Inclubabu Plot so thin, it passes unnoticed.

ReaderKenka Let's be realistic.

Protraph Lack of good storyline.

Portia Hilton Blistering performances.

JohnHowardReid Director: JOSEPH H. LEWIS. Original screenplay: Al Martin. Photographed in black-and-white by Jerry Ash. Film editor: Ralph Dixon. Art directors: Jack Otterson and Ralph M. DeLacy. Set decorations: Russell A. Gausman. Costumes: Vera West. Music director: Hans J. Salter. Sound recording: Bernard B. Brown and Jess Moulin. Producer: Paul Malvern.Copyright 8 December 1941 by Universal Pictures Co., Inc. New York opening at the Rialto: 3 January 1942. U.S. release: 27 February 1942. Australian release: 7 May 1942. 6 reels. 5,449 feet. 60 minutes.SYNOPSIS: Shipwrecked on a tropical island, a mad doctor uses his suspended animation techniques to impress the natives.COMMENT: Early "B" film directed by Joseph H. Lewis starts off promisingly but ends up unexpectedly with stock natives on a Pacific Island. Still, director Lewis shows an occasional flair with imaginative compositions, though the plot is one of the silliest we have ever come across. The star of the film, Una Merkel, plays a totally superfluous character and the support cast proves not much better, but Lionel Atwill goes through his role as if believing that his every word was of the greatest importance!

Roddenhyzer Alright, let's get the story out of the way: "The Mad Doctor of Market Street" tells the tale of "Dr." Ralph Benson, a hobby scientist who likes to do occasionally fatal experiments in the fields of resuscitation and suspended animation. When the law catches up with him, he attempts to flee the country, but alas, his means of transportation sinks into the Atlantic ocean, where he ends up washed ashore an island with a handful of other survivors. There, Doc Benson sees a chance to continue his experiments, as he manages to fool the resident tribals into thinking he could bring the dead back to life. No one's ever pulled off the classic mad scientist with quite as much cold, sociopathic, yet strangely gleeful enthusiasm as Lionel Atwill did. It was for this very reason that I sought out this movie, and as it turned out, it was also its only saving grace. It's not that the movie is lousily produced; quite the contrary. The production values are rather high, as evidenced by the convincing and rather varied sets. What mars this one is simply the lack of a clear thematic focus. The movie shifts between wacky comedy, island romance, morbid medical thriller and (very mild) science fiction pretty much by the minute. I suppose this *could* all work together, but in this one, these elements just don't blend very well. Whenever there's a sense of tension, one of the comic relief characters pulls a stupid face or says something silly. Whenever the mood is lighthearted and even romantic, someone dies or Doc Benson schemes evilly. There's also a tad bit too much going on in terms of threats and dangers. The supposed villain of the movie is the titular doctor, but the real dangers are a fire on and the subsequent sinking of the ship, and a tribe of islanders, who are always on the verge of burning the group of survivors at the stakes for superstitious reasons. In between all of this, Doc Benson is more of an opportunistic, overachieving charlatan than a properly menacing villain, which only adds to the movie's overall vibe of inconsistency.Literally the only thing that manages to be consistent throughout is Atwill's performance. It's just a delight to watch him deliver his admittedly awesomely megalomaniac lines (the character refers to himself as the "God of Life" and aspires to become the "greatest man who has ever set foot on this earth") with this unique inflection of his. Ultimately, this is why I'm giving this a 6 instead of the maybe much more appropriate 4. As mediocre as everything else about it may be, there's no denying that this one really is an absolute treat for Atwill fans.

Michael_Elliott Mad Doctor of Market Street, The (1942) ** 1/2 (out of 4) Decent Universal horror film has a mad doctor (Lionel Atwill) experimenting with bringing the dead by to life through frozen animation. Your entertainment level will depend on whether or not you like comedy mixed in with your horror. I think the two genres can go together in certain cases and I found the comedy here to be pretty good. Nothing great but nothing bad either. The film's story certainly isn't original but it is fun enough to keep the short film going strong until the end. Atwill, in his final lead role, turns in a fun performance, which is something we've all come to expect out of him.

the_mysteriousx This very minor Universal horror film from 1942 is significant for it was the last time Lionel Atwill received a starring role in a film. He was on the outs after this due to the sex scandal that ruined his career and health. He played only minor roles after this and died 4 years later of cancer.The film is very easy to be hard on and Universal has obviously regarded it so low, that it has never made it to video, despite the millions they still make off their classic horror films. What kills the film is a lack of mood or suspense. It is super-pedestrianly directed by Joseph H. Lewis.What makes the film are the change-of-pace settings including a doomed cruise ship and an exotic island. The actors are all excellent too, even if Nat Pendelton and Una Merkel get a little tired with their comic relief act.Ultimately, Atwill rules and is as menacing and sinister as ever. He revives a dead native and is revered as a god by the island tribe. He very selfishly dictates how the other ship survivors will live as only Atwill so slimily could (Sounds like a reality show plot). The other standout is Noble Johnson as the village leader. He is given more dialogue than he ever had in his many previous horror films and he ultimately gives Atwill a run for his money. It was nice to see him in a larger role.Don't expect too much - this is a B film. Atwill fans will delight in seeing his last great lead performance. Atwill may have never had a definitive mad doctor film, but I've always regarded him as the maddest doctor of them all.