Ploydsge just watch it!

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Staci Frederick Blistering performances.

Michael Ledo A horror film from the Nether-lands...sounds scary in itself. Len (Gijs Scholten van Aschat) and Rob (Bart Klever) have been downsized from their banking jobs. They plan to discuss a new consulting business on vacation where they drag their unwilling families into the woods. Len decides they need to trespass to get to a good spot, one near a mosquito breeding ground, or pool. While at the pool, secrets are revealed, things rot and decay at accelerated speeds and emotions run high as the siren/witch/spirit of the pool doesn't allow anyone to leave unless...There are a number of films where people are trapped and they always circle around to where they started having to finish a task to leave. This is another one except it has English subtitles. We get a glimpse of the event that happened to cause a curse, although no real explanation was given, it was up to the viewer to figure out. The film has a descent into madness scenes to make things interesting.Fairy decent horror.Guide: F-word. No sex or nudity...perhaps that was supposed to be blurred rear nudity in one scene.

Field78 Well, there's a surprise; another Dutch movie that only receives a mediocre rating on IMDb (5.8 on the day this review was posted). It is quite a fact that everything which is Dutch and not directed by Paul Verhoeven has a tough time in the cinemas. 'De Poel' (The Pool) received quite some positive reviews and was hailed as proof that Dutch horror movies can work; however, advertising for the movie was predictably lacking, so this movie probably only saw the inside of a few cinemas for no more than 2 weeks, with only a handful of moviegoers and some copy pirates as its sparse public. But you would at least hope that a good movie, even a commercially failed one, ultimately gets its due credit here, like The Shawshank Redemption. Alas, no such luck.Did most people who rated this movie take the time to actually watch it? I kind of doubt it. There has to be an audience for this movie, a rare type of Dutch film that takes its matters seriously, and doesn't feel like a low-budget, low-scale imitation of a better American original. It is not that Dutch cinema has a rich tradition of horror movies. 'De Lift' (The Elevator', remade as 'Down') is a rare example from the 80s. Not much worth mentioning was made in the 90s, and in the zeroes, a few attempts were made to revive the genre with 'Doodeind' and 'Slachtnacht'. However, these two, although enjoyable, were obviously made from the archetypical American example, the slasher horror (or 'Dead Teenager Horror' as the great Roger Ebert liked to call it). The Pool, however, seems to take its inspiration from (IMO) one of the best British horror movies of the last decade: The Descent.The Pool has the same basic premise: a couple of friends venture into a forbidden area, but a succession of adversities slowly turn them against each other. And while the psychological tension rises, a hidden evil that dwells in the surroundings starts to pick its victims, one after another. In this case, experienced camper Lennaert (one of Netherlands' finest character actors, Gijs Scholten van Aschat, who also co-wrote the screenplay) goes on a camping trip with his wife, sons, his good friend and the friend's daughter. He convinces the rest to stray from the beaten path and enter a forbidden area to camp in, next to a giant pond. It doesn't take long before a succession of events, ranging from strange, unnerving to downright disturbing, convince them that there is something terribly wrong with the place. Of course, Lennaert gets the blame for this, which causes his relation with his family and friend to take some turns for the worst, with dire consequences.The great difference with 'The Descent' is that the outside threat does not come from a few cave-dwelling monsters, it has a more supernatural origin. However, the biggest strength of the movie is that it doesn't lose itself in exposition. No time is wasted on endless explanation; it is almost like the makers rely on the audience's familiarity with supernatural movies like The Grudge, The Ring and The Shining; we only see glimpses and images of what may be visions, hallucinations, memories, feverish dreams, or reality, and the audience has to fill in the blanks for itself. I saw a few deleted scenes on the BluRay disc that explain way too much and kill much of the mystery, so the creators were right to cut them out. It also helps the movie to pick up a pace unusually fast for the genre. Within 30 minutes, we are in the second act, and after one hour, it turns into the highest gear, so the mere 85 minutes of run-time certainly don't feel short.The absence of monsters doesn't mean a lack of gore. The visual horror scenes come sparingly, but are all the more effective and visceral for it. The special effects look really great, given the low budget of the production. Still, the movie remains evenly balanced between character scenes and gore, right to the end. I would have hoped for a climax that had me gasping for air, but unfortunately, the ending is quite tame compared to the rest of the movie. The actors, with leading man Scholten van Aschat up front, have no problems being convincing without being flashy or going into hysterics, which adds perfectly to the tension. I've heard people say that the dialog is bad, but I think that is because Dutch simply doesn't sound as cool as English (both our words and sentences are longer, which makes it hard to make cool-sounding quotes).You could say that the movie is assembled from parts snatched out of other (sometimes better) movies, but I feel that you can make a fresh new dish from old ingredients, as long as you don't snatch it from one recipe and flavor it enough. The stew created for The Pool is good for my taste, so I certainly am hungry for more. I wouldn't be surprised if it starts to make money when Hollywood is eager to buy the remake rights.

avzwam Dutch "horror film" De poel seems to be an imitation of for instance recent American remakes of Japanese horror films and it doesn't do a good job of it. Ineptly written, the film falls apart at a certain point becoming hard to watch in the sense that I wanted to fast forward and get to the end of it.The film lacks any real artistic value. There is no good story here with themes and depth and therefore the film doesn't hold your attention.The film basically has no personality of its own; it's like the script was written in an office by people who wanted to make a "Hollywood" movie which results in these Dutch characters in this Dutch movie speaking in ways that Dutch people don't speak. We don't talk like characters in a Hollywood movie (I am Dutch myself). I cringed listening to this fake dialogue. One character seemed to be an exception and he was talking like a lot of Dutch kids talk nowadays where they too copy things from American culture. I wouldn't be surprised if the word "fokking" is now officially a Dutch word.Anyway, I could go on but you get the idea. De poel is a failure. I do give it two stars instead of one though as there were a few successful shots. One for instance was a wide dolly shot where one of the kids leaves his tent at night and walks to the water. That was an OK shot.Edit: I was reviewing Hansel and Gretel when I saw that I had given this two stars due to some of the shots being OK. But I have to admit that even those shots don't save this film from being a complete and utter failure. It sounds harsh but that's just the way it is. So one star it is then.

josevltilb-992-873776 The Pool is a deliciously tense movie. Contrary to what people have come to expect from Dutch horror productions, this is a little jewel both in its storyline as well as the high level of acting. Gijs Scholten van Aschat and his companions show not a solitary moment of weakness in their craft, and thus make a relatively predictable camping-in-the-wild story into a edge-of-your-seat experience. You know beforehand that people'll drop like flies. But that you'll care about these two divided families, and will bite nails till the end, that's a pleasant surprise. Not just that, but the quality of the sound, which in Holland is usually more horrific than its movies, is absolutely sublime: you won't miss a word. The little eye-rolls, irritations of a marriage that's past its prime, and creeping madness have been brought into frame with a deftness which can't usually be expected in a horror flick, much less a Dutch one. Subtlety and maggots, humor with a mourning band.