ada
the leading man is my tpye
SmugKitZine
Tied for the best movie I have ever seen
Titreenp
SERIOUSLY. This is what the crap Hollywood still puts out?
Edwin
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Spikeopath
The Outcast is set in 1880s Colorado about a man who rides into town with a gang of hired gunmen to reclaim his inheritance. But the man opposing him is none other than his uncle, who will not give up the ranch, and all that goes with it, without a fight.A truly pleasant surprise to me this one was. Too many times I care to mention when I have sat down for a B movie Western and cringed at the banality on show. Directed by prolific B helmer William Witney and coming out of the mightily solid Republic Pictures house, The Outcast {AKA The Fortune Hunter} uses a standard story premise and expands it further with a multitude of interesting character arcs. There is so much going on in this part of Colorado, the film never has time to become boring or twee in its execution. Each character serves a purpose, if they have screen time then they are functional to the plot{s} in hand. We have feuding families, hired thugs, a pugilist blacksmith, reams of gun play, fist fights on horseback {fine stunt work here} and pretty gals pulling the male protagonists emotions left and right! All set against a lovely rolling location backdrop {sadly not able to find where at the time of writing} and filmed in the safer cheaper colour aspect of Trucolor, which looks nicer now in this day and age of HD TV.The cast are led by John Derek (All the King's Men) and an assortment of stoic and professional Western players fill out the roll call. It does look to be either largely unseen or consigned wrongly to the B movie bin. But it's certainly a must for the Western genre fan, and definitely a film to prove that Republic Pictures did have good films in their locker. So do check it out if you get the chance 7/10
krdement
...are the strengths of this muddled movie. And the soundtrack is reasonably good, too. The gunfight between the cattle rustlers and Jet and two of the Polson boys provides some dandy footage of cowboys ridin' and shootin' - not to mention the nice stunt work during the horseback tussle between Jet and Dude. Otherwise you should avoid it.The plot is a variation on the old Hatfields and McCoys feud. In this variant, however, one of the families is, itself, also split into two factions, and the pater familias of the other family buggy whips and banishes his daughter. Oddly, the Polsons even call themselves "hill people," reflecting a social milieu and jargon straight out of Appalachia and foreign to the Old West. The dialog is full of other, similar oddities and apparent anachronisms. Most of the characters are not well-defined or well-portrayed. Derek's character is especially unsympathetic, and his acting is pure wooden bravado without any nuance. When he tells Judy that he has just been making a play for Alice in order to embarrass his uncle, it comes as a totally incredible fabrication.As one commentator already noted, the anticipated gunfight between Jet and The Major is at first delayed by some pseudo-romantic exposition and then finished with other anti- climactic interruptions from a hired gun and a raving lawyer.Easily the best scene is apparently unscripted. The sight of Jet wheeling his horse into Dude, whacking him on the head with the horse's mouth is just about the only thing in this movie that seems genuine.
alexandre michel liberman (tmwest)
Republic, among other small studios in Hollywood was considered to be "Poverty Row", but they had a lot of talent working for them and "The Outcast" is one of their best productions. John Derek is Jet Cosgrave, a man who has been cheated out of his inheritance by his uncle Jim Davis, and lost his ranch. He contracts some gunfighters, whose leader is Bob Steele, in order to get it back. He flirts with Joan Evans, and she falls in love with him, but he is not sure about his feelings because he is also very impressed by his uncle's wife to be Catherine McLeod. Derek is excellent in his role, you don't really know up to the end if he is a good guy or not. William Witney made a lot of westerns and here is at his best, providing good action scenes, specially one where Derek jumps in the horse Steele is riding. Also there are many shootouts, some of them among cattle. It was great to see a young Slim Pickens, I remembered him very well as the old sheriff in Pat Garret and Billy the Kid. The color system used Trucolor is less expensive than Technicolor but the result is satisfactory. A film that did not age, great entertainment for those who like westerns
BrianG
A very good performance by a young John Derek, an outstanding performance by veteran Bob Steele, beautiful scenery stunningly photographed, and action-packed, razor-sharp direction by an old pro at the top of his form make this one of the best "B" westerns to come out of Republic Pictures, which specialized in them and did them better than any other studio did. Derek plays a young man who returns home after his father dies to claim the ranch that was stolen from him, and runs into more trouble than he bargained for. Steele, a major western star in the '30s and '40s, had aged out of leading man roles and settled into character parts, often playing--as he does here--a cold-blooded gunman (watch Humphrey Bogart's 1951 "The Enforcer" to see Steele as a hired killer par excellance). He was such a good actor that he was as effective in these roles as he was in his younger days as a cowboy hero. The cast is full of familiar western faces--Jim Davis, Ben Cooper, James Millican, Slim Pickens--and ace director William Witney uses them all to their best advantage. The blazing gun battles are expertly staged, and the film as a whole moves like lightning. All in all, an expertly made, thoroughly enjoyable little "B" western, more entertaining than many films that cost 50 times as much. Highly recommended.