Diagonaldi Very well executed

PlatinumRead Just so...so bad

Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

AutCuddly Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Cineanalyst "The Merry Frolics of Satan" is a fairly enjoyable fantasy adventure film from early cinema magician Georges Méliès. As historian Richard Abel ("The Ciné Goes to Town") points out, these spectacles from Méliès were becoming increasingly elaborate and expensive to produce, especially by comparison to the smaller costs of his competitor's films, such as those by Pathé. As with some of his other films around this time, "The Merry Frolics of Satan" was produced specially for music hall screenings. In this case, it was for the Chatelet's stage feerie "The Merry Deeds of Satan", from which this film is based (Abel).In the film, Satan, disguised as a person, leads some misfortunate people on a hellish journey, including via a train the size of a child's amusement ride and a phantom carriage pulled by an apocalyptic skeletal horse. In the end, they're roasted by performers dressed in pig-like costumes. "The Merry Frolics of Satan" has its moments, including the phantom carriage ride where movement is simulated by a moving backdrop of space stuff. This scene has become famous for having been used in many documentary clips on Méliès and early cinema. The print available from Flicker Alley is also hand-colored and tinted and includes narration. Yet, Méliès, unfortunately, also seemed to be relying more on theatrical tricks and less on cinematic ones as he had in his earlier spectacles. Stop-substitution splices and multiple-exposure photography remained the basis for his single-scene trick films, but his longer multi-scene fantasy adventures seemed to be becoming increasingly theatrical. The preference to use trap doors in this film instead of stop-motion and editing for appearances and disappearances seems to evidence this increased theatricality.

Red-Barracuda This Georges Méliès film is another imaginative fantasy. It's effects-driven, not story-based. The visuals are everything. What plot there is merely serves as a structure to base the visual wizardry around. It features a couple of travellers who are persecuted by the devil. They are taken on a carriage ride through the cosmos led by a skeletal horse.It's quite common material for a film from the 1900's. For some reason stories featuring Satan were common-place. Anyway, this one is very nice to look at. The ride through outer space is hypnotic and dream-like with an array of intergalactic attractions passing the stagecoach by. The colour tinting of course helps a lot. It's very effectively used here and is quite explosive in the scene with the volcano with an eruption of deep red. It's a trip worth taking.

Michael_Elliott Merry Frolics Of Satan, The (1906)*** (out of 4)aka Les Quatre cents farces du diableEntertaining 14-minute film from the French master has two gentlemen being haunted by Satan as they travel from one hotel to the next. Before long Satan throws them into a special carriage and takes them on a trip to Hell. The actual story here really doesn't mean too much because the real highlight here are all the special effects and various tricks that pop up. This here, thanks in large part to the title, remains one of Melies most popular films and it's understandable as there's a lot of fun to be had here. As with many of his longer movies, this one here features some narration and it's also hand colored, which is a big plus. The colors look great and they are used with quite a bit of imagination. Some of the best stuff in the film deals with Satan, painted red of course, popping out of various places and scaring the men. Another major plus is when we actually get to Hell and various other demons take form.

Snow Leopard This fantasy/horror feature has plenty of good visual effects, as you would expect from a Georges Méliès movie. It features quite a variety of backgrounds, camera tricks, and other devices from the French movie pioneer's seemingly endless bag of tricks. There isn't really much to the story itself, so it seems clear that the plot was mainly a vehicle to set up the special effects.The story has the devil choosing to torment a couple of travelers, in a variety of imaginative ways and places. There is quite a bit of action, although most of it simply displays Méliès's camera skill, rather than advancing the story. This may well have been one of the features for which he wrote a narrative designed to be read when the feature was screened, since it isn't always immediately clear what the purpose is for some of the scenes. But in any case, the story logic is not supposed to occupy as much of the viewer's attention as are the interesting visuals.The themes are similar to those in many earlier Méliès features, and he seemed to enjoy coming up with diabolical sights and bizarre antics. Since there isn't a lot of brand new material here, it probably doesn't rank among his best features, but it's another good demonstration of his creativity and skill.