LastingAware The greatest movie ever!

FirstWitch A movie that not only functions as a solid scarefest but a razor-sharp satire.

Ava-Grace Willis Story: It's very simple but honestly that is fine.

Yazmin Close shines in drama with strong language, adult themes.

b2z2 I am no historian but this film is quite enjoyable. I think the story of Mao is a mixed bag. First, I just like to say that the people who think Mao killed millions of people and is on par with Hitler are seriously misinformed. I would for their sake advice not show off such a view to informed friends because they make fools out of themselves. Its like saying George W Bush is like Mussolini. Mao certainly had many personal flaws and made mistakes in leading a new nation. But on a personal level he was a charismatic leader and inspired a passionate following. In this aspect you can compare him to a Hitler but also to FDR or JFK or Jesus. I think the film points out that Mao is not some cunning evil mastermind slaughtering people for pure pleasure. Mao largely wanted to improve the country. I think personal attacks on Mao because of the political upheaval and the challenges of a new nation had to face is ridiculous. Though this movie have a bit of Pro-Mao bias I think it should be viewed as a counter weight to the overwhelming negative bias in the media today.

gring0 The man killed possibly 50 million people; a population the size of Canada in 3 years alone during the Great Leap Forward. Teachers in the city I am writing this, Peking, were tortured and murdered by the thousands amidst 10 years of chaos. But hey! At least they closed down schools and promoted mind-numbing Peking Opera and gave women the freedom to work like slaves like the men. And he let the Dalai Lama escape, after (neglecting to mention that Mao was the one who invaded Tibet and massacred countless numbers). Imagine mocking a humorous documentary about Stalin or Hitler! But because the millions of dead were only little yellow Chinamen, their deaths don't deserve consideration and Americans for whom this was made who know nothing about the history can enjoy the infantile animation and music. www.tracesofevil.blogspot.com

tallyhooo "The Passion of the Mao" starts out promisingly enough. Its cute cartoon scenes cause chuckles, and the overt comparison to Jesus is both a welcome mockery of Mel Gibson's film of a similar name and an indication that the subject matter will be treated lightheartedly. A little cheeky irreverence, especially with controversial topics, is always welcome. And yet the joking tone conceals some egregious conclusions. From Mao's victory in 1949 through to his death in 1976, this film would have you believe that everything is roses. Industrial output is up, agricultural output is up, life expectancy is up, education is up. Even famine and social unrest get a positive spin. That Mao was eccentric but harmless, and more importantly, blameless, is the byline. Numerous Chinese scholars at American universities are interviewed to that effect too, and viewers will have a fun time trying to spot a single negative word. "Westerners lapped up the idea that Chinese citizens in the 60s and 70s were victims," criticises one. Well, dear, that's because many of them were. And so it goes on. Finally, the filmmakers chose a narrator with abysmal Chinese pronunciation, and didn't include subtitles for some of their interviewees' whose English was a chore to follow. But as finishing touches on a flawed film, I suppose it's fitting.

sunshine-cousin This was a great movie! Its style was unlike that of any documentary I have seen before. While most documentaries these days seem to feel that they can inform you by being deadly dull, maybe with an occasional joke thrown in, this one kept you in stitches almost throughout. Moreover, the laughs and the goofy style had a purpose. Director Lee Feigon was trying to restore Mao's reputation but also to attack the Chairman's deification. Feigon shows that Mao deserves credit for much of the growth for which his successors have taken credit. The goofy tone Feigon uses not only makes the movie go faster but does a great job in demolishing the myth that Mao was once a god. And so we find out some of the wackier even perverse elements of Mao's private life.