The Night My Number Came Up

1955 "12 Men and a Girl Re-Living a Dream That Fortold Disaster"
7| 1h34m| NR| en
Details

British Air Marshal Hardie is attending a party in Hong Kong when he hears of a dream, told by a pilot, in which Hardie's flight to Tokyo on a small Dakota propeller plane crashes on a Japanese beach. Hardie dismisses the dream as pure fantasy, but while he is flying to Tokyo the next day, circumstances start changing to align with the pilot's vivid vision, and it looks like the dream disaster may become a reality.

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Reviews

StunnaKrypto Self-important, over-dramatic, uninspired.
HeadlinesExotic Boring
Solidrariol Am I Missing Something?
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Leofwine_draca THE NIGHT MY NUMBER CAME UP is a disaster film with a difference; it opens with Michael Hordern having a frightening dream, or perhaps a premonition, of a plane crash-landing on the north coast of Japan. The film that goes back in time to recount the events of a fateful trip, in which a motley group of passengers find themselves on a seemingly disaster-bound flight. This is a neat thriller which feels much like the FINAL DESTINATION of its day, although better plotted and acted. Michael Redgrave headlines the cast in a typically refined and likable performance, but nobody here puts a foot wrong, really, and all of the assembled actors give strong performances. It's one of those quiet suspense thrillers that nonetheless grips you from beginning to end, so that you're absolutely riveted come the inevitable climax. Another winner from Ealing, in other words.
robinakaaly All the reviewers recognise this as great story telling with lots of snippets all over the place to add interest: the framing of the story between Michael Hordern's first arrival at air traffic control, and his chilling final remarks to the controller; Denholm Elliott's background as the Battle of Britain ace who cracked, Alexander Knox's unpleasant internment in Hong Kong during the war, the jokes about officers and civilians between the squaddies, Alfie Bass and Bill Kerr (Hancock's famous sidekick).But a practical reason to keep coming back to this film is the early shot of making the approach to Kai Tak (once the world's greatest real-life white knuckle ride) in the days before the surrounding hills were covered with high rise apartments which you looked up to as you banked to starboard on finals.
Alan Trevennor Why on earth is this not available on DVD? A Brilliant film that fully deserves a DVD release. One wonders if any trails or out takes survive too? Redgrave is - as always - excellent and the supporting cast are superb. An intriguing story - that has already been described by other reviewers, so I won't repeat that.It used to play regularly on UK TV but has now disappeared. Does anyone know who now owns it? Could they be persuaded to re-master it and release it on DVD? Being directed by BBC TV film critic Barry Norman's dad should give it a little extra interest for the market.
steve-raybould The seediness of the post-war colonial Far East and that rather morbid fascination with death and fate that pervades the consciousness of people who have been through a world-shattering conflict flavours this film. A great script (by RC Sherriff of 'Journeys End' fame) and a great cast - headed by that master of actorly understatement, Micheal Redgrave - slowly build the story, bit by bit. The exotic setting, where strange things could happen. The drab ordinariness of military outposts - which hightens the surreality of the events. A sense of a military and aristocratic world giving way with poor grace to the brash 'modern' future - epitomised by the crass Brummagem scrap dealer (accompanied by his effete elderly public-school personal assistant). The sense of dread is created by the pure spoken word and performance - of a good tale well-told. MR James in the age of Dakotas.