The Mad Monster

1942 "The blood of a wolf he placed in the veins of a man... and created a monster such as the world has never known!"
3.5| 1h17m| NR| en
Details

A mad scientist changes his simple-minded handyman into a werewolf in order to prove his supposedly crazy scientific theories - and exact revenge.

Director

Producted By

Sigmund Neufeld Productions

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Reviews

Protraph Lack of good storyline.
SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
Aaron1375 I saw this film on the cult television riffing show, Mystery Science Theater 3000. Basically, this film is yet another take on the Universal classic, The Wolf Man with the only new aspect a mad scientist is the cause behind the terrible creature that roams the area. Not particularly bad, but not really much good in it either as it is very slow moving for a film that clocks in at only 77 minutes. Still, the acting is not too bad in this one and so it is a bit tolerable. Not sure I would care to see this without MST3K, but if I did it would be only to fill in the blanks as they must have cut a lot out of this one to make the episode because they had a short preceding it. In the end though, nothing to out of the ordinary as far as monster movies during its time.The story has a scientist who is working on a formula to mix the blood of an animal with that of a human being. The animal in question is a wolf and the man in question is the scientist's gardener who apparently believes that if you are a gardener you have no right to question anything your employer tells you to do. The result a wolf man...though it actually looks more like one of the monkeys from planet of the apes with a pair of Dracula novelty teeth. The scientist wishes to sell his creation to the army so that the army can have an army of animal/man hybrids at their disposal, but first he must have his revenge upon the men who criticized his work! That, of course, will be his undoing.This made for an okay episode of MST3K considering it was a first season episode which I consider their weakest season. They were still feeling their way at this point and it shows. The movie is preceded by a Commando Cody short and I see no reason for the short to be in front of this one. This film is 77 minutes long, that is plenty long enough to fill out an episode of MST3K. Maybe one small short, but this one took up the first block of the episode. Most films that have to have shorts to fill up the first block clock in at under an hour. Still, the jokes are rather good in the film portion of the film and make what would otherwise be a mundane Wolf Man clone into something a bit more humorous to watch.So, not a great film, but nothing to terribly horrible either. Just kind of a bland film featuring a Wolf Man and a mad scientist. I am sure there were several such films back in the day, in fact, I know there were as several have been showcased on MST3K. The film is a bit uneven too as it seems to take place in several time periods almost. You have the mansion, you have the city and then you have the people living in a swamp that almost seem to be living in a different time period than the rest of the film. In the end though, I say this film would have been better had the monster been just a little bit madder.
csteidler Spurned mad scientist George Zucco stands at the head of a long table lined with empty chairs. What do his enemies think of him now? His experiment is a success! He gloats over the empty seats—his imagination filling them with former colleagues cringing before his eloquent, triumphant and vengeful lecture.Yes, Zucco is not only a mad scientist, but an angry one, too. The frightening product of his unconventional research will soon be his means of wreaking his revenge on the former colleagues who disgraced him and his "crazy" ideas.Hired hand Glenn Strange is the unfortunate focus of Zucco's research and experiments. A mysterious transfusion involving a captive wolf transforms Strange from a large but weak-minded handyman into a—well, a wolfman.Also part of the plot is Zucco's daughter (Anne Nagel), who doesn't like this spooky house and wants to go back to the city so she can see her boyfriend (Johnny Downs), a newspaper writer who takes a professional interest in the strange goings on down in the swamp country where Zucco has set up shop.Zucco is happily ruthless as the revenge-driven genius; he lets loose one of the all-time great mad scientist laughs around the one hour mark. Strange has a somewhat unique role: as the big dumb handyman who doesn't understand the strange "dreams" he is having, he's part Lenny Small from Of Mice and Men, part Lawrence Talbot from The Wolf Man.The story and script are never especially surprising, but the cast give it their best shot. At 77 minutes, the picture is actually a bit longer and more ambitious than many PRC productions; it does include a fair amount of philosophizing about the true aims and responsibilities of Science (nothing too inspiring, however). A big finish is actually pretty exciting…even if any viewer thinking ahead would probably have seen it coming.All in all, it is a pretty standard 1940s B horror movie—and thus good fun for those of us who enjoy such nonsense.
mark.waltz A scientist (George Zucco) wants to create wolf men out of American soldiers to fight the Nazis, but is branded as mad. He uses a simpleton gardener (Glenn Strange) to experiment on by mixing his blood with the blood of a wolf. Strange, constantly embedding his dialogue with the tones of Lon Chaney Jr. in "Of Mice and Men", has no idea what's going on, only that he sleepwalks. The victims begin to pile up (including a little girl, which modern viewers might find rather disturbing, and two of Zucco's rivals). There is some good dialogue on how man should not mess with nature (still prevalent today) and play God. Zucco's motives may be honorable, but his methods are most questionable. And then there is his daughter, Anne Nagel, who is sympathetically nice to Strange, yet has no idea of her father's deeds. Johnny Downs is a reporter who gets on Zucco's bad side by questioning him, but wins Nagel's heart, thus creating the usual and always dull romantic subplot in classic horror films. At 77 minutes, this is about 15 minutes longer than usual for a horror film of the early 40's (particularly one out of PRC, who released this one), so the romantic story could have been trimmed for costs and to speed things up a bit. Zucco, fortunately, is never hammy; He left that to Bela Lugosi (who always hammed in a deliciously theatrical manner which endeared him to audiences) and England's Todd Slaughter. But try not to think of "Bride of the Monster's" laboratory while looking at the one Zucco works in, or some of Lugosi's dialogue in that now classic cult film. "Mad Monster" lacks a cult following more because it is not delightfully bad, just has dull pacing in more than a few spots. For PRC and Monogram lovers, I would recommend "The Corpse Vanishes" or "Fog Island" higher than this.
JoeKarlosi Pretty bad PRC cheapie which I rarely bother to watch over again, and it's no wonder -- it's slow and creaky and dull as a butter knife. Mad doctor George Zucco is at it again, this time turning a dimwitted farmhand in overalls (Glenn Strange) into a poor man's wolf-man. Unfortunately, his makeup is virtually non-existent, consisting only of a fluffy wig, beard, and dimestore fangs for the most part. If it were not for Zucco and Strange's presence, along with the cute Anne Nagel, this would be completely unwatchable. Strange, who would go on to play Frankenstein's monster for Universal Studios in two years, does a Lennyesque impression from "Of Mice and Men", it seems. Really tired. *1/2 out of ****