Solidrariol Am I Missing Something?

Sharkflei Your blood may run cold, but you now find yourself pinioned to the story.

Ogosmith Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Kodie Bird True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

christopher-underwood Great title for a film, but just not this one. Over ambitious project inevitably leading to it becoming pretentious, silly and unforgivably, dull. It starts promisingly enough with a disparate group of dignitaries all masked at sat about a banqueting table as pretty girls in diaphanous gowns prepare to submit to their every whim in the name of the Marquis de Sade. Some of us will wish the film continued in this vein instead of lurching into post apocalyptic Twilight Zone territory, with blindness, zombieness and the threat of radiation and the end of the world. Paul Naschy is fine but looks a little more awkward than usual. I find he is usually better when working for himself.

Michael_Elliott The People Who Own the Dark (1976)** (out of 4)A group of people gather at a home where they enter an underground bunker to do a De Sade worship. After hearing a loud explosion they return to the surface and notice that something strange has happened. They don't realize how strange until they go to town for supplies and notice the title monsters, a group of people who have turned blind due to a nuclear holocaust. THE PEOPLE WHO OWNS THE DARK has a pretty good reputation among Spanish horror fans but I'll be the outsider and say that I was pretty disappointed in the film. People have compared it to a cross between NIGHT OF THE LIVING DEAD and THE DAY OF THE TRIFFIDS, which is certainly true but I'd also add THE OMEGA MAN in there as another influence. I watched the American cut of the movie, which features twelve fewer minutes than the Spanish cut but apparently only some more detailed character development is missing. With that said, I thought there were some major issues with the screenplay including the fact that none of the characters are all that interesting. When you think about it, NIGHT OF THE LIVING DEAD features a lot of dialogue scenes and more often than not the zombies aren't on the screen. That's the same here but the only problem with this film is that nothing being said is all that interesting and unlike the Romero film you really don't care about any of the characters here either. None of the characters really stood out from one another and outside of the familiar faces (Alberto DeMendoza and Paul Naschy) there's really no one to root for or care about. For the most part the performances seemed fine, although this is always a hard thing to judge when you're watching something with an English dubbing. I will say that the look of the film was quite nice but director Leon Klimovsky just doesn't add any flare to the subject and even at 82-minutes the film drags in spots. Again, I know I'm in the minority on this one but the film just didn't work nearly as well as it should have.

bfan83 The People Who Own the Dark is about a group of wealthy gentleman who visit a secluded for some kinky sex games with the prostitutes. During the party, they are startled by a huge earthquake from a nuclear disaster which has taken place. They soon discover that survivors from a nearby town are now transformed into wandering blind creatures. They kill a few of the blind survivors due to being scared and unsure. Soon the rest of the blind survivors make their way to the villa to seek revenge. Despite the fact it's an obvious rip-off of NIGHT OF THE LIVING DEAD, it still manages to evoke a sense of doom and helplessness throughout the film as each one is killed off by the wandering blind townspeople. Paul Naschy is in prime form as a jerk who's out to save his own skin. It's refreshing to see him play a different role aside from Waldemar Daninsky for once. Maria Perschy (Beyond the Door, Night of the Howling Beast) is also very good as one of the prostitutes. Her acting is what makes this film shine the most. The only thing this film suffers from is a downbeat ending. Fans of Spanish horror or Paul Naschy should enjoy THE PEOPLE WHO OWN THE DARK. It's different from other film's in his catalog (namely, the Waldemar Daninisky series.) It is incredibly rare, but I'm sure you can still manage to locate a copy of it on ebay or amazon. It's more than worth the price, despite its downbeat ending.

Richard_Harland_Smith Forget the reference books (including the IMDb) - PLANETA CIEGO was directed by Argentinian filmmaker Leon Klimovsky, also responsible for WEREWOLF VS. THE VAMPIRE WOMAN, VENGEANCE OF THE ZOMBIES (both with Paul Naschy, who co-stars here, too) and THE VAMPIRE'S NIGHT ORGY. A group of prominent business and military men enjoying a weekend debauch in the cellar of a rural bordello are spared when a nuclear attack devastates Europe. Finding the locals blinded, and drawing hatred upon themselves for looting the village stores, the survivors board up the villa and prepare for an attack by night. PLANETA CIEGO, which is also known as THE PEOPLE WHO OWN THE DARK (a shortened version that played in America) and ULTIMO DESEO is an exciting and disturbing (if non-graphic) reworking of themes found in George Romero's NIGHT OF THE LIVING DEAD. The cast includes Alberto deMendoza (HORROR EXPRESS) and Maria Perschy (also in Klimovsky's VENGEANCE OF THE ZOMBIES). This film has for too long been attributed to Amando de Ossorio, probably because he directed the well-known "Blind Dead" films. Well worth seeking out.