Diagonaldi Very well executed

ReaderKenka Let's be realistic.

SpunkySelfTwitter It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

Taha Avalos The best films of this genre always show a path and provide a takeaway for being a better person.

SimonJack "The Pigeon That Took Rome" is a very entertaining World War II film. Another reviewer stated that Charlton Heston doesn't do well in a comedy role. I think that's probably true, generally. But in this film, his character is perfect for the plot. This is a tongue- in-cheek comedy about World War II in Rome before the Allies have taken the city. Things weren't very funny to the Italians then – even though they are a people who tend to take things in stride and still see humor in difficult times. There's much more to this, but one must save some of the details that new viewers will enjoy more without foreknowledge. Heston's persona fits so well because of the very fact that he doesn't belong doing spy work or undercover work. He tells that to his CO when Col. Harrington sends him on his assignment. Heston protests that he is a line solder who fights and works best with the ranks in the field. So, when he gets to Rome through the Italian "resistance" he clearly doesn't fit in. And, that's part of the humor because he and Elsa Martinelli's character, Antonella Massimo, go at one another often. If that were all there was to this assignment, the film indeed would not be that funny. But, Harry Guardino is tossed into the pot as Sgt. Joseph Angelico, a GI who speaks Italian, and he's to help MacDougall. Guardino's character adds a light touch that mellows out the spats, and he provides for a nice romantic aspect of the film with Antonella's sister in the film, Rosalba, played by Gabriella Pallotta. All of the cast are excellent in this film. The head of the Massimo household and the Italian resistance is the widower father, Ciccio, played superbly by Salvatore Baccoloni. He was an opera singer as well as an occasional movie actor. Heston has a double role as Captain Paul MacDougall, and as Benny the Snatch, a fictitious member of his squad. Captain MacDougall is the Snatch. And, he also narrates the story – after the fact. His tongue-in-cheek is very funny at times. A hilarious scene to me is when he watches as the stolen pigeons (which, at the time, he didn't know were stolen), dutifully fly back home right to Nazi headquarters. MacDougall learns that the Allied homing pigeons had been the main course at the dinner to announce the engagement to the Massimo's extended family of daughter Rosalba to Sgt. Angelico. Well, all the pigeons but one, but MacDougall didn't know that Antonella had spared one for its carrier missions. So, with the new knowledge in hand, MacDougall sends a message poignantly intended for the Germans. And the German commander's reaction is very funny. Even funnier is that MacDougall and Angaelico watch as the last four pigeons are released and only three of them fly to Nazi headquarters. The other – the last true blue Allied pigeon that Antonella had spared (unbeknownst to MacDougall) flies south to the Allied lines. And the message intended for the Germans' eyes is such good news to the Allies that they press the attack and quickly push the Germans back and take Rome. This film is just good fun, even if the romance of the Heston and Martinelli characters at the end seems a bit contrived, considering how much and often they were at each other's throats through much of the film. As one other reviewer noted, its best just to disconnect one's brains and sit back to enjoy this film.

MartinHafer During WWII, two soldiers (Charlton Heston and Harry Guardino) are sent on a secret mission in Nazi-occupied Rome. However, the organized resistance they are told to make contact with doesn't really exist--it's just a couple pathetic souls. So, the two soldiers just hide out in the city--making note of the German forces and sending messages back to headquarters with homing pigeons. There's MUCH more to the film than this, but I don't want to give too much of the plot to you--in case you haven't seen it.While the above sketchy outline doesn't sound the least bit funny, the film is very much a tongue in cheek comedy. LOTS of complications develop as well as romance. The bottom line is that the film is a decent light comedy--the sort of thing they began making in the 60s and 70s--once memories of this god-awful war began to fade. A cute but slight story worth your time.By the way, the Irish priest (Arthur Shields) might well remind you of Barry Fitzgerald by his look and performance. Well, that's because despite the different stage names, Shields WAS Barry Fitzgerald's brother! Also, while a small role, I loved Rudolf Anders' performance later in the film. Seeing this German commander losing his mind was HIGHLY entertaining and his phone conversation was the best part of the film.

bkoganbing There are certain actors who should not do comedy and Charlton Heston was one of them. His no nonsense granite personality of integrity was out of place in a film like The Pigeon That Took Rome. The part looks like it was written for Rock Hudson.Heston does his best however as an infantry officer who together with an Italian speaking sergeant Harry Guardino is sent days before the Allied liberation of Rome into the Eternal City. The cautious Allies want to find out if Hitler really means to evacuate and leave it an open city or will he fight for it.A prime mover in the underground is Monsignor Arthur Shields at the Vatican playing a character based on the one that was the central figure in the later film The Scarlet and the Black that starred Gregory Peck. He gets Heston and Guardino, disguised as priests, into the home of Salvatore Baccaloni with daughters Elsa Martinelli and Gabriella Pallotta and their little brother Marietto.That family has its own problems, Pallotta is pregnant via another American who was a flier later killed by the Nazis. She's got to get married and quick and sizes up Guardino as a likely prospect.With Nazi communication detection techniques Heston is forced to use those old reliable carrier pigeons. But when Baccaloni plans a feast for the daughter he uses those same pigeons that could signal the Allied advance into Rome as disguised quail. What to do?The only time Heston ever successfully essayed comedy was in the Private War Of Major Benson in which his stern countenance was played against by the kids of the military school and his lady interest Julia Adams. It doesn't work in The Pigeon That Took Rome and a lot of potentially funny stuff just falls flat. Chuck's next visit to Rome was The Agony And The Ecstacy. He was a much better Michaelangelo than a spy.

Robrt Powell (vigihawk) I also consider this a sleeper. Found it humorous, well played and well written. Heston as serious soldier on off beat mission. Ilsa Martinelli (far from plains of Africa) as love interest, but not so lovely as big chested actress who plays her sister. Harry Guardino in yet another GI role. Barry Fitzgerald even more typecast as Irish priest. Good character actors for kid and bumptious dad. Great bit by Randolph Anders as Werhmacht Oberst. Worth looking for. Couldn't help comparing this "war" movie with Band of Brothers.