The New Barbarians

1984 "Dealers in death... exterminators in the 21st century..."
4.6| 1h31m| R| en
Details

Two mercenaries help wandering caravans fight off an evil and aimless band of white-clad bikers after the nuclear holocaust.

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Reviews

CommentsXp Best movie ever!
Nessieldwi Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.
TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.
Sarita Rafferty There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
MartinHafer The summary above is quite appropriate--even though it's what my wife said to me late one night as I sat watching this film. This is because "Warriors of the Wasteland" featured a pulsating and VERY repetitive musical soundtrack and the same fake laser sound again and again and again--like some sort of 1980s video game--which my wife assumed I was playing because of the cheap sound effects."Wariors of the Wasteland" is a cheap knockoff of "Warlords of the 21st Century"--which is a cheap knockoff of "The Road Warrior". This is NOT an impressive pedigree! However, instead of being made in New Zealand (like "Warlords"), it's made in Italy. The film is set in the dystopic future where society has disintegrated and people are living in the desert--killing each other and driving around in crappy looking cars and motorcycles. The film is practically plot less--consisting of baddies with horrid punk rock snarling, shooting their crappy lasers and terrorizing the dozen or so extras you see during the course of the film.If you like badly acted and plot less films with lots of action, then you are in for a treat. However, if you aren't and actually demand quality from a film, then keep looking. Pretty crappy.
trash1990 "Warriors" is an energetic, entertaining B movie with crazy action, costumes, pacing, gang mentality, and machines. It's 2019, and a nuclear fallout has made life rough for the remaining human population. The Templars, a roaming gang of homosexual lunatics on dune buggies equipped with saws and drills, drive around and kill everyone they run into. Their "mission" is to kill everyone, thus cleansing the earth (seems reasonable). Enter Skorpion and Nadir, two typical post apocalypse loner warrior types that just want to be left alone, Bob, the foul mouthed eleven year old mechanic, some innocent civilians for the Templars to torment, and BAM!, 90 minutes of craziness. At one point Skorpion is captured by the Templars, and is "initiated" by being anally raped in front of them (!) Eventually vengeance is dished out AKA standard action film style. This film has some priceless dialog. The Templar leaders rousing speeches to his gang about the scum of humanity are just hilarious.
Bezenby The always reliable Enzo Castellari shows that even with a budget of twenty lira he can fill a movie full of action, style, and see through body-armour.It's 2019, and it post-apocalypse time! That means humble survivors roaming the landscape, pray to an army of gay psychopaths called the Templars. These guys, led by giant George Eastman, just want to destroy everything they see. Not the most long term game-plan, I must admit, but you've got to give them credit for sticking to such a crap idea with unerring conviction.Up against them is Scorpion (Giancarlo Perle), a lone warrior driving through the land in his weird bubble car type thing, getting into scrapes with the Templars, and mutants, but always finding time to pick up female survivors. He's closely followed by Fred Williamson, another warrior who likes to team up with Scorpion, seemingly just for a laugh.There's a caravan of survivors led by some religious guy heading in the direction of 'the signal' who are under threat by the Templars, and it's up to Scorpion and Fred the hammer, and for some reason the blonde kid out of House by the Cemetery, to do them all in. That's the plot.The New Barbarians is one of those films where you can safely lock your brain in a box and store it under the couch. If you try looking for logic, or anything like that, you're watching the wrong film. If you want to see brain meltingly camp action, this is the one for you.I'm a sucker for Enzo Castellari films. Even here, where there doesn't seem to be any budget at all, he still manages to fill the screen with slow motion explosions, decapitations by machine, gadget filled cars, exploding bodies and sexy Euro-babes. There's plenty of stand out moments, from the scene where George Eastmen 'takes Scorpions pride', if you know what I'm saying, to guy getting shot in the chest and exploding.Plenty of b-movie actors here too - Massimo Vanni sports an alarming mohican and drives a car that has a deadly spinning blade, Ennio Girolami's car has a flamethrower, Giovanni Frezza lives in the world's weirdest caravan, and Anna Kanakis seems slightly confused as, out of gratitude for not being raped by Scorpian, she had sex with him in a plastic see-through tent.Plus, Fred Williamson fires arrows at people that either make them explode or make their heads fly off into the air - How can anyone not like that? The now defunct Vipco released this in a great widescreen copy. Not the best of Casterrali's work (I think, from this era in his career, it's edged out by both Bronx Warrior films), but the man's got style and talent. Just don't take it too seriously (I get the feeling that those involved in making it weren't).
Coventry Early 80's cult cinema – and particularly the Italian rip-off industry – made it look so easy to make a film. You only needed an idea that is crazy enough to sell (a fully written screenplay is an unnecessary option), a fairly large selection of grotesque costumes and flamboyant post-apocalyptic vehicles and, last but not least, a charismatic actor who was big in the 70's but desperately needed work in the 80's. Copy & paste all these elements together, add some cheesy Goblin tunes, and you've got yourself a genuine bona fide cult gem that is pretty bad but at the same time enormously entertaining. The year is once again 2019 (that appears to be a dangerous years, as Sergio Martino's "After the Fall of New York also takes place in 2019) and the world is badly recovering from a nuclear holocaust. There actually are only two groups of people left on the planet, namely petrified survivors who travel in caravans looking for remnants of civilization and the Templars; self-acclaimed prophets that dwell the wastelands and kill people for committing the crime of being alive. Then, finally, there are two lone warriors (and a ridiculously young blond mechanic) that courageously defend themselves against the Templars, yeah! "Warriors of the Wasteland" has no significant plot but at least it's never once boring thanks to an overload crazed battle sequences, vehicle-showdowns and silly gimmicks. The hero at one point wears a see-through bulletproof Plexiglas outfit, the blond kid goes around killing Templars with a slingshot and former Blaxploitation star Fred Williamson fires off arrows that explode upon impact. Williamson's character Nadir has a bit of an ego issue, as he clearly worships himself and continuously assures his buddy Scorpion that he is better than him, and the leader of the Templars (portrayed by the awesome exploitation star George Eastman) seemingly suffers from a slight personality crises. In other words, he's probably gay but doesn't realize it yet. Briefly summarized, "Warriors of the Wasteland" is a dumb but fast-paced "Mad Max" rip-off with a massive amount of cheesy showdown and explosions, in order words the ideal entertainment for undemanding 80's fans.