Pooh . . . if Hillary only thinks of dispatching her to Pakistan in 1993 to charm and disarm Osama Bin Laden and his Taliban buddy Mullah Mohammad Omar. Some interpreters of Warner Bros.' prescriptive prophecies for America's Future have argued that THE LITTLEST DIPLOMAT is either urging JFK to send Carolyn to nip the arranged meeting of Osama's parents in the bud, or telling Jimmy Carter to dispatch Amy as a means of making the Afghanistan-bound Russian tanks retreat in 1979 (since she'd already been so successful with the Soviets in the area of nuclear proliferation by that juncture in time), but 1)this is Real Life, folks, not an episode of TV's TIME TUNNEL, and 2)"Sybil's" bugling scene is a dead giveaway that Warner is trying to tap Chelsea to save Our Twin Towers, since it's a well-known fact that the Clintons' heiress would have more musical talent in her little finger than the young Carolyn Kennedy and Amy Carter combined. Plus there's the fact that Sybil's guardian--Grandpa Colonel--says "My word is law," which sounds much more like a Slick Willie Proclamation than a chance remark from Jack or Jimmy. Unfortunately, America ignored Warner's advice about how to combat Radical Islamic Terrorists, and now it's too late. (Besides, no one can picture a fashion show-bound Iwanna Trump being on one of the 9-11 jets and telling her hijackers--to paraphrase Sybil--"I'm an American, and no subject of The Donald need ever be afraid!")

MartinHafer In the tradition of "Gunga Din", "Lives of a Bengal Lancer" and a bazillion other Hollywood productions of the 1930s, this one starts with the presupposition that the British colonial empire is the dog-gone bestest thing in the world. Given you can accept this, this is a wonderful little film. If you can't, try to ignore the inherent injustice of this system and watch the film anyway as it's quite watchable--much of due to its almost terminally cute star, Sybil Jason.The film begins in what is today Pakistan. The local British Colonel is a rather strict guy who is having problems with the locals who, for some inexplicable reason, don't want to be subjugated peoples of the Empire. A diplomat encourages the Colonel to use a bit of tact and diplomacy--and the Colonel informs him that the British heel is the only diplomacy he needs--an obviously prophetic attitude! Soon, the Colonel's granddaughter arrives (Sybil Jason) and she's the gosh-darnedest cutest kid in the world. She immediately captures the hearts of the soldiers and Colonel. But the Colonel's blustering ways eventually drive her away--into the arms of his rival, the Khan. However, the child's amazing charm melts the Khan's heart and in the end they all get together for a little sing-a-long and cookies.The story is a bit ridiculous but very well filmed (in Technicolor) and is quite charming. In many ways, it's more like a movie in look and scope than a short--even though it's only about 19 minutes long. Worth seeing if you have the DVD for "The Life of Émile Zola"--on which it is a special feature.

boblipton Released the same year as John Ford's WEE WILLIE WINKIE, in which Shirley Temple saves the British Raj, this Vitaphone short starring Sybil Jason is played much more for comedy, with a musical interlude or two. Miss Jason is rather stagy in her line readings and seems far more forcedly cute than Miss Temple's ebullient demeanor.The real star of this short is, neither Sybil Jason, nor Lumsdale Hare, but the beautiful Technicolor photography, courtesy of Ray Rennahan. He was a Technicolor specialist whose credits include the color sequences of the silent BEN HUR, two Oscars and two terms as president of the American Society of Cinematographers. This movie is more notable as a treat for lovers of the Technicolor process than its story or acting.

XweAponX I saw the wonderful little girl Sybil Jason in another short "Changing of the Guard," the first film directed by Bobby Connolly, and was impressed. There seems to have been a connection between Conolly and Jason as she was the subject of many of Conolly's Shorts. The last film by Jason was 1940's "The Blue Bird" with Shirley Temple and her scenes were probably edited and deleted because there was a high potential for Jason to Upstage Temple- This is not to say that the two child stars did not get along, but the "Grups" possibly got involved and it all became about personalities, and not what was best for the film- To find out why Sybil Jason did not act in any more Features can be looked into by reading her Autobiography.This Short follows the basic format set up in 1936's 'Changing of the Guard' which director Bobby Conolly, (of 1938's 'Fools for Scandal') also directed- That film had more tightly directed musical numbers in it... This film has a few, but it actually has a good storyline, good for contemporary children to watch and get something out of.This short is not nostalgia-driven like "Changing of the Guard" but is a little bit of everything... And if this film is watched carefully, it can be seen that a very delicate issue is lightly touched on- Watch this short to see about this. With the musical and story elements in place, this short is a very nice little package- And as it is in colour, this short could be shown in the big theatres today, and it's message would not be lost.It seems that the team of writer Sid Herzig/director Bobby Conolly produced these shorts- Most of them highlighting Sybil Jason. Bobby Connolly was a good director, and it is too bad he was taken from us before his time.