Merolliv I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Marva-nova Amazing worth wacthing. So good. Biased but well made with many good points.

Skyler Great movie. Not sure what people expected but I found it highly entertaining.

SnoopyStyle Sugar cane worker Dorita Evita Perez (Marisa Tomei) is looking for a brighter Hollywood life. Political prisoner Juan Raul Perez (Alfred Molina) is released with the Mariel boatlift. The two Cuban refugees of the same last name are mistakenly put together as husband and wife by Immigration officials. He has not seen his real wife Carmela Perez (Anjelica Huston) for 20 years who is in Miami with their daughter Teresa Perez (Trini Alvarado). Carmela's brother Angel Diaz comes looking for him and finds him with Dorita as his wife. Lt. John Pirelli (Chazz Palminteri) is investigating and gets close to Carmela. Dorita pushes Juan to stay together to get a sponsor. She mistakes Hollywood, Florida for Hollywood, California and is devastated when she's told that John Wayne is dead. After collecting more members, the new Perez family sets off to find their way.Marisa Tomei is effervescent and brash. This may work better if it stayed only with her and Molina. I'm less sure about his family in America. They seem to be trying to be comedic which doesn't always work. I'm not sure about what Angel is doing. That side of the movie complicates the romance. The love story gets twisted into a pretzel. I can't help but wonder if it would be infinitely sweeter to have Juan find Teresa at the end of the movie with a daughter he never knew existed. Instead, it's all complicated by Angel and diverting romances.

Chrysanthepop Mira Nair's take on comedy is quite impressive. The director is known for her more intense and dramatic films but here she proves that she can direct a comedy. Though 'The Perez Family' isn't without its share of flaws, it is overall a funny movie with loads of laugh-out-loud moments. The film is about a group of Cuban immigrants who move to the states, one of them is in search of freedom and another in search of his family whom he hasn't seen for 20 years. While the film is essentially a comedy, Nair does tackle some issues that represent the darkness of an immigrant's life.The score is energetic and the cinematography is vivacious. The pace tends to drag in some places and near the end becomes a tad too intense. Perhaps Nair could have balanced it off by including more comic punches. The dialogues are wonderful, especially the ones between Tomei and Molina.Marisa Tomei has never looked hotter. She is both sensual and hilarious and very convincing as a Cuban wild flower. She was also excellent in the more intense scenes. Angelica Huston too displays a sophisticated sensuality and shows that she too can be funny on screen. Alfred Molina is good but not as effective as his leading ladies. Chazz Palminteri is charming. The late Celia Cruz makes a pleasantly awkward appearance.'The Perez Family' is quite a charming and funny romantic comedy that gives us a glimpse of the hardships of immigrant life but also lots to laugh about. Would like to see Nair make more comedy.

lastliberal This is a cute little film starring Marisa Tomei (Wild Hogs, My Cousin Vinny) and Alfred Molina (Spider-Man 2, Frida) as Cubans who came over on the Marial boat lift in the 80s.Juan Raul Perez (Molina) is married to Carmela (Anjelica Huston), who came to America 20 years previous while Juan languished in a Cuban prison. He is stuck in an immigration facility with Dorita Evita Perez (Tomei), who is not related to him, but pretends to be his wife so they can get out. They even pick up a father and a son in their attempt at freedom.While Juan is trying to escape and reunite with Carmela, her brother, Angel (Diego Wallraff) is trying to keep them apart. Further complicating the adventure is a cop, Lt. John Pirelli (Chazz Palminteri), who is falling in love with Carmela.It is a sweet little comedy that Tomei does so well and worth spending some time with.

bob the moo When President Carter declared an open door policy to anyone who wanted to escape Cuba and come to America, Castro used this to clear his jails of criminals and political prisoners. When Juan Raul Perez gets on the boat he hopes his wife will be there to meet him, as she fled to the US decades ago. When she doesn't come he ends up in the camp with everyone else, including the feisty Dorita Evita Perez. The two need a sponsor to get out of the camp and realise that things would be easier if they were a family. For that reason they pretend to be married and gradually start putting their fake family in place.I was drawn to this film by the cast list and in fairness I should have spotted that this film about Cubans had very few Cuban or even Latino actors in it. Anyway, aside from that the plot has historical context but I am not familiar enough with it to say if it was accurate or not, although I really don't think it matters very much. The film tries to fizzle with Latin spirit while at the same time delivering a rather convoluted romantic drama of sorts. It partly works but the writing isn't great and the film failed to really engage me as it just seemed a little forced as if it had been a good idea once but had had so many knobs added to it that it got a little daffy. After an hour it settles into the formulaic mould it was in all along, the historical context forgotten and the clichés allowed to flow. If you can't see where this is going then I salute your ability to blindly accept what is given to you.Talking of clichés, the casting of so few Hispanic/Cuban/Latino actors was a mystery to me. Surely it would have been possible to get closer than Italian, which is what quite a few of the main characters appear to be. Tomei was the name that drew me to this film but in turns her role is good and bad. She has an important role and it was necessary for her to be feisty etc but she overdoes it a little bit - hammy up her Latin cliché at the start for all she is worth; she gets better though. Molina is another strange choice but he does well in his role and carries some dignity through the film - it's not his fault that the script gets silly in trying to keep him and Huston apart. Huston is OK but her subplot seems added on to make the ending more palatable to the audience (god forbid anyone should be hurt). For this same reason, Palminteri is wasted. Cruz is good and Chowdhry is quite funny, but why Gallo even bothered is beyond me - pre-fame I suppose. SNL's Cleghorne plays a cop and, in the spirit of ethnic clichés, pushes the `oh-no-she-didn't' eye-rolling, `talk to the hand', neck moving black character for all she is worth - when she does it as a joke it is OK but here it just felt like laziness - especially for such a minor character.Overall, any Hollywood film with Latinos/Cubans/Hispanics in it is going to force the rhythm for all it is worth and here is no different. It starts out boasting historical context and spice, falls into a rather convoluted series of plot twists that end up taking the film down a rom-com road to a solution that, although badly delivered, unthinkable and out-of-nowhere, was obvious from about 30 minutes into the film.