Aedonerre I gave this film a 9 out of 10, because it was exactly what I expected it to be.

Bluebell Alcock Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Dana An old-fashioned movie made with new-fashioned finesse.

videorama-759-859391 Really, I don't know what the point is to making these films. This, you'll find in the Adult section of your local video store. S.S. Erotica, we'll call it, but there's nothing erotic to it. Quite a bit of nudity and painfully robotic acting, I was having a few "What the f.ck moments"? It takes it self too seriously, considering it's genre, while it's also un erotic. I actually wandered off a few times, from this boring stiff sex/drama, where a few anti Hitler party are taken out. Hitler's utilized a lot here, where shown a few photos of the beast, we somehow, feel, it's trying to impress, if to make a ligit film. There are some inner amusing moments, though inside I really wasn't laughing, but it was Hitler's admirers, speaking a few wonderful words about the man. I can't believe they let some kids act in this too. Forgettable, all the way. A sleeper. I'm just warning ya. Heil nothing.

Coventry Although "Red Nights of the Gestapo" is extremely boring, poorly made and totally unmemorable, I somewhat feel obliged to reward it with a *slightly* higher rating than the majority of Nazisploitation flicks I've seen before. Why? Because these stupid films usually always revolve on sleaze and repulsive experiments in concentration camps, filled with perverted guards and deranged doctors, but "Red Nights…" is at least a little more ambitious. The plot revolves on a Nazi (a typical one with blond hair and blue eyes) who has to come up with a plan to prevent an already plotted murder conspiracy against Hitler himself. To accomplish his mission, Werner does a whole lot of things that don't make any sense – unless I wasn't paying enough attention – like kidnapping the daughter of a Swedish industrialist, recruiting nymphomaniac women for the army or forcing a fellow officer to drink the breast milk of a female prisoner. What the hell? The absolute funniest sequence shows a doctor giving a scalpel to a female prisoner and commanding her to hurt herself. The scalpel is clearly just a red pen and the blood she licks is simply ink! Practically ALL Nazi-exploitation movies are total duds and not worth tracking down (two exceptions being "Salon Kitty" and "Ilsa, She Wolf of the SS"). They're the most boring films imaginable and the sexual footage depicted here is of the most UN-erotic kind. For example: in "Red Nights…", there's a scene were a poor girl gets raped with a gun and some sick bastard even bites off one of her nipples! If that idea arouses anyone, they're in urgent need of professional psychological help.

MARIO GAUCI Unlike the typical example from the short-lived but oddly prolific Nazisploitation subgenre, THE RED NIGHTS OF THE GESTAPO does not deal with the dehumanizing activities in Nazi concentration camps but rather with all the salacious perversions that a group of renegade anti-Nazi Germans get down to when they are holed up in a castle one night under the supposed pretext of plotting Hitler's downfall. What is even more surprising is that the plot is not only based on a book by one of the supporting characters but is ostensibly driven by actual historical events like Rudolph Hess' defection to Britain in early 1941 seeking to sign a Peace Treaty, the proliferation of anti-Hitler sentiments among key figures in the German bourgeoisie which came to a head in the unsuccessful "Night of the Long Knives" assassination attempt on Hitler's life, Hitler's march on Russia in mid-1941, etc.The Gestapo blackmail Hess' right-hand man (after bugging his apartment and threatening him with the kidnapping of his son) into organizing a party which would gather together the leading figures of the uprising. But, for most of the film's running time, the Gestapo's intentions seem not to find out how the latter plan to overthrow the Nazi regime but rather to prove that even these would-be saviours of the Fatherland have their sordid weaknesses: aided by a handful of truly loose women, the meeting degenerates into one sleaze marathon which ends with the unceremonious gunning down of all concerned by SS troops. As can be expected, there is a sheer barrage of nudity on display exacerbated with the pre-requisite traits of lesbianism, paedophilia, sado-masochism, etc. Unfortunately, there are none of the familiar Euro-Cult faces or even a rousing score which would make all this palatable; what we have instead are an abysmal SS anthem, "Lullaby for Monsters"(!!), whose lyrics have to be understood to be disbelieved, stiff acting (pardon the pun) including a female Hitler impersonation and a hilariously defiant farting gesture from one silver-haired stud of an aristocrat!

John Mclaren Disappointing "Salon Kitty" wannabe WW2 WIP flick. This is Nazi exploitation at its most mediocre. The production values are higher than some of its co-genre (viz Love Camp and SS Camp), but it fails to deliver in most other areas.If you like full frontal nudity, you wont find much. If you are into jackboot torture, again it is not going to deliver for you. If you really want to see "wimmin who shag in ze name of exposing traitors to ze Fatherland", then you have come to the right shop (again). How many times have we seen this old yarn re-worked and churned out?Fraid it doesn't work for me any more. Watch the original if you are into this cinematic style...