The Living Daylights

1987 "The new James Bond...living on the edge."
6.7| 2h10m| PG| en
Details

After a defecting Russian general reveals a plot to assassinate foreign spies, James Bond is assigned a secret mission to dispatch the new head of the KGB to prevent an escalation of tensions between the Soviet Union and the West.

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Reviews

Colibel Terrible acting, screenplay and direction.
BroadcastChic Excellent, a Must See
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
The Movie Diorama Timothy Dalton's debut was met with some criticism calling him too serious and lacking the campy fun that its predecessors pioneered. Whilst I agree, I can hardly class it as a negative. In fact I'm all for change which is why The Living Daylights works so well. The plot revolves around the KGB and the illegal shipment of opium. Plenty of assassination attempts and the rescue of a cello playing damsel who holds her own against Bond. There are no volcanic lairs, space stations or megalomaniacs, just a realistic plot that is one of the most plausible in the whole franchise. Timothy Dalton's portrayal of Bond was perfect, I really warmed to him. Fully sophisticated, quick witted and an absurd amount of charm, he was the perfect choice after the questionable Roger Moore. There were moments of emotional breakthrough, particularly scenes involving Kara, that were a step forward for the character. The primary antagonist wasn't particularly memorable, but henchman Necros was a good rival for Bond. The physical prowess of Arnold Schwarzenegger but with the hair of Max Headroom, although the acting chops of Tommy Wiseau. Excitingly inventive action set pieces including sliding down snowy mountains on a cello case and the final explosive cargo plane heist (which is one of my favourites from the franchise). Director John Glen's veteran experience with the series shows, he knows how to work the camera and create thrilling scenes. No quick cuts or innovative camera techniques. It was clinical, which I appreciate in the action genre. Everything felt authentic, including the stunt work and explosions. The gadgetry that Q introduces is innovative as well, shame the "ghetto blaster" wasn't explored further! A-Ha's theme tune is one of the stronger songs, but not a personal favourite of mine. The plot is fairly formulaic, but if you can get passed that and the lack of campiness then you are in for one of the strongest entries in the franchise.
ivo-cobra8 The Living Daylights (1987) is my sixth favorite James Bond 007 film it is the reason why is one of my favorite in James Bond films. I'm a hard-core James Bond fan. I make no apologies for believing that Timothy Dalton is the closest thing we've seen to IAN FLEMING's James Bond. I grew up watching this movie as child it has a great action and one of the best Timothy Dalton's performance as James Bond he is excellent and charming I love his character. It has a beautiful filming locations in Austria Weissensee, Carinthia, Austria. Bond and Kara encounter a roadblock - Drautalstraße just before the Festungsbergtunnel, Carinthia, Austria. The frozen lake chase - Weissensee, Carinthia, Austria. Aston Martin V8 Vantage was used in this movie and you can see laser which he cuts a police car on the chase. This was the fourth film to be directed by director John Glen he previously directed For Your Eyes Only, Octopussy and A View to a Kill. The movie was filmed also in Vienna, Austria on those locations in which was this movie filmed 12 years ago I was in Vienna and I love it there. Not only this movie is an action film it is also a spy film in which James Bond 007 with a sniper riffle shoot's Kara when she try's to shot Koskov. Unaware it was a plot twits on the end and Bond uses Kara to get the Koskov when he find's out an assassins are killing spies. Armed with razor-sharp instincts and a license to kill, James Bond battles diabolical arms merchants bent on world domination in a weapons conspiracy that may be linked to the Soviet military high command. Initially assigned to help a KGB agent (Jerome Krabbe) defect, Bond must prevent an unknown sniper from killing him before he can escape to the West. The mysterious shooter is the seductive and beautiful Kara Milovy (Maryam d'Abo), who is not at all what she appears to be. Bond foils a plot to trade millions of dollars of diamonds for weapons, ending in a shootout high above the clouds in a plane loaded with opium. Great performance by Maryam d'Abo as Kara Milovy Koskov's girlfriend and later Bond's girl. She plays a cello and I like the classic opera songs used in this movie. Great performance from the bad guys Joe Don Baker as Brad Whitaker the main villain and the bad guy.Great performance from Jeroen Krabbé as General Georgi Koskov: Whitaker's ally and a renegade Soviet general the second bad guy. Great performance from Andreas Wisniewski as Necros: Koskov's henchman and assassin he is great as the killer I love the climatic fight on the plane between Bond and Necros on the end off the movie. Great performance from John Rhys-Davies as General Leonid Pushkin who was also in two of Indiana Jones movies I love his performance in this movie.I love the beautiful score from John Barry and wonderful music soundtrack The Living Daylight by A-Ha I love it. I have enjoyed this film it is my favorite James Bond film and I love it so much I have it on Blu-ray disc and I just love to watching it.You have a good stunt work, great action performance, you have a car that explodes you have great explosions. Great stunt work great action. Timothy Dalton is perhaps the most underrated actor to play James Bond, due to his rather brief stint as the character. He is terrific in both his films, and gives 007 a brooding that Bond has not had in any of his previous films. The movie is also good because the romance between Dalton and Mariam D'abo is there and is wonderful to see. Though Kara Milovy is not a tough Bond girl, she is one of the most sensitive and most