SincereFinest disgusting, overrated, pointless

Maidexpl Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

Orla Zuniga It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Roy Hart If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

FlashCallahan Jack is a troubled adult, who's had a troubled life. In fact, everything about him is troubled, and trouble.After a major life event affected him as a child, he has since had the ability to be pestered by troubled souls, dead people, and because of this he is stamped as a mental health problem (but talking to souls in a pub looking very dishevelled and unkempt doesn't help).After a journalist is found dead, and it looking like suicide, Jack is hounded by the soul, because something wasn't quite right about his death, and he's trying to get a message to his loved one......hence the title.....If you take Randall & Hopkirk (deceased), then add elements of The Sixth Sense and Ghost, you get this quite gritty, suburban Gothic horror.Sheehan excels as our protagonist, not doing his character any favours by playing Jack as a very dis-likable person, but because of his back-story, you can forgive his shortcomings, as the narrative depicts his childhood to be less than pleasurable.The film focuses on grieving, forgiveness and guilt, as the immediate characters to Jack perceive his 'gift' as a result of his fathers death, and how the family unit changed when he and his sister became fatherless.It's a shame that the gift stemmed from sudden loss, because this just seems like a cheap excuse from the makers to make him seem like a 'weirdo' to others, and the on,y one who believes him is involved in a minor sub-plot that becomes a major twist come the end.It's not a bad film by any means, it's just disjointed and doesn't know what to do with all the sub-plots going on, and in turn, it never really wraps itself up for a satisfactory conclusion.But the cast are great, the cinematography is wonderfully bleak and cold, but I fear many will miss the grieving/loss/guilt element of the narrative and see it as a straight up horror.Worth watching though.

s3276169 The Messenger is a slow burn, psycho supernatural mystery. Jack, played by Robert Sheehan, is a medium, of a scruffy, unkempt, variety. Jack's abilities have not made him rich or famous. Instead, Jack is marginalized by society and in an real sense, condemned by his talent. Jack leads a life of dispossession and isolation. This film, in large part, takes place inside Jacks head. The plot builds ever so subtly and there are segues that make you question what exactly is taking place. The question of who and what Jack is, is as much a mystery as the unfolding story of a murdered journalist. Is Jack in fact in possession of supernatural abilities that let him talk to the murdered reporter or is he, more plausibly, mentally ill? The story is explained, in part, by references to Jacks past. The movement between the past and present can be somewhat disorientating. For me this was one of the few annoyances in this film but a necessary one when the films conclusion is finally reached. The acting, especially Sheehans performance, is remarkable. Sheehan makes you empathize with and in an odd way, appreciate and understand Jack, especially when his past is brought to bear on his current predicament. All in all this is really worthwhile, very human story. Its not for the impatient so if you like you rewards early on this film may not be for you. If, however, you are willing to take the time, you may come to see what an excellent, if understated work, The Messenger is. Nine out of ten from me.

drifter-123 Jack, played by Robert Sheehan, is a medium, of a scruffy, unkempt, variety. Jack's abilities have not made him rich or famous. Instead, Jack is marginalized by society and in an real sense, condemned by his talent. Jack leads a life of dispossession and isolation. This film, in large part, takes place inside Jacks head. The plot builds ever so subtly and there are segues that make you question what exactly is taking place. The question of who and what Jack is, is as much a mystery as the unfolding story of a murdered journalist. Is Jack in fact in possession of supernatural abilities that let him talk to the murdered reporter or is he, more plausibly, mentally ill?

quincytheodore The Messenger is a strange one, it may disappoint audience who want horror or thriller flick since this is exclusively a psychological drama. The entirety of the movie revolves around Jack, a psychic, as he tries to live his daily life being haunted by spirits of the dead. While the concept is not novel and the ride can be exhausting, it does present a few good perspectives on the mental agony he must go through.There's a lot of wandering involved as Jack (Robert Sheehan) either runs away from his plague or searching for odd ways to find peace, both of which usually end up poorly. The cinematography works well to set the mood, often using dark palette almost like a cloud hovering around the main character. It gives plenty of fine landscape or urban shots, although these might get old towards latter half.Robert Sheehan is good on the lead character, he may not warm up quickly since his depression can be discouraging. Often misunderstood, his good will doesn't always reward him with accolade, after all people hearing voices and talking randomly is utterly bizarre. His character can be sympathetic yet it's the nagging feeling that he's not all there which gives depth to his performance.The movie cleverly portrays him as a man with supernatural gift or simply a mental trouble. Other characters such as his sister or the psychiatrist enhance the relationship even more by showcasing Jack's gradually deteriorating life. This is certainly not a movie that relies on scare or shock, it's a long psychological trudge, The problem with this set-up is the arduous atmosphere surrounding Jack. There's barely any five minutes where he's not yelling or nearly breaking down. This can get tiresome, the constant conflict can produce drama, and it does for a couple of instances, but it's also very heavy and might just deter some audience.While the drama aspect can be peculiarly engaging at times, The Messenger's overly solemn tone might not relate well to viewer expecting more thrill or excitement.