gkhege
I have watched this movie many times over the years and it gets no better or worse. The scenery stills the show while no one believes for one moment these two old men could run over fifty yards and then fight someone half their age. The language is not for children or in my case, old people. This movie, like most westerns, raises one my pet peeves,how can everyone have such perfect teeth!
ma-cortes
This fanciful tale of isolation in Great Rocky Mountains , Yellowstone Parks and other wonderful locations reflects perfectly America's mood during 19th century on the new frontier . A duo of valiant frontiersmen named Bill (Charlton Heston) and Henry (Brian Keith) struggle Black Foot , Crow Indians , guzzle liquor , shoot efficiently his preys and in search for a legendary valley plenty of beavers that they jump right into their traps . Soon after , Bill steals a squaw (Victoria Racimo) and becomes the unwilling object of a long vengeance by an Indian chief ( Stephen Macht) when he proves to be the match of their warriors in one-to-one combat on the early frontier . As Indians set out to track down the mountain men on savage raids until a thrilling final . Both of them show obstinacy and stubbornness of relentless enemies who fight with no rest . They are continuously pursued by Indians because the chief seeks vengeance , going on a relentless chase .Chronicle of life of adventurers with great sense of humanness , friendship and good feeling . This extraordinary Western results to be a slice of life about hermit men and a hostile environment . Intesesting screenplay by Fraser Clarke Heston , Charlton's son , narrates the odyssey of grizzled scouts , expert hunters that one time dreary of civilization go to West developing their natural senses and becoming into mountain man , as they take part of the wildlife and landscape . Solid western with interesting events , violent fights , emotions , thrills and spectacular outdoors . Gorgeous scenery and great roles for Heston and Keith in a thoughtful meditation on the American West . From the initiation until the final are proceeded continuous battles against nature and a survival-fight versus wintry wilderness , trappers , and savage Indians, among others . The story is a crossover of various films , the battle against nature of ¨Man of a wilderness land¨ and Indians as ¨ Man called horse ¨ and of course ¨Jeremiah Johnson¨ that bears a remarkable resemblance . The magnificent cast is starred by an excellent Charlton Heston , a simple man who has no taste for cities and becomes a tough and two-fisted mountain man and Brian Keith as feisty old trapper , both of whom developing an intimate relationship . Supporting cast is featured by various actors in brief and enjoyable performances as John Glover , Seymour Cassel , David Ackroyd , William Lucking and Stephen Macht as native obsessed a bloody revenge . Splendid cinematography in Panavision and glimmer Technicolor by Michael Hugo as is reflected on spectacular outdoors filmed in sighting , rousing natural parks from Bridger-Teton National Forest, Jackson, Wyoming,Grand Teton National Park, Moose, Shoshone National Forest, Yellowstone National Park, Wyoming, USA . Lively and evocative musical score by Micael Legrand who previously won his first Oscar for Best Music for "The Windmills of Your Mind" and was also nominated for Best Music for ¨The case Thomas Crown¨. The motion picture is professionally directed by Michael Legrand , son of also director Walter Lang . Richard is an expert filmmaker of TV episodes as ¨Melrose Place , Perry Mason , Matt Houston, Charlie's Angel ,Kung Fu , Harry O, Fantasy Island ¨ and eventually for cinema as ¨A change for seasons¨ and ¨Mountain men¨. Rating : Better than average . This outstanding frontier western will appeal to Charlton Heston fans and landscape lovers .
MARIO GAUCI
This belated attempt at a Western adventure is a curious anomaly: the script is, on the one hand, terribly old-fashioned and cliché-ridden and yet equally replete with such 'modern' elements as four-letter words and bouts of violence. Charlton Heston hams it up like never before as a beaver-trapper reluctant to make way for progress and accept the fact that his precious trade is being supplanted by finer materials like silk; Brian Keith provides the brightest spot in the film as Heston's foul-mouthed partner, along with Michel Legrand's beautiful score and the desolate snowy landscapes. The plot, also involving Indian ambushes, the abduction of a squaw (who, of course, falls for Heston at his hairiest!) and rival trappers (notably Seymour Cassel playing a Canadian), renders the film just about watchable but in no way memorable.
