Flyerplesys Perfectly adorable

ReaderKenka Let's be realistic.

Odelecol Pretty good movie overall. First half was nothing special but it got better as it went along.

Bob This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Kirpianuscus Story of a land more than story of characters. Admirable performance of Michelle Morgan. And sure, Gerard Philipe. You feel the heat and the poverty and the air. And, sure, the traits of love. A film like the picture of a world. And a love story as root of hope.

Oslo Jargo (Bartok Kinski) Fairly good movie, it reminded me a bit of those 1950's existential films like The Wages of Fear (1953). It was based on a story by Jean-Paul Sartre. Lead Gerard Philipe died of liver cancer in 1959.Plenty of Mexican faces are in it like Jaime Fernandez, Víctor Manuel Mendoza and Carlos López Moctezuma.It was a collaboration between France and Mexico, filmed in Veracruz, Mexico. I found a copy at the San Francisco Public Library on VHS years ago and watched it.Death in the Garden a 1956 film by director Luis Buñuel is also very similar.Also recommended: A Man Escaped (1956) The Killers (1946)

RogerTheMovieManiac88 'Les Orgueilleux' serves as my introduction to the movies of Yves Allegret. After viewing this, I definitely feel inclined to track down and watch more of his cinematic achievements.This is a startling and memorable movie to behold. Filmed in Mexico, it exhibits a level of hard-nosed realism that is striking. For me, the most outstanding aspect of this movie is the admirable creation of a strong atmosphere. Shifting from the Malaya that Sartre had originally envisioned to the remote Mexican Gulf Coast town of Alvarado, our troubled protagonists constantly drip in perspiration amid the torrid, stultifying turmoil of oppressive heat and a typhus epidemic. The cinematography of Alex Phillips vividly and imaginatively brings to life the heady and intoxicating atmosphere created. There is a wonderful framing of compositions with much happening invariably in the background. The camera that stops and observes while keeping track of proceedings wonderfully conveys the straining desperation and the edginess that pervades the town. The depiction of Easter celebrations adds to the swirling, unrelenting miasma. The sudden and intrusive clang of bells, the constant crackle of fireworks, and the wild beat of the huapango music contrives to put everybody on edge.The focus of Sartre's embryonic 1944 screenplay 'Typhus' is generally well reflected in this big screen treatment although the hopeful ending eventually led the pessimistic Sartre to distance himself from the finished film. Allegret and his team certainly give us rich and diverse characterisation of roles. Telerama hailed this as Michèle Morgan's best role of the 1950s, and they aren't far off, in my opinion. Halliwell's Film Guide roundly derides this movie as 'silly, poorly acted and unconvincing', which I think is a decidedly unfair judgement. Perhaps, they should re-evaluate it because I think Morgan absolutely shines as Nellie. She is warm, distantly sensuous and yet imposing as she surveys the surroundings in which she has been landed. The sense of numbness and isolation that she summons is perhaps particularly of note. The scene where she is alone with her dead husband exhibits great understanding of human emotion. Seemingly composed, she bends down to pick something up. Suddenly overcome by all that has happened, she starts heaving in tears in the darkened seclusion by the bedside. On a purely human level, Nellie's welling-up of emotions is realised in a very believable and gentle fashion by an actress of class and glacial beauty.Gerard Philipe utterly immerses himself in the frenetic blinding stupor of a disgraced man attempting to shut out his past. As Georges, he literally careens through the movie as a bearded drunkard on an unending bender. Philipe and Morgan are simply mesmerising and the absolute contrast in their characters proves compelling. They make the audience empathise with and feel for these trapped individuals every step of the way.This is a noteworthy movie featuring involving and interesting mood and characterisation. Allegret concocts a seething atmosphere inhabited by dislocated souls and succeeds in making the viewer care for them. An existential movie with a real edge, 'Les Orgueilleux' is an impressive accomplishment which offers a perceptive and uncompromising take on human nature.

Jennifer Hoagland I saw this movie when it first came out, have not seen it since, but have remembered it vividly all these years. Seldom, if ever, has a film held me riveted the way this one did. Of course, I would have paid to see Michele Morgan read the Manhattan phone book, especially attired in a slip (no, I am not a lezzie). The mood created by the meningitis epidemic in Mexico and the sexual tension, created mostly by Morgan, are more enveloping than real life. This remains one of my top 10 - perhaps top 5 - favorite movies of all time. For the life of me, I cannot understand why there is neither a VHS nor a DVD version available, apparently anywhere. What can be done to rectify this situation? For years, I moaned about the lack of a DVD of The Informer. Now, one is available but only as part of the overpriced John Ford collection of some of his lesser films.Jen