The Millionairess

1960
5.4| 1h29m| en
Details

When her father dies, Epifania Parerga, an Italian in London, becomes the world's richest woman. She feels incomplete without a husband and falls in love with a humble, Indian physician, Ahmed el Kabir, much loved by his indigent English patients.

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Reviews

Platicsco Good story, Not enough for a whole film
Humbersi The first must-see film of the year.
Mischa Redfern I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.
Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.
Predrag This is a better movie than I had expected. Peter Sellers did another uncannily dead on imitation of an accent, to go with his many imitations of accents from England and America, and he got to read some actual GBS lines, which was nice. There was more language from the George Bernard Shaw play than I had expected. Dennis Price and Alistair Sim offer nice comic support. I just wish they could have used an actress less concerned with how she looked and more interested in the language of the play.There are obvious flaws in this film. For starters, it suffers from extreme staginess. It's socialist message is not so much delivered but bludgeoned home. I give this film a pass because of the appealing performances by the film's leads, Peter Sellers and Sophia Loren. Sellers gives a terrific low-key turn as the sweet humanistic doctor. Loren is earthy yet manages to humanize the spoiled heiress she plays. As written, her character comes of as unappealing but Loren manages to engender empathy. Good supporting cast that includes Alistair Sim as Loren's barrister, Vittorio De Sica as a sweat shop owner, and Dennis Price as Loren's psychiatrist. Great film, great direction, great actors and actresses (Sofia Loren is amazingly beautiful, and no wonder why Sellers fell in love with her)!Overall rating: 7 out of 10.
laurel21000 This film works very well, IMO, on the level of pure entertainment. There are many elements to be enjoyed.It is not a film in which one is swept away by the story and the characters. It's a film you watch with a certain detachment and never really suspend disbelief.But there is a lot of fun to be had in the amused detachment. A lot of the dialogue is really hilarious. That alone would have made it worth sitting through. But on top of that there is the way Peter Sellars interprets his particular character. The body language he brings to it and some of the nuances in his schtick are both intriguing and highly entertaining to observe.Then there is the stunning beauty of Sophia Loren which is further enhanced by a steady stream of wardrobe changes, each more spectacular than the one before.And then there is the parallel running commentary you can have in your own thoughts about how the movie plot line brings to mind some possible similarities that there may have been in the real-life relationship Princess Diana had with her very own Indian doctor, Dr. Khan, said by some to have been the love of her life.Again, a lot to enjoy about this film and well worth seeing, JMO.
moonspinner55 Sophia Loren plays the only daughter of a wealthy Italian tycoon in London who dies and leaves his fortune to her; she's indifferent to the money and only wants love, but all her suitors are duds. Enter Peter Sellers as a doctor from India who treats the poor; he could use Sophia's money, but he's indifferent to her! Why the good doctor is uninterested in the woman is the weak link of the material, especially with Loren so glamorous. She even builds him his own state-of-the-art hospital, which of course he refuses. Sellers doesn't quite register as the saintly, don't-touch-me type, and his apprehension just stretches out this charade, but he is an interesting personality (especially when acting in a lower key). It's possible that Sophia's aggressive flirtations could scare doctor Peter away, but the deal they make here is a dull one, leading to a silly conclusion. Fine art direction, costumes and photography--and the leads make an intriguing movie-pair--but this George Bernard Shaw play is obviously not one of his better efforts. It collapses like a fancy but overworked soufflé. ** from ****
BadWebDiver Let me just start off by saying that George Bernard Shaw is one of my all-time favorite playwrights, and Peter Sellers is one of my all-time favorite comic actors. So naturally I think this is a pretty good movie. I admit the concept is more interesting than the actual execution. But certainly the personality of the leads does compensate. And it is a very intriguing idea.I think the best moments are when Sophia Loren's character gets the good doctor to make a house call, the Doctor trying to give his fortune away on the street and no-one bothering to take it (Would that still be the case today?), as well as Alistair Sims excellent lawyer. And having worked in the medical profession (as a lab clerk), the dry comments on the high-tech lab equipment, and ruthless beurocracy of a large medical institution rang especially true. There are certainly some exceptional social commentary behind the human story, which is the trademark of Shaw's work.But I like this movie especially for being the inspiration of the classic novelty song "Goodness Gracious Me!", which the two leads recorded in order to promote the movie. I actually think the song works better.