Lollivan
It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Portia Hilton
Blistering performances.
Michelle Ridley
The movie is wonderful and true, an act of love in all its contradictions and complexity
brunoafh123
This film is not for everyone. It is not even for all fans of Mamoru Oshii necessarily. It is extremely bizarre, often seemingly incomprehensible, very unpredictable, and a mix of several genres that is not necessarily seamless. It seems that most of the negative reactions to it are from viewers that were expecting something more in line with Jin-Roh, and being that it is supposed to be part of that saga, this isn't exactly a wild conclusion to make. However, it is quite different from Jin-Roh and other Kerebos related works. It is possibly Oshii's most bizarre work to date, and although not completely different than Jin-Roh, still a different beast. Mostly, I would urge viewers not to go into this expecting the heavy doses of action delivered in his anime works.For what it is, the production values are quite good. Most of the film is shot in black and white, but it is one of those movies where this helps the tone and it feels natural. The opening sequence is an over the top action scene in color where the main characters mow down a bunch of bounty hunters with their gigantic machine guns and power armor, but after that it is mostly straight surrealism layered with general insanity. The tone shifts frequently and leaves you never knowing what to expect. You just never know if you are going to get an action scene, comedy gags, or long sequences of social commentary... which are sometimes intertwined with action and comedy.Red Spectacles is one of the finest works of surrealism I have seen. The feeling it evokes is very unique and stayed with me for days. It bounces between noir drama, gun fights, kung fu, suspense, tragedy, slapstick comedy, and set piece driven sequences without any given indication. It is a wild ride that will take you off guard, for better or for worse. It is steeped quite heavily in symbolism as usual with his films, but I feel that this is one of his best deliveries in terms of that. The ending is incredibly powerful in particular, and paired with Kenji Kawai's brilliant soundtrack, and the outlandish landscapes, ended up being straight up haunting. The OST is absolutely one of Kenji Kawai's finest scores as well, and I do not say that lightly as I hold his work in the highest regard. The epic main theme is unforgettable, and the movie would not have been what it is without him.Lastly, Shigeru Chiba's performance is simply amazing. You may know of him from his anime voice acting career. I assure you that the film is at very least worth watching for his over the top and ridiculous performance. He is honestly even more entertaining on screen than he is as a voice actor, it would have been great to see him in more live action films. He single handledly brings the film alive and makes it even more than it could have been. His performance here is reminiscent of Tomorowo Taguchi's acting in the films of Shinya Tsukamoto.Love it or hate it, I guarantee you will never forget it.
Bart
After watching Avalon (which was decent only because of the very nice digital fx), and several anime films written by Oshii, including Jin-Roh (which is fantastic) I decided I should check out the Oshii cinema trilogy box set. Being that the Red Spectacles and Stray Dog are related, I will comment here on both. And let me tell you, it was one of the biggest wastes of money I have spent in a while. I first watched Stray Dogs and then The Red Spectacles. I am sad to say that these films are quite possibly the most boring two movies I have ever seen. For only about 10 minutes in each film do you get to see some action between the the characters, who are only dressed in the "Panzer Cop" outfits for a few fleeting scenes. The rest of the time you will see some very drawn out scenes filled with boring dialogue in some less than impressive locations. I really don't understand the motivation behind these two films at all. I love the Wolf Brigade outfits and the idea behind the plot, but the films themselves leave much to be desired. I would suggest NOT watching these films, and certainly do not buy the box set like I did, unless you enjoy wasting money. Oh, and if you are wondering what I think about the 3rd movie in the set, Talking Head, I couldn't even bring myself to watch it before I purged the box set from my DVD collection via eBay at a $20 loss. If you want cool Japanese live action, check out Returner, or Ichii the Killer or the Zeiram series.
Wetbones
RED SPECTACLES starts typically enough for an Oshii film. First of all it is based on the same manga that much later inspired JIN-ROH so the power suits seen right at the beginning of SPECTACLES will look very familiar to those who've seen that later film. It is also shot in a very desaturated way, kind of similar to AVALON in how it is almost monochromatic. In a series of texts on screen we are introduced to a future world where an elite police force has just been disbanded and forced to disarm. Three officers refused to give up their weapons and it's their fate that this film will mostly be about. They hole up in a dilapidated building and are soon attacked by dozens of civilians who are out to collect the bounty that has been put on their heads. However, with their superior guns they mow them down like so much corn at the time of reaping. But still, only one of them can continue his escape as the other two (a man and a woman) are badly wounded. They make him promise that he'll eventually return and he's off.The rest of the film is about his return and his adventures in a very changed city. But I was in for a big surprise! If I thought this would be a typically gloomy and melancholic Oshii film at the beginning I soon realized with utter amazement that this is one hell of a weird hybrid of a film. Yes, there are a lot of typical Oshii-esquire moments of philosophizing and melancholy but for every such scene you get one in which the hero suffers from diarrhea and runs around making silly faces while looking for a toilet. There are a total of 3 (!!!) scenes of that in the film and they are acted, filmed and scored (by the once again brilliant Kenji Kawai) like a post-modern Japanese take on LAUREL & HARDY. And to make things even stranger there are also entire scenes set on a theatrical stage! Oshii resorts to simply filming the actors acting like they were in a play, sometimes even resorting to pantomime! Awesome, just awesome! Then, towards the end of the film it takes a turn for the surreal that I won't spoil but it involves a girl who may or may not represent fate, BLADE RUNNER skylines and the mysterious contents of a suitcase.Well, what can I say? When I popped in this DVD I expected Oshii's patented brand of beautiful and cultivated tedium but instead I got what could possibly be described as a bizarre hybrid of URUSEI YATSURA and GHOST IN THE SHELL with elements of the films of David Lynch thrown in for good measure. I found the film to be extremely ahead of the time it was made in. Even after 15 years RED SPECTACLES still feels fresh and intriguing and thoroughly modern. Which is only further testament to the genius of Mamoru Oshii, who is simply one of the most exciting filmmakers to emerge out of Asia in the last 2 decades.
Lrdcemb
I too am a big fan of Oshii's anime work, but I have to admit I went into this movie expecting an action packed movie such that it starts out as, and it ends up being something akin to Lynch's Mullhuland Dr. I was perfectly willing to accept that, and I enjoy all kinds of movies, and would particulary enjoy a very high brained live action anime type flick, and the visuals where spectacular in many scenes. However, I wish someone who saw this film would explain in depth more about what exactly was going on, as they saw it. I have to admit that I didn't get half of what happened in the last half of the film, and I would consider myself pretty versed in metaphoric interpretation of film.According to others what was being shown is a reflection of the confusion of the character trying to find out what happened to his friends who he left and let die? Perhaps only in that the viewer is confused by what they're seeing?I don't know, but if you consider when this movie was made, in 87, it was extremely advanced in quality of the film.
