The Lost Continent

1968 "A living hell that time forgot!"
5.5| 1h37m| G| en
Details

An eclectic group of characters set sail on Captain Lansen’s leaky cargo ship in an attempt to escape their various troubles. When a violent storm strikes, the ship is swept into the Sargasso Sea and the passengers find themselves trapped on an island populated by man-eating seaweed, giant crabs and Spanish conquistadors who believe it’s still the 16th century.

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Reviews

Incannerax What a waste of my time!!!
Jeanskynebu the audience applauded
Rijndri Load of rubbish!!
Allissa .Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
a_chinn Oddball Hammer Studios picture about a proverbial ship of the dammed, a group of disparate passengers on a dilapidated cruise liner on their way to South America are struck by a storm that leaves them stranded on a dangerous uncharted island containing all sorts of dangers. Those dangers include various prehistoric monsters and even some remnants/descendants from the Spanish Inquisition who think that's still a thing (OMG, that's so 1478!). It's not terrible, but it is entertaining enough if you're in the mood for prehistoric monster, pirates, and Jules Verne/Rudyard Kipling- like adventures.
Theo Robertson Suggestive Spoilers This is one of these movies you can remember watching on television one Friday night many years ago and thinking was a great movie . When you see it again after a period of a couple of decades you spend much of the running time on the rewatch thinking " How the heck did I find this enjoyable in any way ? " but then a couple of scenes appear and you can see why you found it enjoyable when you were young enough to have not developed overly critical abilities . In short the memory has cheated making you forget all the dire bits and bigging up the fun moments . Certainly THE LOST CONTINENT is a fun film but only intermittently To say there's something uneven with the screenplay is an understatement . The first half manages to combine contrivance , banality and boredom all together which is no small feat . If you've got a cargo of yellow oil drums that have " DANGER HIGHLY EXPLOSIVE MATERIAL DON'T GET IT WET UNDER ANY CIRUMSTANCES " warning signs splashed all over them you can just imagine this might some baring on some plot turn later on in the film , especially if the film spends five minutes explaining through its one dimensional ship's crew just how dangerous this stuff might be . Especially if a hurricane is coming . Just when you think it might be a disaster movie featuring shipwrecked survivors struggling to stay alive on a lifeboat the film mutates in to something entirely different so much so you'd be left thinking why this aspect wasn't developed earlier since the first half is entirely boring in comparison I'm not saying the second half is good from an artistic point out of view but it is thoroughly entertaining as long as manage to suspend disbelief which is very difficult when the film throws everything including the kitchen sink at the audience . There's enough plastic monsters and ideas here to fuel an entire season of DOCTOR WHO . Perhaps the most striking thing is some of the design work where people can walk on weed infested water because they're wearing giant balloons strapped to their backs . Don't bother to ask where these survivors of a 16th Century Spanish fleet managed to acquire them or what they've been eating for several Centuries because it's not that type of movieTo give the cast credit they do try and make the most of their painfully underwritten clichéd roles of woman with a secret past , hip black dude , slutty blonde bimbo , tough level headed sea captain etc . The stand out performance is probably by Tony Beckley best known for his flamboyant larger than life roles and is especially best known by this reviewer for his show stopping role as Harrison Chase in the DOCTOR WHO story The Seeds Of Doom and it's strange watching him as a macho square jawed hero come alcoholic piano player . Also worth pointing out is Dana Gillespie as Sarah though possibly not for her acting talent and when one of the characters mentioned " Sarah is playing her with her balloon things " all sorts of images flashed through my mind THE LOST CONTINENT is a very uneven film . As many people have said - and it's impossible not to notice it - it feels like two different films welded together by the same cast . . It's silly and entertaining but probably not as entertaining as you might have remembered it . That said it could very well do with a remake involving a more disciplined story structure while keeping the more horror and action based elements of the original
Wuchak I remember seeing this flick many years back on TV; it kept my interest for the first hour and twenty minutes , right up to when the colossal creatures appeared. They were so laughable I was FORCED to tune out.After becoming a fan of Dana Gillespie (see her in "The People That Time Forgot" to learn WHY), and finding out she appeared in this pic, I ended up buying it on DVD. An open-minded second-look reveals a fine adventure yarn capped off by a very moody, surreal climax.Quite a few reviewers state that there is no lost continent in the picture; this is not true. When the cast are in the Sargasso sea area you can clearly see mountainous land in the background; in fact, a character even proclaims at one point, "Look -- land!" Some of the cast even end up walking on the "lost continent" which is where they run into the laughable monsters (giant crab, giant lobster, etc.).WHAT WORKS: There's lots of action and adventure; Eric Porter as Captain Lansen is strong; the human-eating seaweed is a plus; the surreal sets for the orangey Sargasso Sea of shipwrecks are fantastic; Dana Gillespie is incredibly beautiful; the balloon shoes & harnesses are creative; and the plot keeps your interest even though much of the writing is weak. The distinctive 60's theme song is also pretty cool.WHAT DOESN'T WORK: Except for Dana Gillespie (Sarah), the characters are all rather unlikable and the biggest flaw is that the creature F/X are horrible (did I mention that already?).FINAL ANALYSIS: "The Lost Continent" is not hailed as one of Hammer's masterpieces, but I think the main reason for this is the lousy crustacean monsters. The flick gets extra points for its high adventure and its undeniably mood. The film will certainly be enjoyable for those of us who are attracted to "lost continent"-type adventure flicks (just bear with the relatively short crustacean sequence). And Dana Gillespie doesn't hurt.The film runs 89 minutes.GRADE: C+ or B-
Eric The scariness of this movie doesn't jump off the scale when you first see it, but for me it lingered - and lingered - and lingered. Other reviewers have described it well so I'll just add a couple little fillips. First, Eric Porter played an excellent Moriarty in the Jeremy Brett version of Sherlock Holmes, and there is an odd aptness to that which will bring back memories of this very original movie. Second, some of the reviewers refer to the "cult" aboard the galleon. Well, that's no cult - it's a pretty faithful rendition of the 16th century Catholic Church and the Inquisition. The debates between the loony Inquisitor and the British ships's mate are worth the price of admission. And I was surprised to learn from some of the other reviews that cigarette companies protested. If anybody should have protested, its the Catholic Church, which comes off looking every bit as bad as it deserves to in those debates, and the depiction of a microcosmic theocracy which is a "not even disguised" version of the church, or just about any church to some degree. A fun movie on many levels, and unforgettable.