romantic with Bond himself. The side love story is great to watch.I'm a hard-core James Bond fan I love old movies I love GoldenEye to death, I love Roger Moore and Sean Connery, Peirce Brosnan and of course Timothy Dalton.I love The Living Daylights I love this movie to death I also love Maryam D'abo in this she is enthralling I just love and enjoy watching this film not as much as I love GoldenEye but I love this movie to death. I think it is way underrated because he was in Afghanistan like was Rambo III (1988) and I know a lot of people from 9/11 doesn't like this movie but that time it was different time then now and yes it is my guilty pleasure of mine. If you don't like that's fine but I will take it any time over Daniel Craig and his retarded movies that is just my opinion not yours. You don't have to agree with me. The Living Daylights (1987) is the fifteenth spy film in the James Bond film series to be produced by Eon Productions, and the first to star Timothy Dalton as the fictional MI6 agent James Bond. Directed by John Glen, the film's title is taken from Ian Fleming's short story "The Living Daylights". It was the last film to use the title of an Ian Fleming story until the 2006 instalment Casino Royale.10/10 my favorite James Bond movie. This film is amazing Totally mind-blowing I love it.
Filipe Neto Directed by John Glen and produced by Albert Broccoli, it has script by Richard Maibaum and Michael G. Wilson, and is the fifteenth film in the franchise. In this film, besides the central cast inherited from previous films, Timothy Dalton embodies, for the first time, the role of James Bond, alongside a great cast: Maryam d'Abo plays the Bond- girl Kara Milovy, Jeroen Krabbé gives life to General Koskov, John Rhys-Davies plays General Pushkin and Art Malik plays Kamran Shah.In this film, Bond is tasked to assist in the defection of a Russian general who, as in London, announces the resumption of "Smert Spionam" (Death to Spies) policy by the USSR. However, after several setbacks and after meeting the girlfriend of the fugitive general, Bond discovers that the defection was nothing but theater and there is someone interested in triggering a new world war.For the first time, Timothy Dalton gave body and life to James Bond. and, despite his way was quite different from the polite and courteous Moore, its not difficult for us, after some minutes of film, see Dalton as the new 007. Hard, violent and seductive at the right time, the actor was able to give a new impetus to the spy and bring Bond definitely to the eighties. And, although Maryam d'Abo doesn't fit the usual pattern of Bond-girls (super attractive, fatal, curvaceous and sexy), its impossible don't think that her sweet, gentle and loving ways blends very well with the vigorous and virile Dalton's Bond. The script is very interesting and addresses some issues that are still present in our society: the fear of a new world war or arms trafficking, for example. Some scenes in this film are iconic, such as the escape of Bond and Kara to the border with Austria by skiing inside a cello case, or the incredible fight scenes in the Afghan airport. Also great is the opening theme, sung by A-ha, in my opinion one of the best achieved in the franchise.
Thomas Drufke For awhile, the Bond films lost the spy elements to the series. Not that there weren't some great installments, there were. But I feel as though The Living Daylights brought the franchise back to its spy roots. The last time a film delved into that was probably The Spy Who Loved Me. And as much as I loved Roger Moore in the role for so long, Timothy Dalton did a fine job as 007. You immediately buy into him as Bond which is something Lazenby really struggled with years before. I also appreciated the pacing of this film. A lot of Bond films over 2 hours are noticeably 2 hours. But this film speeds by, and if it weren't for a rough middle act, this would be one of the best of the series.Obviously I'm watching this nearly 30 some odd years after it's release, but I couldn't help but notice the story resemblances to this years Mission Impossible: Rogue Nation. Both being spy movies is a given, but it's opera house scene, along with the leading lady, and its twists and turns all seem to call back to The Living Daylights. But believe me, that's a good thing. I did like Maryam d'Abo as the main Bond girl with something else up her sleeve, but I thought the writing pushed the romance too much with James. Sometimes a women's role in a film doesn't need to feature a romance with the lead character. Other than that, she provided an interesting dynamic with Bond and the rest of the characters.It was nice to see John Rhys-Davies show up although I wish his role would have had more significance. His character tended to get lost in the jumble a bit with all the other secret intelligence that appear here. But again, I think this film benefited from its surprises and unpredictability. Having so many characters keeps us on the edge of our seat as to who makes it and who doesn't. I was also impressed with the writers decision to included certain lines about why this person wasn't going to be killed or why this person needed to be killed. So often in Bond films, I feel as though characters are killed off without real necessity or explanation. That's not the case in The Living Daylights.As if Bond didn't have enough Ski/snow chase sequences, there is yet another one in this film. We have to be nearing double digits at this point. But the action overall is quite impressive. Besides the explosive finale, there wasn't unnecessary special effects or explosions as there usually are. The middle to third act veers off a little bit for about 20 minutes but other than that, it's a well put together film. Maybe it's because it's a different actor, but I feel like this Bond film was much more modernized and didn't seem as dated as previous installments.+Dalton+Great finale+Unpredictable for the most part+Pacing & timely action-Veers off in the middle-Pushed romance7.3/10