Diagonaldi Very well executed

Inclubabu Plot so thin, it passes unnoticed.

SeeQuant Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

Sanjeev Waters A movie that not only functions as a solid scarefest but a razor-sharp satire.

simonpcpearson The idea of a modern version of Quatermass is an intriguing one, but unfortunately this poor effort is a wasted opportunity.The decision to transmit the programme live is ultimately a gimmick that damages the project. It would appear that the budget was quite low, which, when combined with the live aspects make this look like a you tube video.Jason Flemyng is arguably miscast as Quatermass, although it might be argued that this incompetent production doesn't give him a fair chance.David Tennant fares a little better , but of the rest of the cast the females are the only ones who seem to be even trying. Isla Blair and Indira varma bring a bit of much needed credibility to the proceedings.The really big problem is Richard Fell's awful script which is amateurish in every imaginable way. When listening to the dialogue one imagines of the writer or director have ever heard real people speak. Fail.

Jim Trascapoulos I'm an old fan of Quatermass and the Pit (watching the DVD now actually...) but I'm a bit surprised by the BBC4 experiment I saw a few late nights back. Not great, not bad, not much actually - it was very much all theatrics and really lacked any real bearing. Plus the ending just completely fizzled out..I sat there thinking "Huh? What have I missed?"Jason Flemyng, as good an actor as he is, was just not Quatermass material. As the head of a space program, sorry - he's just too damn young. He lacks gravitas and bearing and just seems as if he's always catching up rather than leading. Fun - to a degree - but ultimately disappointing

Theo Robertson The original BBC version of THE QUATERMASS EXPERIMENT shocked a nation way back in 1953 but this remake barely caused a ripple when broadcast three years ago and it's not too difficult to see why . Nowadays television audiences are much more sophisticated and television in the 21st century is more of a bastard child of cinema than theater , but it would be both churlish and incorrect to state that the failings and the lukewarm reception of this remake are down to the audience because the fault lies entirely with the production team A lot of people have complained about the anachronistic feel of the production . Indeed it doesn't really feel like it's set in the present day despite the scenes set at the Tate Modern and having BBC News 24 giving away exposition . Perhaps the most startling thing are the large number of characters who smoke , something both television production teams and government have cracked down on and I'm possibly correct in saying if this had been made in the Autumn of 2008 none of the actors would be allowed to smoke on screen by law Director Sam Miller usesa countless number of medium shots . In order to generate tension and atmosphere wouldn't close ups have been more effective ? Of course Miller is directing a live broadcast where anything or everything can go wrong so perhaps we should be more forgiving because of the amount of pressure he was under . Unfortunately any tension and atmosphere is diluted with the amount of clichéd POV shots and over head filming of London which outstay their welcome very quickly . There's also a lack of internal logic to these shots . If you're a mutating monster walking around London dressed in a cloak wouldn't someone call the police , and wouldn't the police be going out of their way to hunt down the mutating monster ? Are we to believe the monster hasn't been picked up on CCTV cameras ? Apparently the story is set in a world where we can send astronauts into deep space but no one has invented the close circuit TV camera . Do you understand the anachronistic criticisms now ? Some of the problems with the script actually lie at the door of Nigel Kneale . The original version of THE QUATERMASS EXPERIMENT was written as a suspenseful mystery . Alas however it was constructed very much as a whodunnit . Once you know what is happening to Victor Carroon etc there's little mystery involved . It's similar to watching a whodunnit unfold when you already know who did it so there's no surprises . Kneale did construct his story in an episodic form to be broadcast over a period of six weeks which leaves Richard Fell's adaptation very disjointed . In some places it's very slow and in other places so rushed you find yourself thinking if there's been a hitch in the production that stopped a scene being transmitted . We also have to endure a ridiculous scene where an art lover bleats " If you destroy beauty then we don't deserve to go on living " Oh please ! All in all this version of a Nigel Kneale classic is more of a nostalgic gimmick than anything else . If the BBC are thinking of doing a live version of QUATERMASS AND THE PIT then my advice is don't . It'd be terrible to see the greatest SF drama in the history of television turned in to something like this

roltzero When I heard that the BBC were planning to re-make The Quatermass Experiment, I got quite excited. The original is lost forever (except for two episodes) and the film, although a fairly good version (sorry Nigel) is half as long as the original. Great, the BBC might beef this up with some good effects, a colour version to last and interest others in Nigel Kneale's much underrated genius. What planet was I living on? 'Here, let's remake Quatermass'. 'Good idea, ooh shall we spend some money on it like Dr Who? Make it something people will remember'? 'Nah let's cut an hour out, pretend CGi's never been invented, and do it live as a gimmick and instantly forgettable'! 'Oh, and then let's cock-up 'A For Andromeda' in the same spectacular style'! Unforgivable! My advice, buy the scripts in paperback and imagine yourself a better version!