PiraBit
if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
KnotStronger
This is a must-see and one of the best documentaries - and films - of this year.
Roman Sampson
One of the most extraordinary films you will see this year. Take that as you want.
Stephanie
There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
drwolner
Having not seen this film in over 50 years, I remembered it as a great bore. But I was surprised - just a bit. This is really theater with limited sets and 3 main characters who continually talk with very little physical movement. Not much for a teenager - except that it didn't receive the Breen Hollywood Seal of Approval because of the use of sexy words like virgin, pregnant, and seduce. I, like so many others, had to see this picture ( just like I had to see "The Outlaw"). Unfortunately, nothing really sexy happens and it was a real let down in more then one way.But now, although the story is totally ridiculous (two adult men wanting to marry a 23 year old wisenheimer after just meeting her) I really enjoyed David Niven. He looks great, has the best lines in the film and drinks enormous, unbelievable amounts of alcohol. Poor Maggie McNamara (and I mean poor Maggie who committed suicide at 48) doesn't really look like Audrey Hepburn at all - her close ups are a little scary. This was her first movie after modeling (her figure makes it hard to believe). And her speaking voice is really very unusual and ultimately very annoying (yet she received an Academy nomination). William Holden is totally artificial and although he was 35 at the time he, sadly, looks so much older.So why did I enjoy this. Niven,Niven,Niven and the 50's apartment sets, and the 50's mentality with a little bit of Dawn Addams to boot. My favorite line: Holden- Why are you so preoccupied with sex? McNamara- Isn't it better to be preoccupied than occupied?
MartinHafer
This is a very surprising film to watch. After all, for 1953, it's amazingly frank about sex--a subject you just didn't talk about in films at that time due to the Production Code. However, somehow Otto Preminger got away with a very 'dirty' film--though by today's standards it's pretty tame.The film begins with William Holden trying to pick up a woman (Maggie McNamara). However, almost immediately it becomes obvious that this is a bizarre woman. She just isn't normal--and is very frank in discussing premarital sex with Holden, though she insists on retaining her virginity! In fact, it's one of the first films after the Production Code was enacted in 1934 to use the V-word---'virgin'! Holden takes her home--where it soon becomes apparent he is quite the playboy and has just broken up with another girl. Oddly, the girl's father (David Niven) drops in and stars making passes at McNamara and from then on, it's a contest to see which guy will get this girl by the end of the movie.Despite its blunt attitude about sex, the film is enjoyable and there is a quirky strangeness about McNamara's character that makes her likable. Not a great film by any standard, but enjoyable and an interesting film because of its moral compass...which is, apparently, a tad bent.
Ralph Michael Stein
Long before Meg Ryan and Tom Hanks discovered they loved each other atop the Empire State Building, William Holden and Maggie McNamara met on the observation tower of the venerable skyscraper in the film version of the hit Broadway play, "The Moon is Blue." One of the best and most sprightly comedies of the early fifties, Otto Preminger had a fight on his hands when the film went before an aghast Production Code board.The movie makes rather light of a young woman's commitment to chastity, suggests that seduction is an amusing and acceptable pastime for a single male and uses words like "pregnant" and "virgin" offhandedly. The lovely, talkative, self-assured Patty even demands to know the meaning of the charge, by her new boyfriend's barely ex-girlfriend, that she's a "professional virgin." Shocking stuff and approval was denied. Perhaps equally stunning to the Hollywood censors was Preminger's decision to release the film without approval, something he had the clout to do.As it turned out, audiences were able to deal with this explosive material. :) And almost fifty years later, when virtually nothing remains to be said or done on the silver screen, this film retains its charm, humor and attractiveness because a superb trio of actors - William Holden, Maggie McNamara and an irrepressible David Niven, who steals some of the scenes - gives a timeless quality to their sterling performances.The script hews pretty much to the original play with minimal set changes. The dialogue is witty and fast. Preminger knew he had created a gem of a romantic comedy and it's good entertainment today in a world where the values expressed by the characters seem as remote as the social customs of the Neandertals. I hadn't seen the film in decades - I rented it and I'm going to buy a copy. This is a true and timeless classic.By the way, don't skip the trailer that precedes the film. It's very funny.
chris-459
I've only seen the English version of "The Moon is Blue". I usually don't like Otto Preminger's films, but this one I simply adore. It's one of my favorite comedies. The performances are very good. All the actors have a great sense of timing. I believe it is a film one shouldn't miss. In the beginning it may seem like a silly, strange story, but it's really very funny.