The Net

1995 "Her driver's license. Her credit cards. Her bank accounts. Her identity. DELETED."
6| 1h54m| PG-13| en
Details

Angela Bennett is a freelance computer systems analyst who tracks down software viruses. At night she hooks up to the internet and chats to others 'surfing the net'. While de-bugging a new high-tech game for a cyber friend, she comes across a top secret program and becomes the target of a mysterious organization who will stop at nothing to erase her identity and her existence, in order to protect the project.

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Reviews

Evengyny Thanks for the memories!
ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
Mabel Munoz Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?
Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.
undeaddt This is a typical 90's movie. Fun to watch, cringe moments, some good and some bad acting. All in all, an entertaining 2 hours movie for no purpose weekends.
eric262003 "The Net" takes you on an exciting adventure through cyberspace. With the feeling of a thrill ride that has an Alfred Hitchcock feeling behind it, director Irwin Winkler misses his opportunity to take a potentially fascinating account to boldly go into world that was not covered much into at the time only to end up falling into the trap of a formulaic standard thriller. The early scenes were amazingly gripping and heart curdling, but the end was excruciatingly weak and if it wasn't for Sandra Bullock starring in it, this film would've cured my insomnia.Just like her previous two outings before like "Speed" and "While You Were Sleeping", Bullock's facial expressions are convincing enough to garner some sympathy to the audience. Even through the more absurd situations, we can still remain invested in her characters. She's not just playing a character, she is the character.Bullock plays the role as Angela Bennett, a software engineer who lives her life in cyberspace. Every thing she conducts is by computer or modem. Even ordering a pizza she does it online which was rare back in 1995. The only time she breaks from her reclusive phase is when she's on hiatus to Mexico and even carries her laptop there too. Just as she was going on her vacation, Angela gets into possession of a disk that contains pivotal information towards serious criminal activity from cyber thieves who call themselves the Praetorians. They know she's got the disk and will stop at nothing to get it back. While sunning herself on the beach, she meets a handsome fellow hacker named Jack Devlin (Jeremy Northam) who had the right amount of style and charisma to rival James Bond. The problem is he is armed with a gun and is not afraid to use it on her. She avoids his wrath, but by the time she gets back to the States, she's suspicious that the Praetorians have hacked into her system and changed her identification. Now she goes by the alias Ruth Marx and is wanted by the cops. Her mother (Diane Baker) isn't of great help in defending her daughter due to her advanced Alzheimer's disease. The only person who knows her identity is her ex-boyfriend, Dr. Alan Champion (Dennis Miller), but he thinks she's just having a meltdown. While this is happening, the real Ruth Marx (Wendy Gazelle) has taken Angela's job and her life. The first hour of the film is virtually exciting with great moments of intensity to have your heart pounding. By the second hour, it become a formulaic cat and mouse chase as all the original intentions is reduced to just an afterthought. By the latter hours of the film it's just Angela running away from villains with their arms and the thriller clichés become more commonplace making everything all the more mundane and the final solution becomes more anti-climactic. "The Net" has a premise into believing that being dependent on computers can have is assets and liabilities. If this movie was made in the 1970's or 1980's the genre would've been labeled as a science-fiction film. By today's standards it would be more reality based with its constant advancements making it more dependable than ever, this film was and still is a bit ahead of its time. Computer security systems are never fully foolproof and if put into the wrong hands, it can be quite catastrophic. Here we don't have Big Brother under the watchful eyes, but he's taking action in as well. It's a shame the move doesn't further look into it. My guess is car chases and gun chases are more exciting. When all the smoke clears, "The Net" was still enjoyable mainly due to the casting of Sandra Bullock who succeeds in keeping the film tense due to her low-key performance. While the film is not up to par with an engaging thriller to hold onto in its entirety, we still have a character we can truly show empathy towards in spite of all the formulaic situations she's confronted with. Sure the suspense into the early days of cyberspace may have an exciting level of intention, but it's Bullock's performance that makes you sit through to the end.
Ben Parker I like "The Net." I first saw it back in 1996, on VHS probably. We probably didn't have the Internet yet, or it was very new to us. So this was all very exciting, but scary too. There was a great sense of fear around identity theft. In 2015, we are such internexhibitionists with social media and twitter that people become lax and then their private sex-text photos get shared with billions of people. The Net is a good thriller with an excellent title that is elevated by the charisma of star Sandra Bullock (still a star in 2015, amazing). Bullock is an incredible role model as a female hero: she is smart, funny, feminine and likable. The main issue for The Net over the years has been the march of time itself. Thrillers require a certain immediacy and immersion, and the mentioning of goofy out of date technological jargon risks dragging you out of the moment. As a period piece, or a time capsule, The Net is perfect, but does it still work as it did for audiences in 1995?Luckily, the Net is not really about technology, its about the nature of identity in a bureaucracy, explored through the lens of technology, with the interweb as a weapon, and those issues are still relatable, and a movie like The Net serves as a good reminder of how trusting we have become of our internet privacy.
jessegehrig Unlike a box of cereal, a movie does not have contents, instead a movie has scenes and sequences. When I emptied out the contents of this cereal box of a movie, I looked upon a spread-out mass of meaningless pieces, not worth consuming. They made the movie too soon, like the studio heard back in 95 that the Internet might be a thing in the future, so they cobble together a feeble film under the premise that being first is always best, first internet movie! yeah! Generic thriller ham-fistedly rendered, lacking at all times suspense. Featuring a PG-13 rating so you know for certain nothing awesome will happen, no blood no tittie no cussing no violence. All of our schemes and machinations just to have sex with each other--it's all a big joke.