CheerupSilver Very Cool!!!

Lucia Ayala It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Kamila Bell This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Jerrie It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

bkoganbing The craggy cliffs at seaside in the Cornwall section of England seem to lend themselves to stories of mystery and adventure. So much good literature seems to be set there, ditto films. This one from Hammer films is no classic, but reasonably frightening.The brother of Ray Barrett who lived in a small Cornish village is struck down with a mysterious maladies which go in the books as heart attacks. The place is so small it has no regular doctor so the regional coroner just takes it verbatim.Barrett and wife Jennifer Daniel come to stay at the late brother's house and they're not greeted with open arms by the villagers. Least of all Noel Willman who is a doctor, but not of medicine, theology rather. Willman has a frisky young daughter played by Jacqueline Pearce and a man of the east played by Marne Maitland, a mysterious fellow known only as the Malay.Think of a reptilian version of a werewolf picture and you've got what's going on in The Reptile. The plot and script are a bit fuzzy, but the usual Hammer fright fest is present here.And without either Peter Cushing or Christopher Lee.

GL84 Following a relative's death, a man and his wife head off to the remote village to inherit a new house unknowing of the bizarre experiments a neighbor conducted that has unleashed a terrifying monster, forcing them to kill the creature before more are harmed.This turned out to be an utterly disappointing effort overall. Among the main problem here is the rather wretched and atrocious pacing featured since the film is just an utter bore as nothing really happens at all. While this one manages to get a lot out of the straightforward and consistent story, for the most part it's just basically a repetition of one of three different scenes and it really drags the film out to a lurching halt not only with the lack of action but also the general continuation of these same specific scenes and set-ups recurring throughout the film. We either have the villagers giving them the cold shoulder, the local doctor getting upset at them for no reason or everyone is sitting around talking about the death of the first person, and none of it really comes off in any way enjoyable. The villagers' hostility towards the new couple arriving into town reeks of nothing more than cliché now and manages to feel totally unwarranted with the continued usage of the tactic being so completely expected as well as feeling so unnecessary to the events that it feels like excess padding when they continually get run out of town. The party scenes with the doctor at his house are quite dull and really don't serve any kind of solid purpose other than to bring about the storyline ruse about their past endeavors traveling the world yet go on for so long that his company seems hardly that interesting in the case where it's presented here, and there's so long into the film before they even decide to investigate the first murder that it seems like an afterthought despite being the main clue that zeros them in on what's going on. That overwhelming sense of boredom afflicts the film to the point where it's monster attacks don't even start until the fifty- five minute mark, the creature isn't revealed until ten minutes into the finale, and we break up the action to get the full back-story revealed to us before it starts up the action again which makes all of this really troubling. Along with the somewhat cheesy-looking creature effects that aren't imposing at all, these here hold this one back. There's still some rather fun parts here, most of which coming from the fact that the Gothic flavors are still in full effect and it really works those to full effect with the small- town village on the outskirts of town which manages to generate that famous Hammer atmosphere so often utilized in their films, most notably in a graveyard excavation sequence in the pouring rain. Coupled with the engrossing storyline where brings out some rather novel ideas with the concept of the creature's cult origins and overall backstory that's on display here. Also, as expected in this kind of the film it manages to get some good action towards the end where it gets the prototypical burning-down-the-house finale which starts off in the basement pit before making it's way through the rest of the house giving this a great finish, but it's just so deathly dull you'll fall asleep before it gets to the good stuff.Today's Rating/PG: Violence.

AaronCapenBanner John Gilling directed this atmospheric film that stars Ray Barrett and Jennifer Daniel as Harry & Valerie Spalding, a young couple who have arrived in a Cornish village after he inherits it following the mysterious death of his brother Charles. Their new neighbor Dr. Franklyn(played by Noel Willman) tells them to leave, but his daughter Anna befriends them, little realizing that it is sweet Anna who is responsible for the deaths, as she was cursed into becoming a human/reptile hybrid by an evil cult, whose representative isn't far away... Superb Hammer studios film has an intelligent story and fine performances, with Ray Ashton's makeup F/X a standout, leading to exciting climax. One of the best Hammer horrors.

tomgillespie2002 When his brother is mysteriously killed by a reptilian creature that causes him to foam at the mouth and turn green, Harry Spalding (Ray Barrett) inherits his cottage and moves in with his wife Valerie (Jennifer Daniel). Shunned by the towns yokels but befriended by the brilliantly bearded innkeeper Tom (Michael Ripper), Harry becomes interested in the rumours of the townsfolk dying from the 'black death'. When they alert the local doctor, Dr. Franklyn (Noel Willman), he dismisses any responsibility, and they become puzzled by his strange behaviour towards his daughter and his creepy servant. Is the black death really to blame? Of course not, it's a big reptile-human hybrid thing!As good as Hammer's output was, they levelled it out with a lot of quickly made crap. They shot films furiously fast on a wafer-thin budget to serve as warm-ups to main features. While sometimes this produced some genuinely good stuff (The Plague of the Zombies - also directed by Gilling), often it did not. The Reptile served as an accompaniment to Rasputin The Mad Monk, and it's place as a mere quickie is evident to see. It is hammily acted (usually a good thing), badly scripted, and has some quite shockingly bad make-up. And lead Ray Barrett clearly wasn't the most gifted of actors. However, the mysterious plot that remains a puzzle right until the very end almost saves it, but this still remains a very poor effort, though it's a nice enough way to pass 90 minutes.www.the-wrath-of-blog.blogspot.com