Diagonaldi Very well executed

Limerculer A waste of 90 minutes of my life

Organnall Too much about the plot just didn't add up, the writing was bad, some of the scenes were cringey and awkward,

CrawlerChunky In truth, there is barely enough story here to make a film.

Tony Bush The acclaimed director of THE GUNS OF NAVARONE (J. Lee Thompson) churned out this lurid late seventies pot-boiler at a time when his best days were probably behind him. Ostensibly, a WWII adventure yarn about a Basque shepherd (Anthony Quinn) guiding a scientist (James Mason) his wife (Patricia Neal) and kids (Kay Lenz and Paul Clemens) across the Pyrenees and out of the clutches of the Nazis. Sounds a reasonable set-up on the surface of it, right?Throw into the mix Malcolm McDowell as Von Berkow, a Gestapo captain in hot pursuit and, yes, still sounds reasonable. I mean, bang in some tunes and the hills could be alive with the sound of them.However... At sixty-four Quinn's action man days were pretty much over. Yet out of the cast, he manages to be the most convincing character and at least seems the most physically capable. Mason looks frail and doddery at seventy. Patricia Neal looks like she's already died but someone's forgotten to tell her. There is as much chance of any of these people climbing mountains through deep snow and freezing temperatures as there is of me French-kissing Jessica Biel on top of an iceberg in the middle of the Sahara desert. Neal, especially, has difficulty managing a flight of steps (she was seriously ill in real life). It's ludicrous.Then to Malcolm McDowell. Not an actor renowned for subtlety, here he seems to have been completely let off the leash. His performance transcends all known boundaries of thespian restraint and spins off into a whole other far distant galaxy of pantomime excess. He is jaw-dropping. This is the most astonishing comedy caricature Gestapo-Nazi madman portrayal ever committed to film. By comparison, it makes his work in CALIGULA seem like John Gielgud whispering the poetry of Betjeman in Winchester Cathedral to an audience of the moral majority. If you have no other reason for watching this film, then I urge you to do so to marvel at McDowell and his interpretation of Nazi villainy. It'll mess with your head. Especially the sight of his underpants with the swastika motif. He later described it as "some of the best work I've ever done." Hopefully he was being satirical.Throw in some violent action, throat-slittings, finger amputations, burnings, explosions (anything resembling a structure that gets shot at blows up), rape, sodomy, a completely histrionic Captain Oates scene, avalanches and consistently brain-freezing dialogue and there you have it.It's not a good film, but it is a film that provides a good laugh if you're in the right frame of mind - and providing you can stand the mania and sadism.

lost-in-limbo Director J. Lee Thompson delivers a systematic, if quite unpleasant and foolish World War II action thriller with an outstanding cast lead by the hardy Anthony Quinn (who was in Thompson's "The Greek Tycoon" the year before), James Mason, Kay Lenz, Patricia Neal, Michael Lonsdale, Malcolm McDowell and Christopher Lee. Great cast indeed, although everyone looks rather uninterested with the obvious exception of McDowell itchy, overblown performance as a sadistic SS Captain. You can see he is having a ball in the role, from his delivery of the dialogues and his torturous actions. It's "Clockwork Orange" set during WW2, but even the dreary context can't hide his humorous shtick.Anthony Quinn stars as a Basque mountaineer that's hired by the resistance to guide American professor Bergson (James Mason) and his family from France over the dangerous Pyrenees ice-swept mountains into Spain. While at the same time being tracked by the dogged, cold-blooded SS officer Von Berkow.In all well-budgeted "The Passage" can be seen as an interesting failure. It wasn't the rough-and-tumble, old-school war adventure I was expecting. There's so much wrong with it, but for some reason it holds you there. Everything but the kitchen sink has been thrown into it, without any sort of care. The structure is odd, being adapted by Bruce Nicolaysen from his own novel "The Perilous Passage". Continuity seems off at times, as scenes just don't come together on this mission/on-the-run format. It should be epic, but set-pieces come across as individual moments in what are routine situations and the wonderful scenery never really comes into play. Thompson's efforts are workman-like, but indistinguishable. The pace is slow, action is half-hearted (even with its blood spurting, barbaric violence and grand explosions) and the suspense is ragged with McDowell's random craziness making it worth the buzz. From showing his excellent chopping skills when preparing a meal "Chop, Chop, Chop!" revealing his Swastiska jockstrap to Kay Lenz's character before raping her and imitating Hitler by putting a comb above his lip. The tone just feels misguided, but tame and cartoonish nowadays it was crude and uneasy at the time. You can see this being a cult- favourite and this especially could be favourable due to its very strange, tripped-out climatic ending. I was very surprised where it went because of how powerful and ghastly the execution was (face painting anyone?), but to find it actually was only a tease lessen the impact with its multiple versions. The editing was all-over-the-place, and the finale was the tip of that. Better things can be said about the camera-work, where it did flow around the action well enough demonstrating the dark, shadowy realism of the predicament. Visually it was glum."The Passage" might leave you with a bad taste in your mouth, but it's rather transfixing due to McDowell's creepy histrionics that you can't believe what you are seeing.

mombasa_pete Yes many dislike it but this film in the performance of McDowell manages to capture everything that was terrifying about the Nazi regime, there is an authentic atmosphere of dread and oppression, more so than any other film about WW2 made, how it was in occupied territories.The stand out scene is the one where he interrogates the Michel Lonsdale resistance man, and chops off his fingers while cooking dinner, we don't see it the camera pans away, but it still is terrifying! More so than any Texas chainsaw film! Yes they really did things like this the SS! Watch it now!

ma-cortes The film talks upon a Basque shepherd (Anthony Quinn) whose assignment results to be the leading a family (James Mason , Patricia Neal , Kay Lenz and Clemens) through the Pyrenees mountains (France) until Spain . But they are relentlessly pursued by an evil Nazi officer (Malcolm McDowell) .The movie is set in Second War World when Hitler invaded France and ruled the collaborating government from Vichy under command of general Petain .In the flick there are shocks , action , thriller , shootouts , drama and deal of violence and tortures in charge of Malcolm McDowell .Acceptable acting with all-star-cast . Anthony Quinn and James Mason are good and give nice performances ; also Christopher Lee acting as an agreeable gypsy , changing his usual villain role .Malcolm McDowell's interpretation is overblown , he plays as an evil , sadist , wry and murderer Gestapo officer .The final confrontation between the starring family , the Basque and the Nazis across the snowy landscapes is breathtaking .The flick was regularly directed by J. Lee Thompson .The yarn will appeal to suspense , emotions enthusiasts and WWII buffs .Rating : 5.5/10 , mediocre .