The Names of Love

2010 "Make love, not war"
7.1| 1h40m| en
Details

Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.

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Reviews

NekoHomey Purely Joyful Movie!
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Cassandra Story: It's very simple but honestly that is fine.
Francene Odetta It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.
devonblue I just love the way the directors have knitted such a twisted tale of racial intolerance and prejudices and yet without offending anyone baffles me. A perfect blend of humour and pathos, wonderfully acted this film had me hooked from start to finish, it made me laugh out loud and yet made me think of the way I perceive different races and religions. Sadly only the French could make a film of this quality. it could be possible in my opinion to compare this to Welcome To Dongmakol another excellent film which looks at the stupid belligerent attitude of countries and it's peoples, the pointlessness of hatred and inbred prejudices. Wonderful film which I thoughtfully enjoyed.10/10
is24 Hysterically funny! I was laughing out loud. Sara Forestier is a revelation. Her extroverted character ridicules the prejudice, history, culture and human personalities so smoothly, it makes it impossible to stay indifferent.The free spirit is teaching the locked ones about the world and life. 10 stars for a fabulous script and acting. Intelligent and entertaining. With so much darkness and negativity in the world this casts a liberating candlelight against the cites of the political figures that have shaped the history.I highly recommend this movie!
John Raymond Peterson There are countless ways love manifests itself and this movie brings one such variation to the audience in a most charming manner. The two main characters, Arthur Martin and Baya Benmahmoud, played oh so well by Jacques Gamblin and Sara Forestier, could not be more opposites, yet they will be attracted to each other because it simply was meant to be, as nature follows a path for the best. Indeed, Arthur is a conservative, clinical, repressed individual whose life was shaped by his upbringing; Sara is a volatile emotional, leftist whose life was equally shaped by her upbringing. Their parents lives are culturally polar (Jewish and Muslim) but share similar struggle and so Arthur and Sara find that to be their common bond, in addition to their most satisfying sexual relationship. I just wanted to take a bite out of Sara, but in a very good way; I found Arthur very sympathetic.There was a passage in the film that sort of explained the scientific expression 'hybrid vigor'; I found this to be particularly fascinating and of course, I subscribe to it wholeheartedly. Sara liberates Arthur from his repression and he provides her with the real affection she was always deserving of; a romantic comedy movie could hardly do better.Too often, comedy is mistaken for hilarious premise or funny storytelling; comedy is roughly defined though, as a drama with light and amusing characters, typically with a happy ending and we tend to forget this. It's one reason so many movies are categorized as romantic comedies. I rather like the genre and believe it lends itself to a more fulfilling experience than action movies or thrillers which tend to be judge more rigorously. Don't get me wrong I need my fix of those as well. If you like foreign (non Hollywood) films, you should love this one; if on the other hand you haven't yet realized such a variety enriches you movie-going experience, try. I recommend this movie in either case.
Greg This film is totally original in its approach. The characters are interesting (Baya as a caricature of a leftist), the various other characters where no one is as he or she seems. There is a lot more commonality than difference in the characters. There past traumas and origins come out through the course of the film.The film is interspersed with characters and snippets from the past, including a young Arthur Martin and a Pere Martin who looks old even when he was young. The destinies/ambitions/mindsets of the main characters all meld in a very interesting way. It is an unusual love story and you truly find the ways the two principle characters reach out to each other quite touching. But unlike many French romantic comedies, where people just think and feel, there are many surprising and titillating developments in the film. We can go from a naked Baya in the subway to memories of the Holocaust.The film represents a lovely pastiche, medley and tapestry of the elements which make up modern France. It does so with very original characters and scenarios and is a real pleasure to watch. It makes some strong points about stereotypes, origins, perceptions yet presents it all in a quirky, sexy and intriguing way. Totally worth seeing!