Stellead
Don't listen to the Hype. It's awful
Konterr
Brilliant and touching
Marva
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
Dave from Ottawa
... but not as good as it wants to be. This sprawling drama plays out over a span of decades as it follows a pretty young Parisienne who is seduced and abandoned by an American flier, and who then marries into society with the non-specific purpose of either getting him back or getting back at him. Meanwhile the flier gets married and goes through various crises of his own. The production values are expensive and look good, but the script moves with languorous slowness and, despite some fashionable 70s-style sexual frankness, everything has an old-style Hollywood feel to it, as if the movie had been made 20 years earlier than it was. John Beck and Susan Sarandon in particular seem to have been time warped back to a 1950s melodrama, making their performances seem awfully out of date for the more naturalistic 1970s cinema. Marie- France Pisier emerges as the best thing in the movie, but it's a pretty dull affair otherwise, especially when she is not on screen. Sarandon's career survived this bomb, thanks to Atlantic City a few years later, but John Beck, who was supposed to vault to stardom after this, quickly found himself in the hell of TV guest star shots.
zardoz-13
"Anne of a Thousand Days" director Charles Jarrott's "The Other Side of Midnight" struggles hopelessly to amount to a sophisticated romantic revenge melodrama. Sadly, scenarists Herman Raucher and Daniel Taradash's adaptation of author Sidney Sheldon's bestseller ends up as a sophomoric comic book soap opera. Initially, this is surprising when you consider that Jarrott also helmed "Mary, Queen of Scots" and the splendid Jack Palance made-for-television chiller "The Strange Case of Dr. Jekyll and Mr. Hyde" from 1968. We'll try to forget his movie misfire, the musical version of "Lost Horizon." Not only was Herman Raucher, who wrote the bestseller "Summer of '42," no lightweight penman, but also neither was Oscar winning scribe Daniel Taradash who penned "From Here to Eternity" as well as "Golden Boy," "Picnic," and "Hawaii." Meanwhile, what is not so surprising is the basis for the film, Sidney Sheldon's bestseller. The leads are nothing spectacular. Vietnamese born French woman Marie-France Pisier went nowhere in America and her leading man John Beck didn't make much of an impression and wound up playing supporting roles. Only Susan Sarandon had a Hollywood career to speak of.Essentially, "The Other Side of Midnight" occurs before, during, and after World War II, but it is not a war picture. The Raucher & Taradash screenplay deals with a love quadrangle. French ingénue Noelle Page (Marie-France Pisier of "French Postcards") is sold into the fashion business by her father. Jacques Page (Roger Etienne of "Marathon Man") advises his daughter, "You have beauty. It's your only weapon of survival. Let the hand under your dress wear gold." She is shocked by this advice and at firsts tries to be a good girl. Not long afterward, however, Noelle surrenders her virtue to a greedy little dressmaker Lanchon (Sorrell Brooke of "The Dukes of Hazzard") and he wants her to fulfill his every desire. Instead, Noelle flees to Paris and runs into a dashing, no-good jock of a Royal Air Force pilot, Larry Douglas (John Beck of "Rollerball"), who wines and dines her. No sooner does Larry promise to marry Noelle than he abandons her with a baby and a bleak future. Wielding a coat hanger, Noelle aborts her baby in a bathtub and decides to use her body to become a high-priced fashion model and European film starlet.Meanwhile, Catherine Alexander (Susan Sarandon of "Joe") is a fortune-seeking American girl who seeks her fortune in Washington, D.C. As a magazine advertiser, Catherine can only handle the really tough assignments and fouls up the easy ones. Dispatched to Hollywood to produce a war documentary, she falls in love inadvertently with that no-good Larry who takes her to the altar. After the war, Larry suffers problems readjusting to normal life, a problem which is financed by Noelle who is determined to ruin his life and force him to return to her and marry him! While engineering Larry's downfall, Noelle becomes the mistress of a vindictive Greek millionaire Constantin Demeris (Raf Vallone of "Nevada Smith"), the richest man in the world. Larry winds up as the pilot for Noelle's plane which the Greek buys for her and she begins an affair with Larry behind the Greek's back. Ironically, Noelle cannot marry Larry who she really and truly loves because he cannot divorce Catherine who worships Larry like a god. Imagine what happens next? This kind of absurdity is dragged out for well over two and a half hours and "The Other Side of Midnight" feels like it takes that long for the events to resolve themselves. Director Charles Jarrott tries to relieve this tedium by flaunting classy production values. Furthermore, Oscar winning "Towering Inferno" cinematographer Fred J. Koenekamp provides some stunning picture postcard photography of Greece. He makes it seem like you are watching an extended tourist travelogue. When you're not a tourist, you're a voyeur. Koenekamp's cameras turn the bedroom and the nudity of its stars into a geographical "Playboy" shoot. Expect a lot of profanity and sex from this epic along with some occasional suspense. The way the script spells everything out ensures that nothing will be left to your imagination. "The Other Side of Midnight" qualifies as little more than glossy trash. Further, the way thing develop makes this film seem unintentionally silly and stupid. For example, why does Noelle go to such lengths to wreck what starts out to be revenge? Despite the film's numerous faults, there are some women who dream of being a princess and men who crave all the wealth and power that the world can offer. These people may find something redeeming about this sappy soap opera. All that can be said about "The Other Side of Midnight" is that the filmmakers or novelist Sidney Sheldon refrain for anteing up another side of "Midnight!"
