The Man with the Iron Heart

2017 "The true story of how the architect of the Holocaust was assassinated"
6.4| 2h0m| R| en
Details

With the Third Reich at its peak in 1942, the Czech resistance in London plans the most ambitious military operation of WWII – Anthropoid. Two young recruits are sent to Prague to assassinate the most ruthless Nazi leader – Reinhardt Heydrich, head of the SS, the Gestapo and the architect of the Final Solution.

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Reviews

Maidgethma Wonderfully offbeat film!
Greenes Please don't spend money on this.
Phillida Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.
Staci Frederick Blistering performances.
fpanosyan I didn't have high expectation from this movie. I have watched several documentaries and movies about the assassination of Heydrich. So I knew of all the details. My review is from that perspective. I really didn't want to see another movie about the assassination details...how many times can you see a movie about the same thing? ....I was pleasantly surprised, when at the beginning of the movie, it was about Heydrich the man, something I knew very little about...his journey to becoming a mass murderer. Jason Clarke did a wonderful job portraying Heydrich. You could see the evil in his cold eyes....but half way through the movie, it shifted back to a movie about the assassination and the Czech resistance. So no different than any other movie about the assassination...I wish they kept the assassination story out of the movie; it would have been much more powerful in my opinion. The way they started the movie was excellent and that should have been enough of a background to the rest of the movie about Heydrich the man. I also thought Rosamund Pike's role was completely unnecessary to the story. They could have made the movie without her as far as I'm concerned. They really don't need to have a female lead character in EVERY movie...that is a lazy approach and formula.
plugtopsu This film does have its moments, lots of sex right from the beginning. There is also a harrowing and heart touching scene with the little boy watching his father being tortured by the SS in the Gestapo HQ in Prague. But this was filmed I believe in Hungary and not Prague, so there are technical inaccuracies. 1) The bombs manufactured by Kubis and Gabcik were totally incorrect. Anthropoid got it right 2) The shooting scene with the Mercedes was all wrong. It was supposed to be on a bend, alongside two passing trams. It was actually in a quiet area, not alongside a bustling market place and probably originally chosen for that fact. Although the original site in Liben between Zenklova and V Holesovickach has all changed out of recognition, Anthrapoid found a lot better site in Prague which was nearly identical to the original site in the Liben district in Prague. They used the junction of Chotkova and Badeniho which was ideal. 3) The outside of the Gestapo building was incorrect, the original one is still in Prague and could have been used. Again Anthrapoid correct. 3) The layout of the crypt in St Cyril and St Methodius cathedral was also wrong, and also the outside shots of this cathedral which were horrendous. Again technically Anthropoid or Operation Daybreak were a lot better than this film, but as a biography of Reinhard Heydrich it was OK I liked Himmler especially, and the things he said could really be believed. Spine tinglingly shocking.
Internist Having read and loved Laurent Binet's superb HHhH, I've been eagerly awaiting this film. Alas, it was hardly worth the wait. The earlier released Anthropoid was a far superior adaptation (or was, at least, a better depiction of the events of Heydrich's assassination).Other reviewers here have done a nice job detailing the problems this film has as a 'film' so I will only mention two more. Most importantly, Jason Clarke is simply not 'pretty' enough to play Heydrich. Indeed, part of history's fascination with Heydrich is because, physically, he was the perfect Aryan: blonde, tall, sculpted if not chiselled physiognomy, etc. Other than his blonde hair, Clarke's marked and jowled features are completely dissimilar to Heydrich's and served only to distract. Clarke's miscasting is only slightly more jarring than the use of Stephen Graham to play Himmler. Unable or unwilling to project Himmler's menace, Graham comes across more avuncular than sinister. No one would cower in the presence of Graham's pudgy Himmler.I was also disappointed by the movie's many historical inaccuracies and omissions. Einsatzgruppen executions are shown repeatedly as being by a bullet to the torso, whereas a shot in the nape of the neck was their trademark. The boy being tortured is shown to be around 10-years-old when he fact the real 'boy' was actually a mature 17 years, already engaged to be married. Likewise what got him to talk was having his mother's head placed in his lap (others say it was placed in a fish bowel) but not by having to watch the torture of someone else as is depicted here. And, where was Hitler at Heydrich's funeral? For some reason the writer's chose to pretend he didn't attend, but of course he attended and delivered an inflammatory eulogy while he was there. There are many more such errors. Admittedly these are small details but their cumulative effect was to take me out of the film. They also made me wonder what other, perhaps more important facts the movie had botched.
Gino Cox "HHhH" ("The Man with the Iron Heart") is a decent historical war drama. It scores high marks for authenticity regarding locations, costumes, mores and props; however, with the exception of a few bare breasts, feels like a television movie. Although several thousand people are brutally murdered, the violence feels antiseptic, with a few spurts of blood and red stains on costumes, but no sense of either physical or emotional trauma. The nearly universal use of jiggly-cam shots serves as a constant distracting reminder that somebody is holding a camera, preventing the audience from ever fully suspending disbelief. Performances are good, but seem repressed, even when Reinhard tears up a room in frustration. At the end, the viewer is left wondering what it all means. Tremendous risks were taken, resulting in terrible consequences. The filmmakers offer no interpretation or moral and insufficient perspective for the audience to make their own judgment.