Linbeymusol
Wonderful character development!
StunnaKrypto
Self-important, over-dramatic, uninspired.
Quiet Muffin
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
Zlatica
One of the worst ways to make a cult movie is to set out to make a cult movie.
rufkdlk
I was in the final crowd scene of this film and made the big mistake of repeating my line of dialogue the next day at work. Since it contained the "n" word, not something I would normally say. I thought the director at the end was John Frankenheimer, father of Michael Bey but maybe not? I was perceived to be a "friend of John's," screenwriter John Cork who did not and don't know. I remember thinking Ms Spacek looked every inch a star, even at 40, and led the applause as she departed the set. She had almost no interaction with Whoopi Goldberg that night until they held hands at the end. I think the film holds up pretty well, as I doubt my hometown of Montgomery has changed in the years since. Couple of things I notice, when her family gifts Odessa with a coat, it looks a lot like her old one and when the Cosby Show's Erika Alexander tries to escape rape in a park, she's taller than they are and maybe even than the black man who saves her. RIP my uncle Carl Stephens who does 2 WSFA TV broadcasts, on bus boycott and on the whereabouts of Santa Claus Christmas eve on radar.
rsubber
This is the kind of movie that makes you want to cry—not because you watched the movie, but because what you're watching really happened. I didn't live in Montgomery, Alabama, in 1955
.didn't know about the bus boycott at the time. Shame on most of the white folks who are accurately portrayed in "The Long Walk Home," the racist citizens who complained at their dinner parties that "the ni__ers don't want to work" while their black maids were serving dinner. And much too tardy and much too inadequate praise for the other white folks who are accurately portrayed, the ones who felt the injustice, a little bit or a lot, that framed their everyday lives, living with their black neighbors in Montgomery. This is a message movie, plain and simple. Sissy and Whoopi are the messengers, plain and simple. They know what they're doing and they send the message to the viewer, straight from the shoulder, right between the eyes. It all seems very calm, except for the one, not-too-violent crowd violence scene at the carpool intersection—frankly, it's a bit awkwardly choreographed, but the denouement is satisfying. Sissy, rather incredibly, tells her domineering, bigoted, abusive husband to stuff himself at the very end. Good message, but not too realistic from a white 1950s housewife in Montgomery, Alabama. But Sissy is the other strong character—Sissy is on the right side of the bus boycott, and she sticks her neck out a lot more than Whoopi's maid character does. There is dreadful truth, and heroism, in "The Long Walk Home." Read more on my blog: Barley Literate
Aldo Renato
I first saw this movie in the early 1990s right after it came out on video. My then wife worked in a video store and brought new releases home for my second opinion. This movie is riveting...it is a classic docudrama (fiction mixed with fact) and, as I titled my commentary, "we are there." First there are two Oscar-winning actresses (Sissy Spacek and Whoopi Goldberg) and a versatile actor (Dwight Schultz of "The A-Team" proving there's life after that cult series). The gradual mixture of fact (Rosa Parks, Dr. Martin Luther King, the boycott, etc.) mixed with fiction (the bonding between the two women, the way the wife stands up to the husband, etc.) makes this the quintessential docudrama...recommended (required?) viewing for anyone who went through that era!! In some ways it's not just the birth of the civil rights movement, it's the birth of Southern feminism (the daughter could have very well grown up to be any of the women on "Designing Women")!! Again, this movie packs a big wallop to anyone who views it...we, the audience are given a "fly on the wall" viewpoint...we are there!!!
jeanner-2
I loved this movie. The acting was spectacular but what I really liked was the understated tone. So many movies about the history of civil rights make everything so big and dramatic. It was big and dramatic but most people were still working and living their lives. This movie shows how a person can wake up to the world around them and change. It is not a huge shift but once she sees clearly, she can not go back. Her life will be changed forever. It is really beautifully done.I found myself wanting to know more about the characters in the story. What happened the next day? Did the husband join his wife or did they divorce? Did the two women remain friends? Anyway, it was great!