Gary M. James
Producer Frank Yablans and 20th Century Fox spent some serious cash on "The Other Side of Midnight" filming scenes on location in Paris, Washington, DC and Greece. It certainly looks good on screen. The lush musical score by Michel Legrand made the movie sound more important than it really is. (When is a Legrand musical score not lush?) But the plodding epic WWII romantic story about two women who are in love with the same pilot, adapted from the best selling Sidney Sheldon novel, should not be taken too seriously. The movie is so soapy, I'm surprised Procter & Gamble did not co-produce the movie.Marie-France Pisier tries her best to flesh out (pun intended) her character of Noelle, using her body to get to the top. But the scenes with Sorrell Booke as a businessman who bought Noelle from her father, Christian Marquand as a filmmaker and Raf Vallone as a Greek tycoon, were rather embarrassing and I did not feel any sympathy toward her character. John Beck fared even worse as a very uncharismatic, two-timing cad. It is interesting that after "Midnight", Pisier (who I remember from a much better movie from two years earlier, Cousin, Cousine) went back to appearing in movies in her native France and Beck continued to appear in soaps, this time on television.Somehow, I thought Susan Sarandon fared best because she was the best actor of the three leads. I felt more sympathy for her character Catherine than Noelle. And what has happened to Sarandon after this trash-fest? Can someone say a thinking man's sex symbol? (Oscar-winning performance as Sr. Helen Prejean in "Dead Man Walking" notwithstanding.) Why a 5 out of 10 instead of a 1 or 2? I remember reading many negative reviews when it was first released in 1977. However, unlike what was reported in the IMDb Trivia section, the movie did have a long run in theaters and was a moderate success at the box office. Even though I was very leery of the film's 2 hour, 45 minute length, I caught the movie on cable TV. This movie is like a trashy summer novel, I could not put this movie down. Without giving the ending away, the plot twists almost made the film worth my time. Having seen the movie several times in the past few years, The Other Side of Midnight is a bad movie but I plead guilty to admit that it is so bad, it's good.Update (5/10/2007): I tried to re-watch this movie and ended up fast forwarding through the boring parts. I guess my original review was rather generous. If you cut down the "getting to know you" musical montage scenes, the transition scenes where people are walking from one beautiful scene to another and delete the gratuitous nude scenes, it might have been better. The movie is also filled with script exposition and not enough actual scenes that might have made the movie more interesting. The scenes between Pisier and Michael Lerner, who plays an investigator trailing John Beck's character, are especially deadly.Sarandon's performance still holds up. She exudes more depth to her character than the script allows. I sense that the movie was made by some dirty old men whose idea for a "chick flick" was to see the main female characters naked. A naked male lead? Not a chance.
Deusvolt
I saw this movie upon the persistent recommendations of my lady co-employees thinking and hoping that there may be sense after all in their insistence. But of course, knowing them I expected this to be another chick movie, a maudlin love story.To my surprise, it had a lot of suspense and I also appreciated the fact that it captured the ambience of the European countries that served as locales. It did well in the Philippines. I saw it with a standing room crowd and it took me a while to grab a seat. But I doubt if it was well received in the US.
